Jonathan Franzen - The Corrections

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The Corrections: краткое содержание, описание и аннотация

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Amazon.com Review
From Publishers Weekly Jonathan Franzen’s exhilarating novel
tells a spellbinding story with sexy comic brio, and evokes a quirky family akin to Anne Tyler’s, only bitter. Franzen’s great at describing Christmas homecomings gone awry, cruise-ship follies, self-deluded academics, breast-obsessed screenwriters, stodgy old farts and edgy Tribeca bohemians equally at sea in their lives, and the mad, bad, dangerous worlds of the Internet boom and the fissioning post-Soviet East.
All five members of the Lambert family get their due, as everybody’s lives swirl out of control. Paterfamilias Alfred is slipping into dementia, even as one of his inventions inspires a pharmaceutical giant to revolutionize treatment of his disease. His stubborn wife, Enid, specializes in denial; so do their kids, each in an idiosyncratic way. Their hepcat son, Chip, lost a college sinecure by seducing a student, and his new career as a screenwriter is in peril. Chip’s sister, Denise, is a chic chef perpetually in hot water, romantically speaking; banker brother Gary wonders if his stifling marriage is driving him nuts. We inhabit these troubled minds in turn, sinking into sorrow punctuated by laughter, reveling in Franzen’s satirical eye:
Gary in recent years had observed, with plate tectonically cumulative anxiety, that population was continuing to flow out of the Midwest and toward the cooler coasts…. Gary wished that all further migration [could] be banned and all Midwesterners encouraged to revert to eating pasty foods and wearing dowdy clothes and playing board games, in order that a strategic national reserve of cluelessness might be maintained, a wilderness of taste which would enable people of privilege, like himself, to feel extremely civilized in perpetuity.
Franzen is funny and on the money. This book puts him on the literary map.
— Tim Appelo If some authors are masters of suspense, others postmodern verbal acrobats, and still others complex-character pointillists, few excel in all three arenas. In his long-awaited third novel, Franzen does. Unlike his previous works, The 27th City (1988) and Strong Motion (1992), which tackled St. Louis and Boston, respectively, this one skips from city to city (New York; St. Jude; Philadelphia; Vilnius, Lithuania) as it follows the delamination of the Lambert family Alfred, once a rigid disciplinarian, flounders against Parkinson’s-induced dementia; Enid, his loyal and embittered wife, lusts for the perfect Midwestern Christmas; Denise, their daughter, launches the hippest restaurant in Philly; and Gary, their oldest son, grapples with depression, while Chip, his brother, attempts to shore his eroding self-confidence by joining forces with a self-mocking, Eastern-Bloc politician. As in his other novels, Franzen blends these personal dramas with expert technical cartwheels and savage commentary on larger social issues, such as the imbecility of laissez-faire parenting and the farcical nature of U.S.-Third World relations. The result is a book made of equal parts fury and humor, one that takes a dry-eyed look at our culture, at our pains and insecurities, while offering hope that, occasionally at least, we can reach some kind of understanding. This is, simply, a masterpiece. Agent, Susan Golomb. (Sept.)Forecast: Franzen has always been a writer’s writer and his previous novels have earned critical admiration, but his sales haven’t yet reached the level of, say, Don DeLillo at his hottest. Still, if the ancillary rights sales and the buzz at BEA are any indication, The Corrections should be his breakout book. Its varied subject matter will endear it to a genre-crossing section of fans (both David Foster Wallace and Michael Cunningham contributed rave blurbs) and FSG’s publicity campaign will guarantee plenty of press. QPB main, BOMC alternate. Foreign rights sold in the U.K., Denmark, Holland, Italy, Norway, Portugal, Sweden and Spain. Nine-city author tour.
Copyright 2001 Cahners Business Information, Inc.

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Then they hauled him out of the water and dried him off and wrapped him up. They treated him like a child, and he reconsidered the wisdom of surviving. There was nothing wrong with him except his one-eyed blindness and his non-working shoulder and a few other small things, but they spoke to him as if he were an idiot, a lad, a demented person. In their phony solicitude, their thinly veiled contempt, he saw the future that he’d chosen in the water. It was a nursing-home future and it made him weep. He should have just drowned.

He shut and locked the door of the laboratory, because it all came down to privacy, didn’t it? Without privacy there was no point in being an individual. And they would give him no privacy in a nursing home. They would be like the people on the helicopter and not leave him be.

He undid his pants, took out the rag that he kept folded in his underwear, and peed into a Yuban can.

He’d bought the gun a year before his retirement. He’d imagined that retirement would bring that radical transformation. He’d imagined himself hunting and fishing, imagined himself back in Kansas and Nebraska on a little boat at dawn, imagined a ridiculous and improbable life of recreation for himself.

The gun had a velvety, inviting action, but soon after he bought it, a starling had broken its neck on the kitchen window while he was eating lunch. He hadn’t been able to finish eating, and he’d never fired the gun.

The human species was given dominion over the earth and took the opportunity to exterminate other species and warm the atmosphere and generally ruin things in its own image, but it paid this price for its privileges: that the finite and specific animal body of this species contained a brain capable of conceiving the infinite and wishing to be infinite itself.

There came a time, however, when death ceased to be the enforcer of finitude and began to look, instead, like the last opportunity for radical transformation, the only plausible portal to the infinite.

