Rafael Yglesias - Only Children

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Only Children: краткое содержание, описание и аннотация

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The critically acclaimed novel from a master of contemporary American fiction — now available as an ebook A loving satire of new parenthood and its attendant joys and blunders The Golds and the Hummels live in the same wealthy Manhattan neighborhood, but as both couples prepare for the arrival of their first child, they share little in terms of parenting philosophy. The Golds plunge into natural birth without bothering to first set up a nursery. The Hummels schedule a C-section and fill out hospital admissions paperwork weeks in advance. