Jonathan Franzen - How to Be Alone - Essays

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Passionate, strong-minded nonfiction from the National Book Award-winning author of The CorrectionsJonathan Franzen’s The Corrections was the best-loved and most-written-about novel of 2001. Nearly every in-depth review of it discussed what became known as “The Harper’s Essay,” Franzen’s controversial 1996 investigation of the fate of the American novel. This essay is reprinted for the first time in How to be Alone, along with the personal essays and the dead-on reportage that earned Franzen a wide readership before the success of The Corrections. Although his subjects range from the sex-advice industry to the way a supermax prison works, each piece wrestles with familiar themes of Franzen’s writing: the erosion of civic life and private dignity and the hidden persistence of loneliness in postmodern, imperial America. Recent pieces include a moving essay on his father’s stuggle with Alzheimer’s disease (which has already been reprinted around the world) and a rueful account of Franzen’s brief tenure as an Oprah Winfrey author.
As a collection, these essays record what Franzen calls “a movement away from an angry and frightened isolation toward an acceptance — even a celebration — of being a reader and a writer.” At the same time they show the wry distrust of the claims of technology and psychology, the love-hate relationship with consumerism, and the subversive belief in the tragic shape of the individual life that help make Franzen one of our sharpest, toughest, and most entertaining social critics.

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But this is all still in the future as I speed north on I-170, veering through the underlit lanes, my stomach empty, my head a little woolly with Scotch. The brass door knocker has upset me. I’ve left it in Pete Miller’s care because I don’t want to have it. (It will resurface months later in my editor’s desk.) I don’t want to hold the knocker, don’t even want to look at it, for the same reason that I’ve been averting my eyes from my old house. Not because it reminds me of how empty of meaning the house is now, but because the house is perhaps not so empty after all. The distant past may live only in my head, and my memories of it may merely be mocked by the sterile present, but there are much more recent and much more painful memories that I haven’t touched at all: memories that I’ve tried to leave behind me in the house.

For example, there’s the little Pyrex dish of canned peas that I found in the refrigerator the last time my mother was in the hospital. My mother had long ago reconciled herself to staying in the house while her children fled to the coasts. We invited her to move to one of the coasts herself, but the house was her life, it was what she still had, it was not so much the site of her loneliness as the antidote to it. But she was often very alone there, and I was always at pains, in New York, not to remember this aloneness. Generally I managed to forget it pretty well, but when I flew into town on the day of her last surgery I found unavoidable reminders in the house: a soiled towel soaking in a bucket in the basement, a half-finished crossword by her bed. For the last week or so before she was hospitalized, my mother couldn’t keep any food down, and by the time I arrived her refrigerator was empty of almost everything but ancient condiments and delicacies. On the top shelf there was just a quart of skim milk, a tiny can of green peas with a square of foil on top, and, next to this can, a dish containing a single bite of peas. I was ambushed and nearly destroyed by this dish of peas. I was forced to imagine my mother alone in the house and willing herself to eat a bite of something, anything, a bite of peas, and finding herself unable to. With her usual frugality and optimism, she’d put both the can and the dish in the refrigerator, in case her appetite returned.

The last day I was ever in the house, three months later, I worked with one of my brothers to make last-minute repairs and to box my old belongings. We’d been going at it twelve and fourteen hours a day that week, and I was packing furiously up to the moment I went to fetch a rental truck. I didn’t have time to feel much of anything but the pleasure of getting the boxes labeled, the truck loaded up; and then suddenly it was time for me to leave. I went looking for my brother to say goodbye to him. I happened to pass my old bedroom, I found myself stopping in the hallway to look inside, and it occurred to me that I would never see this room again ; a wave of grief rose up in me. I ran down the stairs, breathing heavily through my mouth, not seeing well. I clapped my arms around my brother and ran, just ran, from the house and hopped in the truck and drove too fast down the driveway, ripping a branch off a tree in my hurry to get on the road. I think I made myself be done then. I think the implicit promise I gave myself that afternoon, the promise I would have broken if I’d gone back inside the house today, was that I had left for the last time and I would never have to leave again.

Promises, promises. I’m speeding toward the airport.

