Rafael Yglesias - Only Children

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Only Children: краткое содержание, описание и аннотация

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The critically acclaimed novel from a master of contemporary American fiction — now available as an ebook A loving satire of new parenthood and its attendant joys and blunders The Golds and the Hummels live in the same wealthy Manhattan neighborhood, but as both couples prepare for the arrival of their first child, they share little in terms of parenting philosophy. The Golds plunge into natural birth without bothering to first set up a nursery. The Hummels schedule a C-section and fill out hospital admissions paperwork weeks in advance. Both couples, however, are grappling with the transformations they know parenthood will immediately bring.
Set in a milieu of material excess and limitless ambition,
skewers new parents who expect perfect lives, but also offers an intimate look at the trials all new parents face as they learn how to nurture.
This ebook features a new illustrated biography of Rafael Yglesias, including rare photos and never-before-seen documents from the author’s personal collection.
With insight and candor, Yglesias recounts five years in the lives of two yuppie couples, to whom parenthood occasions typical tribulations and discouraging self-assessments. Byron’s birth exacerbates the problems between Diane and Peter Hummel (she’s a Yale-educated corporate lawyer, he’s a wealthy fundraiser for the arts). While she foolishly tries to be super-mom, wife and professional, she also puts pressure on Byron to excel, attempting to enroll him in an elite school and forcing him to play the violin. Peter withdraws from them both after Byron’s presence activates long-dormant memories of his icily aloof mother. Investment counselor Eric Gold, obsessed by the humiliation of his father’s business failures, frantically pushes himself to produce substantial earnings for his wife Nina and their son Luke. Her imagined inadequacies torment Nina, especially when she cannot soothe Luke, whose colic makes him infuriatingly uncontrollable. This is a vivid description of how rearing a first child can conjure up neurotic fears, which must be resolved before parents can nurture their offspring. Yglesias has abandoned the cynicism that infused Hot Properties; this new novel is deeply felt and thought-provoking. $75,000 ad/promo; Doubleday Book Club main selection; Literary Guild featured alternate.
Copyright 1988 Reed Business Information, Inc.
"The joys of Motherhood. Are they all one great lie?" In carefully orchestrated, parallel stories of two New York couples and their sons from birth through age five, Yglesias explores this and other contemporary parenting issues. The story moves carefully between the Golds and the Hummels in a sort of literary counterpoint that becomes more staccato in the second half of the book. Educated professionals with good incomes, both sets of parents have excellent intentions but are crippled by emotional "baggage": they are adult children ("only children") themselves. The children are unusually bright, but their development, like their parents’, is impeded by complex psychological issues. Yglesias writes with insight, showing how true adulthood comes with self-awareness, pain, and understanding. Definitely recommended.Ellen R. Cohen, Rockville, Md.
Copyright 1988 Reed Business Information, Inc. From Publishers Weekly
From Library Journal

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She saw. But she kissed Byron and said, “I’m glad, honey.”

14

“IT’S NIGHTTIME!” Byron showed Luke. He pulled the string down. The shades went crazy with a loud shaking. Half the window was uncovered.

“It’s nighttime, Daddy!” Luke called out.

“No,” Byron said. He grabbed Luke’s hand. “Don’t tell them. They’ll make us go to bed.”

“But, Byron.” Luke sighed. The effort of arguing with Byron was so great, sharp and hurting, like when the poop was stuck. “They know it’s nighttime.”

“No!” Byron shook his head back and forth. Then back and forth harder. “Oh, no! My head is loose! Ram Man, help me, my head is loose.”

Luke liked that joke. “Okay.” Luke put his hands out and stopped the crazy head. “Don’t move!” he ordered the evil head.

“Oh, no, it’s coming off, it’s coming off!” Byron danced on his tiptoes, his hands pressing down on his head.

Byron always goes on and on. “No, it isn’t,” Luke informed him. “I saved you. I stopped it.”

“You didn’t, you didn’t.” Byron’s arms spun out, out and out, like Sy-Klone.

“Byron?” His mommy was at the door. Daddy was behind her. “What’s going on?”

“My head is coming off!”

“I saved him!” Luke said to Daddy.

“No! No!” Byron spun himself to the ground, holding on to his head.

“Shhhh!” Byron’s Mommy said to Byron. “It’s late. You have to play quietly.”

Luke held his body still. Please, Byron, don’t fight. We can go on playing if you don’t argue.

“I am being quiet!” Byron shouted.

“Why don’t you play with your new Play-Doh?” Byron’s mommy asked.

“Yea!” Byron was up on his feet. He jumped up and down at his mommy. “Yea!”

Luke also tried to act excited. He wanted them to know he liked the idea. “Yes, Daddy,” Luke said, and hopped up and down, but less than Byron. He didn’t want Byron’s mommy to end the play date because he was acting too happy.

“Okay, okay, quiet down. We’ll set you up at the kitchen table.”

Byron had a lot of Play-Doh. Every color. He had yellow, blue, red, green. Byron took all those to his side. He gave Luke the white Play-Doh. “I’m going to make something terrific,” Byron said.

