Rafael Yglesias - Only Children

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Only Children: краткое содержание, описание и аннотация

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The critically acclaimed novel from a master of contemporary American fiction — now available as an ebook A loving satire of new parenthood and its attendant joys and blunders The Golds and the Hummels live in the same wealthy Manhattan neighborhood, but as both couples prepare for the arrival of their first child, they share little in terms of parenting philosophy. The Golds plunge into natural birth without bothering to first set up a nursery. The Hummels schedule a C-section and fill out hospital admissions paperwork weeks in advance. Both couples, however, are grappling with the transformations they know parenthood will immediately bring.
Set in a milieu of material excess and limitless ambition,
skewers new parents who expect perfect lives, but also offers an intimate look at the trials all new parents face as they learn how to nurture.
This ebook features a new illustrated biography of Rafael Yglesias, including rare photos and never-before-seen documents from the author’s personal collection.
With insight and candor, Yglesias recounts five years in the lives of two yuppie couples, to whom parenthood occasions typical tribulations and discouraging self-assessments. Byron’s birth exacerbates the problems between Diane and Peter Hummel (she’s a Yale-educated corporate lawyer, he’s a wealthy fundraiser for the arts). While she foolishly tries to be super-mom, wife and professional, she also puts pressure on Byron to excel, attempting to enroll him in an elite school and forcing him to play the violin. Peter withdraws from them both after Byron’s presence activates long-dormant memories of his icily aloof mother. Investment counselor Eric Gold, obsessed by the humiliation of his father’s business failures, frantically pushes himself to produce substantial earnings for his wife Nina and their son Luke. Her imagined inadequacies torment Nina, especially when she cannot soothe Luke, whose colic makes him infuriatingly uncontrollable. This is a vivid description of how rearing a first child can conjure up neurotic fears, which must be resolved before parents can nurture their offspring. Yglesias has abandoned the cynicism that infused Hot Properties; this new novel is deeply felt and thought-provoking. $75,000 ad/promo; Doubleday Book Club main selection; Literary Guild featured alternate.
Copyright 1988 Reed Business Information, Inc.
"The joys of Motherhood. Are they all one great lie?" In carefully orchestrated, parallel stories of two New York couples and their sons from birth through age five, Yglesias explores this and other contemporary parenting issues. The story moves carefully between the Golds and the Hummels in a sort of literary counterpoint that becomes more staccato in the second half of the book. Educated professionals with good incomes, both sets of parents have excellent intentions but are crippled by emotional "baggage": they are adult children ("only children") themselves. The children are unusually bright, but their development, like their parents’, is impeded by complex psychological issues. Yglesias writes with insight, showing how true adulthood comes with self-awareness, pain, and understanding. Definitely recommended.Ellen R. Cohen, Rockville, Md.
Copyright 1988 Reed Business Information, Inc. From Publishers Weekly
From Library Journal

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They were outside. Sal moved in front of her. “Where do you want to go?” he bluffed, pretending confidence she would go to lunch with him.

“I didn’t say—” She stopped herself. She didn’t want to play teenage games. “I’m going to the coffee shop.”

“Ugh. How about Japanese? It’s good for you. This is New York! You have to be adventurous.”

“I’ve had Japanese food before, Sal.” She laughed at him. He worked so hard at this male mastery. “You can join me at the coffee shop.” She walked off. He didn’t come along.

At the corner, she looked back for Sal. Sal was still where she had left him, caught between his pride and his desire to come. When Luke balked at where Nina wanted to go next, Luke would do the same: bluff and stay back until she moved decisively away, and then he’d come running.

The light changed. Nina almost didn’t cross, forgetting that she could abandon Sal, he wasn’t a three-year-old. So she moved on and, once in the coffee shop, felt some regret after all.

The coffee shop was jammed and noisy. She got herself a tiny table, and as she opened the menu, Sal appeared.

“Jesus, you’re stubborn,” he said. “What are you gonna have? Burger, right?”

Then he was off and chatting, talking about his fat pregnant sisters (that’s what he called them) and about Tad. Tad seemed to be his main concern. Sal was obviously envious of Nina’s job. He repeatedly asked what she had done to get it and flatly didn’t accept her answer that Tad had simply offered it to her, presumably on the basis of her work in class.

“Come on, you must have asked him if he had any jobs?”

“No, I didn’t. Never occurred to me.”

“Come on!”

“Okay, I paid him to give it to me.”

“That’s what Rosalie thinks. That you offered to work for free.”

Rosalie was one of the pair of girls who hung on Sal’s every word, trailing him through the hallways, giggling from the thrill by his presence. Nina smiled at the thought of Rosalie’s envy. She enjoyed its novelty. When was the last time someone was jealous of what she had?

“Don’t tell her I told you,” Sal said.

“Oh, she must have wanted you to tell me.”

“No! She likes you.”