[2001]

Inauguration Day, January 2001

A couple of Saturdays ago, lacking any better invitation, you might have got up at 5:30 and left your silk scarves and your cashmere coat in the closet, put on your beat-up Red Wings and several layers of old wool, and cabbed up to the Harlem State Office Building, on 125th Street, where twenty young socialists, a shoal of fellow-traveling Fordham students, and two stray Barnard seniors who’d been drinking all night at the Village Idiot were waiting for transportation to Washington.

The transportation, when it came, rather late, proved to be two antique yellow school buses. David Schmauch, a member of the Harlem branch of the International Socialist Organization, was in charge of the operation. Schmauch, who resembles a clean-shaven Kenneth Branagh, was wearing duck boots, a nylon parka, and a goofy stocking cap. He’d paid fifteen hundred dollars out of his own pocket for the buses, and he’d sold nowhere near fifteen hundred dollars’ worth of tickets. One contingent of sympathizers, he said, had backed out when it learned that the buses had no bathrooms. You might have been tempted to sneer at this objection, at the bourgeois primness of it, but after your very slow bus, slowed further by rain and fog, had made a bathroom stop at every service area along the New Jersey Turnpike — each stop dilating into cigarette break and extended snack opportunity — you might have wished, yourself, for a motor coach with self-contained amenities.

On the other hand, the more time you’d sat on a warm, dry bus reading your copy of the Socialist Worker , the less time you’d have had to stand in the mud at Stanton Square, behind the Supreme Court, where the only shelters were the dope-scented porta-potties and the plastic-shrouded gazebo from which warmup speakers for the Reverend A1 Sharpton were fishing for cheers in a sea of four or five thousand wet non-Republicans. Worse weather was imaginable: it could have been raining harder. If you’d lucked onto the slower bus and arrived very late, only your smaller fingers might have been frozen by the time Sharpton took charge of the mike and stirred you, against your will, with the brevity and force of his denunciations. There in the rain, among the wilting placards (“Hail to the Thief!” and “The People Have Spoken — All Five of Them”) and the rain-beaded lenses of Bertolt Brecht eyewear, you might even have warmed to Sharpton’s cheaper shots — his challenge to Dubya “to do more than get messy with Jesse,” for example, or his calculated stuttering of “Clarence T — Tom — Thomas.”

The crowd was all smiles as it formed a column and marched slowly up Maryland Avenue to surround the Supreme Court. If you’d been there, you might have been stirred by the ceaseless chanting of

Racist, sexist, anti-gay,

GEORGE BUSH, go away!

and

Hey, Dubya, what do you say—

How many votes did you steal today?

even if you didn’t actually believe that George Bush was a bigot or that he’d stolen any votes that day. Maybe, long ago, you felt similarly divided at high-school pep rallies. Maybe, although the cheerleaders in this crowd wore dreadlocks and leather pants and those burdensome-looking collections of buttons (those rosarylike skeins of explicit ideology), rather than letter sweaters and pleated skirts, you’d have once again found yourself simultaneously thrilled and repelled. But when the sidewalk surrounding the Supreme Court was fully occupied by drenched protesters, and the chant had shifted to a conga beat of

THIS is what democracy looks-like,

THAT is what hypocrisy looks-like

with hundreds of wet arms pointing at the Court on every shout of “ THAT ” your irritation with the self-congratulation of the THIS might have been swept away by a sudden, overpowering resentment of the THAT: the marble courthouse that loomed, silent, unlighted, unresponsive, behind a line of cops in riot helmets. You might have been glad you came down here.

But then, as the line moved on and you rounded the south-east corner of the Court, you might have had the deeply weird experience of seeing yourself seeing yourself. There, in the Florida House on the other side of Second Street, behind tall windows hung with patriotic bunting, were men and women waiting for the party to commence, wearing the kind of suits and shoes that you’d left at home, eating the kind of food that you’d eaten in restaurants almost every night the week before, drinking the eighty-proof kind of drink for which you were suddenly thirsting, and peering out with a mix of curiosity and fear and satisfaction at the sodden line of marchers of which you were at least somewhat, if only for a moment, and yet not entirely reluctantly, a living part.

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