Rafael Yglesias - Only Children

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Only Children: краткое содержание, описание и аннотация

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The critically acclaimed novel from a master of contemporary American fiction — now available as an ebook A loving satire of new parenthood and its attendant joys and blunders The Golds and the Hummels live in the same wealthy Manhattan neighborhood, but as both couples prepare for the arrival of their first child, they share little in terms of parenting philosophy. The Golds plunge into natural birth without bothering to first set up a nursery. The Hummels schedule a C-section and fill out hospital admissions paperwork weeks in advance. Both couples, however, are grappling with the transformations they know parenthood will immediately bring.
Set in a milieu of material excess and limitless ambition,
skewers new parents who expect perfect lives, but also offers an intimate look at the trials all new parents face as they learn how to nurture.
This ebook features a new illustrated biography of Rafael Yglesias, including rare photos and never-before-seen documents from the author’s personal collection.
With insight and candor, Yglesias recounts five years in the lives of two yuppie couples, to whom parenthood occasions typical tribulations and discouraging self-assessments. Byron’s birth exacerbates the problems between Diane and Peter Hummel (she’s a Yale-educated corporate lawyer, he’s a wealthy fundraiser for the arts). While she foolishly tries to be super-mom, wife and professional, she also puts pressure on Byron to excel, attempting to enroll him in an elite school and forcing him to play the violin. Peter withdraws from them both after Byron’s presence activates long-dormant memories of his icily aloof mother. Investment counselor Eric Gold, obsessed by the humiliation of his father’s business failures, frantically pushes himself to produce substantial earnings for his wife Nina and their son Luke. Her imagined inadequacies torment Nina, especially when she cannot soothe Luke, whose colic makes him infuriatingly uncontrollable. This is a vivid description of how rearing a first child can conjure up neurotic fears, which must be resolved before parents can nurture their offspring. Yglesias has abandoned the cynicism that infused Hot Properties; this new novel is deeply felt and thought-provoking. $75,000 ad/promo; Doubleday Book Club main selection; Literary Guild featured alternate.
Copyright 1988 Reed Business Information, Inc.
"The joys of Motherhood. Are they all one great lie?" In carefully orchestrated, parallel stories of two New York couples and their sons from birth through age five, Yglesias explores this and other contemporary parenting issues. The story moves carefully between the Golds and the Hummels in a sort of literary counterpoint that becomes more staccato in the second half of the book. Educated professionals with good incomes, both sets of parents have excellent intentions but are crippled by emotional "baggage": they are adult children ("only children") themselves. The children are unusually bright, but their development, like their parents’, is impeded by complex psychological issues. Yglesias writes with insight, showing how true adulthood comes with self-awareness, pain, and understanding. Definitely recommended.Ellen R. Cohen, Rockville, Md.
Copyright 1988 Reed Business Information, Inc. From Publishers Weekly
From Library Journal

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Eric said whatever came into his head to Diane, confident she would accept him. This woman admitted money was important, instead of that Wasp horseshit of Nina’s. No matter that Tom was a cheapskate: Nina, her brothers, her sisters, they never lacked for anything. When they were kids, did they have to worry about getting into SP classes in public school, or whether they could get into Bronx Science? Going to an Ivy League college was the ultimate triumph in Eric’s neighborhood, the scholastic equivalent of making the major leagues. One kid, one kid in the whole fucking neighborhood, got into Harvard. One kid, one pale, friendless, unsmiling drone, got in.

Money. Nina went to Europe when she was eight. When she was ten. When she was thirteen. Their family went on a trip every summer. They went skiing in Switzerland during Christmas vacations. Yeah, sure, money doesn’t matter.

“My husband is rich,” Diane said.

Of course, Eric had known the moment he met Peter at brunch. The guy was snobbish about everything, even the kid’s toys. Peter groaned, not about their cost, but about their warlike bias. Well, what the fuck are little boys going to pretend? Eric wanted to ask him. That they’re wearing camel-hair coats and telling their secretaries to put somebody on hold?

Byron was more of a man than his father.

“Stockbroker,” Peter had said with a neutral look on his face that day at brunch. “That must be nerve-racking.”

And dirty. Not like helping to put plays on, or whatever it was Peter did. Dirty, dirty, dirty.

Peter was an anti-Semite. Probably Nina would be if she hadn’t fallen in love with Eric.

Dad would always say, “Remember, they’re all anti-Semites. Some of ’em are just polite about it.”

Diane wants to fuck me. She has a good body. And she’s easy to talk to.

Eric looked away from Diane’s inviting glance and felt her shoulder on his. He saw the jammed park, the sloppy, tired faces of the parents, Luke squeezing his groin, the stock quotes in Barron ’s, the Quotron ticking down, Nina turning off, shutting him out, Mom and Dad, worried when he told them Tom had given him money to invest—

“Don’t lose it,” Mom had said. She thought he would fail. Just like Barry.