Nina laughed. Sal seemed so familiar to her. He shouldn’t — was he like Luke? Like her brother?

“Really, she does! She just said that ’cause she’s jealous.”

“It’s okay,” Nina reassured him. He was fascinated by competition, but didn’t want to admit it caused bad feelings. Who was that like? Eric?

“Is it true?” Sal asked.

“Is what true?”

“That Tad doesn’t pay you?”

Nina again laughed at him. He waited for her to stop, as if it were a commercial message interrupting his favorite show’s denouement. “He pays me. Minimum wage. He doesn’t have to pay me. Some of them aren’t paid, they’re interning. But they get school credit for that.”

“That must be what Rosalie meant.” Sal ate his hamburger in four bites, his jaw dropping like a crocodile’s and swallowing chunks. Ketchup appeared at the corner of his mouth. “What a ripoff.”

“Sal, if you want to, you can look at everything as a rip-off.”

“’Cause everything is a rip-off.”

“Then nothing is a rip-off.”

“Huh?”

“Something has to not be a rip-off for everything else to be. If everything is a rip-off, then everything is equally fair.”

“Oh, that’s bullshit. That’s something rich people think to make them feel better ’cause they’re doing the ripping off.”

He was like Eric, just like Eric when Nina first met him: hungry, eager to make an impression, intrigued by her, disgusted by the rules of the game he so desperately wanted to win. Only then, Nina was young, and Eric’s view of life was new, and seemed refreshing: a forest cleared of the dead brush of her family’s hypocritical values. Her family pretended winning didn’t matter to them; but they talked of nothing but who was best skier, best squash player, best sailor, and they believed winners always deserved their victories.

“Never thought of that, right?” Sal said, pleased with himself, convinced he was teaching poor naïve Nina the way of the world.

“Are you going to hate your life if you don’t make money?” Nina asked.

“You mean, if I starve?”

“No. If you don’t become rich.”

“You mean, if I have to live in the Bronx like my parents and have fat babies who grow up to have fat babies?”

Nina laughed while she nodded.

“I’ll kill myself.”

Nina shook her head. “Give me a serious answer.”

“That is a serious answer, beautiful. You know, you are beautiful.”

“You don’t have to flirt with me, Sal.”

“Hey — I mean it. I’m not playing. You are beautiful.”

Sal was thrilled to be saying this. He sat straight up, at attention, his eyes glistening, his nostrils open, his mouth grave. She watched him, fascinated. He was a visitation from her past — Eric wooing her. Nina had utterly believed in Eric’s passion, had believed his romance was inspired by pure love for her. She thought she had won an old-fashioned chivalrous adoration.

“I’ve never met anyone like you,” Sal said, high on his feelings, skimming on pure sentiment. “I think about you all the time. I don’t want other women; they’re impure compared to you. I wish I could touch your hair, lie next to you in bed, and hold your hand. I close my eyes and see you.” He closed his eyes and kept them shut while he talked. “It’s like you’re not even human. I’ve never seen skin like yours — and your eyes! They glow like a cat’s and see right through me.” He opened and gazed at her. “Your eyes catch me and I have to follow them. I’m yours. I love you. I used to dream about making love to you. But I think I’d be too scared. I’m not good enough. But I can’t lie. Not telling you what I feel, just pretending everything’s normal. I love you. It’s so great to say it. I love you.”

Sal sat there, erect, awaiting her judgment.

But all she could think of was Eric. Young, bedding her. Young, marrying her. Young, impregnating her. And now, in only a few years, old and harassing her. Sal just wants to fuck me, Nina thought. Confirm his escape from his neighborhood, get a visa to somewhere else. She hadn’t thought that for a second when Eric courted her. Was the difference Sal? No, Nina was older, and knew better.

I wish I didn’t, she thought. I wish I could fall in love with this boy and be fooled all over again.

WHEN DIANE called to invite Eric and Luke over for a late-afternoon play date, and suggested they stay and order pizza, so the boys could have their first dinner together, for a moment, Eric thought, she wants to see me alone. En route, he dismissed that idea. Sure, Diane knew Nina would be working, Eric had told her about Nina’s schedule the other day in the park, but probably her husband would also be there.

He wasn’t. Although Diane was dressed casually, she was made up and looked alluring. She immediately offered Eric wine. There was a spread of cheese and crackers out on the coffee table. There were fresh-cut flowers in several vases, there was music playing, there were no toys strewn anywhere, and she told Byron to take Luke into his room and show Luke his new toy, Snake Mountain.

“Peter working late?” Eric asked as coolly as he could.

“Yes, there’s a big opening tonight. I guess I should have gone, but I didn’t feel like it.” She had a keen edge to her voice when, as Eric knew well, by the end of the day most mothers would have given up on cheerfulness. What was so exciting about having the father of your three-year-old’s best friend over for pizza?

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