Jonathan Franzen - The Corrections

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The Corrections: краткое содержание, описание и аннотация

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Amazon.com Review
From Publishers Weekly Jonathan Franzen’s exhilarating novel
tells a spellbinding story with sexy comic brio, and evokes a quirky family akin to Anne Tyler’s, only bitter. Franzen’s great at describing Christmas homecomings gone awry, cruise-ship follies, self-deluded academics, breast-obsessed screenwriters, stodgy old farts and edgy Tribeca bohemians equally at sea in their lives, and the mad, bad, dangerous worlds of the Internet boom and the fissioning post-Soviet East.
All five members of the Lambert family get their due, as everybody’s lives swirl out of control. Paterfamilias Alfred is slipping into dementia, even as one of his inventions inspires a pharmaceutical giant to revolutionize treatment of his disease. His stubborn wife, Enid, specializes in denial; so do their kids, each in an idiosyncratic way. Their hepcat son, Chip, lost a college sinecure by seducing a student, and his new career as a screenwriter is in peril. Chip’s sister, Denise, is a chic chef perpetually in hot water, romantically speaking; banker brother Gary wonders if his stifling marriage is driving him nuts. We inhabit these troubled minds in turn, sinking into sorrow punctuated by laughter, reveling in Franzen’s satirical eye:
Gary in recent years had observed, with plate tectonically cumulative anxiety, that population was continuing to flow out of the Midwest and toward the cooler coasts…. Gary wished that all further migration [could] be banned and all Midwesterners encouraged to revert to eating pasty foods and wearing dowdy clothes and playing board games, in order that a strategic national reserve of cluelessness might be maintained, a wilderness of taste which would enable people of privilege, like himself, to feel extremely civilized in perpetuity.
Franzen is funny and on the money. This book puts him on the literary map.
— Tim Appelo If some authors are masters of suspense, others postmodern verbal acrobats, and still others complex-character pointillists, few excel in all three arenas. In his long-awaited third novel, Franzen does. Unlike his previous works, The 27th City (1988) and Strong Motion (1992), which tackled St. Louis and Boston, respectively, this one skips from city to city (New York; St. Jude; Philadelphia; Vilnius, Lithuania) as it follows the delamination of the Lambert family Alfred, once a rigid disciplinarian, flounders against Parkinson’s-induced dementia; Enid, his loyal and embittered wife, lusts for the perfect Midwestern Christmas; Denise, their daughter, launches the hippest restaurant in Philly; and Gary, their oldest son, grapples with depression, while Chip, his brother, attempts to shore his eroding self-confidence by joining forces with a self-mocking, Eastern-Bloc politician. As in his other novels, Franzen blends these personal dramas with expert technical cartwheels and savage commentary on larger social issues, such as the imbecility of laissez-faire parenting and the farcical nature of U.S.-Third World relations. The result is a book made of equal parts fury and humor, one that takes a dry-eyed look at our culture, at our pains and insecurities, while offering hope that, occasionally at least, we can reach some kind of understanding. This is, simply, a masterpiece. Agent, Susan Golomb. (Sept.)Forecast: Franzen has always been a writer’s writer and his previous novels have earned critical admiration, but his sales haven’t yet reached the level of, say, Don DeLillo at his hottest. Still, if the ancillary rights sales and the buzz at BEA are any indication, The Corrections should be his breakout book. Its varied subject matter will endear it to a genre-crossing section of fans (both David Foster Wallace and Michael Cunningham contributed rave blurbs) and FSG’s publicity campaign will guarantee plenty of press. QPB main, BOMC alternate. Foreign rights sold in the U.K., Denmark, Holland, Italy, Norway, Portugal, Sweden and Spain. Nine-city author tour.
Copyright 2001 Cahners Business Information, Inc.

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“It’s not cynical.”

“What is it, if not cynical?”

“It’s celebrating women in the workplace,” Melissa said. “It’s raising money for cancer research. It’s encouraging us to do our self-examinations and get the help we need. It’s helping women feel like we own this technology, like it’s not just a guy thing.”

“OK, good,” Chip said. “But the question is not whether we care about breast cancer, it’s what breast cancer has to do with selling office equipment.”

Chad took up the cudgels for Melissa. “That’s the whole point of the ad, though. That if you have access to information, it can save your life.”

“So if Pizza Hut puts a little sign about testicular self-exams by the hot-pepper flakes, it can advertise itself as part of the glorious and courageous fight against cancer?”

“Why not?” Chad said.

“Does anybody see anything wrong with that?”

Not one student did. Melissa was slouching with her arms crossed and unhappy amusement on her face. Unfairly or not, Chip felt as if she’d destroyed in five minutes a semester’s worth of careful teaching.

“Well, consider,” he said, “that ‘You Go, Girl’ would not have been produced if W — had not had a product to sell. And consider that the goal of the people who work at W — is to exercise their stock options and retire at thirty-two, and that the goal of the people who own W — stock” (Chip’s brother and sister-in-law, Gary and Caroline, owned a great deal of W — stock) “is to build bigger houses and buy bigger SUVs and consume even more of the world’s finite resources.”

“What’s wrong with making a living?” Melissa said. “Why is it inherently evil to make money?”

“Baudrillard might argue,” Chip said, “that the evil of a campaign like ‘You Go, Girl’ consists in the detachment of the signifier from the signified. That a woman weeping no longer just signifies sadness. It now also signifies: ‘Desire office equipment.’ It signifies: ‘Our bosses care about us deeply.’”