Forget all that. Eric looked into Diane’s welcoming eyes.

“You’re a stockbroker?” Diane’s husband had asked, his eyes cool with disdain.

It would be a pleasure to cuckold that guy.

THE MUSIC school was a happy place. Peter liked the sounds — rhythm, pianos, violins, cellos, horns — echoing through the wide institutional halls. Parents were everywhere, lurking outside, carrying cases, or coats, or schoolbooks, or their own briefcases. Bright, earnest children, armed with their instruments instead of plastic guns, walked confidently to and fro — an army of culture to fight the world of junk.

On their way up to the third floor, where Byron took his private lesson, they passed a large room in which a quartet of nine-year-olds were struggling with a charming piece — and doing well to Peter’s ear. Byron pulled Peter to the doorway and they paused to listen.

“They’re playing together,” Byron called out.

“Shhhh. That’s called a quartet,” Peter whispered. “If you learn the violin, you can play in one. Or you can play in an orchestra. That’s when all the instruments play together.”

“I want to!” Byron said as if Peter could snap his fingers and make it so.

If only I could. “Well, you practice hard and you will.” Byron’s natural competitiveness will serve him well, Peter thought.

Peter fancied Byron went into his lesson with an eager step this time. At the start, Byron listened carefully, not fussing, trying to put his feet where they should be. But when he had to shift his attention to a proper grip on the violin, he lost track of his feet. And when his teacher diverted his attention to that, his grip on the violin went awry. Back and forth the corrections came. Like displacement of water, when Byron did one right, the other went wrong. His teacher didn’t give up today; she continued to insist he correct the mistake.

Byron’s open face got tighter and tighter, his bright eyes darkening. His body stiffened. He pulled away from his teacher’s touch. “I am!” he shouted at last.

“No,” she insisted, pushing the violin more under his chin, “it’s—”

“Leave me alone!” Byron pulled away and plucked the notes wildly, digging his finger under the strings, and yanking them up.

“Don’t do that!” His teacher, an overweight, unattractive young woman hardly out of her teens, said this with real anger in her voice, not simply the dispassionate cool of a stern educator.

Byron dropped the violin like a stone and walked to the door. “I wanna go home,” he said boldly.

He was so little. He looked absurd standing at the door, the top of his head beneath the handle, too small to be in this situation.

And yet would Mozart have become Mozart without his famer’s relentless demands?

Peter said nothing. The teacher looked to him to intervene.

I won’t provoke him, that’s what he wants.

“I think you should consider stopping the lessons,” the young woman whispered to Peter.

“He’s frustrated,” Peter said softly. He was outraged that she was willing to quit so easily. I’ll go to the administrator, he decided.

“He hasn’t learned anything. I wanted to go easy and so I haven’t, you know, made him do it right. But now he’s gotten into bad habits and he obviously doesn’t want to do it right. Maybe he should switch to another instrument, or take the music appreciation classes, and then pick this up again in a year. He’s been to twelve lessons and he hasn’t learnt anything.”

“That’s not true,” Peter protested. Byron had made some progress. At least he practiced.

“Well.” She lowered her head. “It looks bad for me if I lose a student — so I don’t mind continuing.” She regarded Peter. “I just don’t want him to be turned off forever. He’s bright and outgoing. He’ll come back to it. Right now, this might be a waste of his time.”

Peter turned away from Byron, who still stood at the door with a grave look. Peter whispered, “I thought he was getting better at it.”

“Well, he hasn’t been practicing, right?”

“Every day! We do it every day.”

“Oh.” She smiled regretfully. “He might as well be at the beginning. I’m happy to keep trying. Byron?” she called to him. “How about we just play through the notes once?”

“No,” he said with remarkable clarity and conviction and confidence.

“Okay,” she said cheerfully. “I want you to practice differently. Just getting your feet right and holding the violin in play position. That’s all. No notes.”

“Okay,” Byron said. The gleam of triumph in Byron’s eye gave him away. To Byron this was a battle of wills, not learning a musical instrument. He wanted to beat the adults.

And I’ve been a perfect sucker, letting him do what he wants.

“Let’s go, Daddy,” Byron said cheerfully.

Byron chattered on their way home, growing happier with each step, his energy up and surging with his victory.

“I’m getting good,” Byron said. Peter grunted.

“I’ll be able to play with the big kids,” Byron went on, happy and happier.

At home, Diane was arranged cozily on the couch, a cup of tea beside her, a mystery clutched to her bosom. Byron ran to her, ran into her arms. “Mommy,” he blessed her.

“Mmmmm,” she said. “What a nice hug. Did you have a good lesson?”

“I’m really good,” Byron said.

Diane smiled. Byron’s head was facing away from Peter. Over the bowl of sandy hair, Diane looked at Peter for confirmation. Peter shook his head back and forth, contradicting Byron.

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