“Me too,” Luke said. He stared at his one can. White was boring.

“Mine’s going to be lots of colors,” Byron said.

“I’m going to use the blue,” Luke said. He took hold of the blue Play-Doh.

“No,” Byron said. He pulled the blue can out of Luke’s soft fingers. “You use the white.” Byron pointed to the white PlayDoh. Byron opened the blue can and shook it hard to get the PlayDoh out.

Where was Daddy? He was talking to Byron’s mommy in the living room.

Tell me if there’s anything wrong, Luke, Daddy had said. Tell me how you want it to be and I’ll fix it.

“Daddy!” Luke called.

“Don’t!” Byron said.

“What is it, Luke?” Daddy answered, but didn’t come in.

“Here.” Byron pulled a chunk of blue PlayDoh off and put it in front of Luke.

I have it. Luke touched the small chunk of blue Play-Doh. Byron had all the cans open. He was rolling colors, making shapes. Already doing everything. Luke thought about what to make.

“I’m making He-Man,” Byron said. “You make Ram Man.”

“I don’t want to,” Luke said softly. He hoped Byron wouldn’t hear.

“You have to!”

Daddy’s head appeared at the edge of the wall. “What is it, Luke?”

“Nothing!” Byron shouted.

I wanted the blue Play-Don. But I have it. What can I say?

“I asked Luke, Byron, let him answer me.” Daddy sounded angry. He doesn’t want me to need help. “What is it, Luke?” Daddy asked.

“Are you cooperating, Byron?” Byron’s mommy called out.

“Yes! I’m making He-Man, Luke is making Ram Man. We’ll show you when we finish!”

“What was it, Luke?” Daddy’s voice got close, right in Luke’s ear.

“Nothing,” Luke mumbled. Daddy left. Luke held the PlayDoh in his hand. He wanted to make a sailboat, like the sailboat in Maine, just right outside his window, quiet and tall, slicing the sky. He pushed the cool, soft PlayDoh, watched his fingers disappear. Shape round and smooth here and long there. He pulled a piece up—

“This is good, you know why?” Luke explained to Byron. “I’m making a sailboat, like the sailboat in Maine. And it’s blue and white. And those are the colors I have!” This was great.

“No,” Byron scolded. “No, you’re not. You’re making Ram Man.”

The sail rose up thin and blue from the chunk of PlayDoh. Luke let it go — his boat was ready!

“You’re doing it wrong!” Byron’s hand crushed the sail, smashed the boat. “You have to make Ram Man.”

It was gone. He had made it so great. And now it was gone. He hated Byron. He wanted to throw him in the garbage and put his many colors in there too. “I — don’t — I—don’t—” but Luke couldn’t move the words through his feelings, couldn’t push them out.

The tears were here, hurting and pushing his eyes, poking and hurting, everything wanting out—

“Byron! What have you done?”

“I was just playing and Luke smashed his thing and cried!”

“Luke.” Daddy in his ear, pushing to get in, but everything wants to come out. “Luke, what is it?”

“Byron!” His mommy was going to yell and yell and break everything. “Are you—”

“Really, Mommy, he cries. He cries a lot. Like a baby.”

“Oh, and you never cry,” Byron’s mommy said.

“Luke, what happened? You couldn’t make what you wanted?” Daddy in his ear, buzzing like a loud television.

“I wanna go home,” Luke said to push them away. “I wanna go home!”

“Don’t go home, Luke,” Byron said, and he began to yell and cry. “I want to keep playing.”

“It’s past your bedtimes,” his mommy said.

“No!” Byron cried now.

Good. Make him cry.

“I wanna go home,” Luke said, now clear, able to push them away.

“Okay,” Daddy said. “We’ll go home right now.”

“No!” Byron smashed his stupid He-Man and pushed all the PlayDoh off the table.

“Byron!” His mommy grabbed him and pulled him away.

Good. Good.

“Let’s get your jacket, Luke.”

Good. Daddy and me. We’ll go home. Mommy will come late, and even if I’m sleeping, she’ll give me a kiss, and tomorrow I can make my sailboat alone.

“YOU GET skinnier every day,” Sal said with a sneer on his lips. He must think it makes him look sexy, Nina thought. Where did he get that idea? Elvis was before his time.

“Thank you,” Nina answered. Where to go to eat? She had exhausted everything nearby — she’d end up at that coffee shop Luke had thought so magical. The food was terrible, but being there brought the memory of Luke along for company.

“But enough is enough,” Sal said. “I’m going to lunch with you to make sure you get some fat on you.”

“So I can look like your mother?” Nina asked.

Sal seemed bewildered by her joke. Nina could throw him so easily. He was funny, with his tough manner and skin so thin he might be a two-year-old. “What does that mean?” Sal complained.

“You said your mother was a fat slob.”

“I did?” Sal blanched as if she had reminded him of the commission of a sin.

“I guess you were kidding,” Nina said.

“I don’t want you to look like my mother,” Sal said, his swagger back. He had a gleam in his eye. He means that to be a come-on. But he means everything to be a come-on. She knew, just knew, that if she ever took him at his word, he’d panic. She was a safe dangerous game.

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