But to be seen as the finite carcass in a sea of blood and bone chips and gray matter — to inflict that version of himself on other people — was a violation of privacy so profound it seemed it would outlive him.

He was also afraid that it might hurt.

And there was a very important question that he still wanted answered. His children were coming, Gary and Denise and maybe even Chip, his intellectual son. It was possible that Chip, if he came, could answer the very important question.

And the question was:

The question was:

Enid hadn’t felt ashamed at all, not the tiniest bit, when the warning horns were sounding and the Gunnar Myrdal was shuddering with the reversal of its thrusters and Sylvia Roth was pulling her through the crowded Pippi Longstocking Ballroom, crying, “Here’s his wife, let us through!” It hadn’t embarrassed Enid to see Dr. Hibbard again as he knelt on the shuffleboard deck and cut the wet clothes off her husband with dainty surgical clippers. Not even when the assistant cruise director who was helping her pack Alfred’s bags found a yellowed diaper in an ice bucket, not even when Alfred cursed the nurses and orderlies on the mainland, not even when the face of Khellye Withers on the TV in Alfred’s hospital room reminded her that she hadn’t said a comforting word to Sylvia on the eve of Withers’s execution, did she feel shame.

She returned to St. Jude in such good spirits that she was able to call Gary and confess that, rather than sending Alfred’s notarized patent-licensing agreement to the Axon Corporation, she’d hidden it in the laundry room. After Gary had given her the disappointing news that five thousand dollars was probably a reasonable licensing fee after all, she went to the basement to retrieve the notarized agreement and couldn’t find it in its hiding place. Strangely unembarrassed, she called Schwenksville and asked Axon to send her a duplicate set of contracts. Alfred was puzzled when she presented him with these duplicates, but she waved her hands and said, well, things get lost in the mail. Dave Schumpert again served as notary, and she was feeling quite all right until she ran out of Asian and nearly died of shame.

Her shame was crippling and atrocious. It mattered to her now, as it hadn’t a week earlier, that a thousand happy travelers on the Gunnar Myrdal had witnessed how peculiar she and Alfred were. Everyone on the ship had understood that the landing at historic Gaspé was being delayed and the side trip to scenic Bonaventure Island was being canceled because the palsied man in the awful raincoat had gone where nobody was supposed to go, because his wife had selfishly enjoyed herself at an investment lecture, because she’d taken a drug so bad that no doctor in America could legally prescribe it, because she didn’t believe in God and she didn’t respect the law, because she was horribly, unspeakably different from other people.

Night after night she lay awake, suffered shame, and pictured the golden caplets. She was ashamed of lusting for these caplets, but she was also convinced that only they could bring relief.

In early November she took Alfred to the Corporate Woods Medical Complex for his bimonthly neurological checkup. Denise, who’d signed Alfred up for Axon’s Phase II testing of Corecktall, had been asking Enid if he seemed “demented.” Enid referred the question to Dr. Hedgpeth during his private interview with her, and Hedgpeth replied that Alfred’s periodic confusion did suggest early Alzheimer’s or Lewybody dementia — at which point Enid interrupted to ask whether possibly Alfred’s dopamine-boosters were causing his “hallucinations.” Hedgpeth couldn’t deny that this was possible. He said the only sure way to rule out dementia would be to put Alfred in the hospital for a ten-day “drug holiday.”

Enid, in her shame, didn’t mention to Hedgpeth that she was leery of hospitals now. She didn’t mention that there had been some raging and some thrashing and some cursing in the Canadian hospital, some overturning of Styrofoam water pitchers and of wheeled IV-drip stands, until Alfred was sedated. She didn’t mention that Alfred had requested that she shoot him before she put him in a place like that again.

Nor, when Hedgpeth asked how she was holding up, did she mention her little Asian problem. Fearing that Hedgpeth would recognize her as a weak-willed, wild-eyed substance-craver, she didn’t even ask him for an alternative “sleep aid.” However, she did mention that she wasn’t sleeping well. She stressed this, in fact: not sleeping well at all . But Hedgpeth merely suggested that she try a different bed. He suggested Tylenol PM.

It seemed unfair to Enid, as she lay in the dark beside her snoring husband, that a drug legally purchasable in so many other countries should be unavailable to her in America. It seemed unfair that many of her friends had “sleep aids” of the sort that Hedgpeth had failed to offer her. How cruelly scrupulous Hedgpeth was! She could have gone to a different doctor, of course, and asked for a “sleep aid,” but this other doctor would surely wonder why her own doctors weren’t giving her the drugs.

Such was her situation when Bea and Chuck Meisner departed for six weeks of winter family fun in Austria. The day before the Meisners left, Enid had lunch with Bea at Deepmire and asked her to do her a favor in Vienna. She pressed into Bea’s hands a slip of paper on which she’d copied information from an empty SampLpak— ASLAΝ ‘Cruiser’ ( rhadamanthine citrate 88 %, 3-methyl-rhadamanthine chloride 12 % ) — with the annotation Temporarily unavailable in U.S., I need 6 months supply .

“Now, don’t bother if it’s any trouble,” she told Bea, “but if Klaus could write you a prescription, it would be so much easier than my doctor trying to get something from overseas, so, anyway, I hope you have a wonderful time in my favorite country!”

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