The wall clock showed two-thirty. Chip paused and waited for the bell to ring and the semester to end.

“Excuse me,” Melissa said, “but that is just such bullshit.”

“What is bullshit?” Chip said.

“This whole class,” she said. “It’s just bullshit every week. It’s one critic after another wringing their hands about the state of criticism. Nobody can ever quite say what’s wrong exactly. But they all know it’s evil. They all know ‘corporate’ is a dirty word. And if somebody’s having fun or getting rich — disgusting! Evil! And it’s always the death of this and the death of that. And people who think they’re free aren’t ‘really’ free. And people who think they’re happy aren’t ‘really’ happy. And it’s impossible to radically critique society anymore, although what’s so radically wrong with society that we need such a radical critique, nobody can say exactly. It is so typical and perfect that you hate those ads! ” she said to Chip as, throughout Wroth Hall, bells finally rang. “Here things are getting better and better for women and people of color, and gay men and lesbians, more and more integrated and open, and all you can think about is some stupid, lame problem with signifiers and signifieds. Like, the only way you can make something bad out of an ad that’s great for women — which you have to do, because there has to be something wrong with everything — is to say it’s evil to be rich and evil to work for a corporation, and yes, I know the bell rang.” She closed her notebook.

“OK,” Chip said. “On that note. You’ve now satisfied your Cultural Studies core requirement. Have a great summer.”

He was powerless to keep the bitterness out of his voice. He bent over the video player and gave his attention to rewinding and re-cuing “You Go, Girl” and touching buttons for the sake of touching buttons. He sensed a few students lingering behind him, as if they wanted to thank him for teaching his heart out or to tell him they’d enjoyed the class, but he didn’t look up from the video player until the room was empty. Then he went home to Tilton Ledge and started drinking.

Melissa’s accusations had cut him to the quick. He’d never quite realized how seriously he’d taken his father’s injunction to do work that was “useful” to society. Criticizing a sick culture, even if the criticism accomplished nothing, had always felt like useful work. But if the supposed sickness wasn’t a sickness at all — if the great Materialist Order of technology and consumer appetite and medical science really was improving the lives of the formerly oppressed; if it was only straight white males like Chip who had a problem with this order — then there was no longer even the most abstract utility to his criticism. It was all, in Melissa’s word, bullshit.

Lacking the spirit to work on his new book, as he’d planned to do all summer, Chip bought an overpriced ticket to London and hitchhiked to Edinburgh and overstayed his welcome with a Scottish performance artist who had lectured and performed at D — the previous winter. Eventually the woman’s boyfriend said, “Time to be off now, laddie,” and Chip hit the road with a backpack full of Heidegger and Wittgenstein that he was too lonely to read. He hated to think of himself as a man who couldn’t live without a woman, but he hadn’t been laid since Ruthie dumped him. He was the only male professor in D — history to have taught Theory of Feminism, and he understood how important it was for women not to equate “success” with “having a man” and “failure” with “lacking a man,” but he was a lonely straight male, and a lonely straight male had no equivalently forgiving Theory of Masculinism to help him out of this bind, this key to all misogynies:

¶ To feel as if he couldn’t survive without a woman made a man feel weak;

¶ And yet, without a woman in his life, a man lost the sense of agency and difference that, for better or worse, was the foundation of his manhood.

On many a morning, in green Scottish places splashed with rain, Chip felt close to escaping this spurious bind and regaining a sense of self and purpose, only to find himself at four in the afternoon drinking beer at a train station, eating chips and mayonnaise, and hitting on Yankee college girls. As a seducer, he was hampered by ambivalence and by his lack of the Glaswegian accent that made American girls go weak in the knees. He scored exactly once, with a young hippie from Oregon who had ketchup stains on her chemise and a scalpy smell so overpowering that he spent much of the night breathing through his mouth.

His failures seemed more funny than squalid, though, when he came home to Connecticut and regaled his misfit friends with stories at his own expense. He wondered if somehow his Scottish depression had been the product of a greasy diet. His stomach heaved when he remembered the glistening wedges of browned whateverfish, the glaucous arcs of lipidy chips, the smell of scalp and deep-fry, or even just the words “Firth of Forth.”

At the weekly farmers’ market near D — he loaded up on heirloom tomatoes, white eggplants, and thin-skinned golden plums. He ate arugula (“rocket,” the old farmers called it) so strong it made his eyes water, like a paragraph of Thoreau. As he remembered the Good and the Healthful, he began to recover his self-discipline. He weaned himself off alcohol, got better sleep, drank less coffee, and went to the college gym twice a week. He read the damned Heidegger and did his crunches every morning. Other pieces of the self-improvement puzzle fell into place, and for a while, as cool working weather returned to the Carparts Creek valley, he experienced an almost Thoreauvian well-being. Between sets on the tennis court, Jim Leviton assured him that his tenure review would be a mere formality — that he shouldn’t worry about competing with the department’s other young theorist, Vendla O’Fallon. Chip’s fall course load consisted of Renaissance Poetry and Shakespeare, neither of which required him to rethink his critical perspectives. As he girded himself for the last stage of his ascent of Mount Tenure, he was relieved to be traveling light; almost happy, after all, not to have a woman in his life.

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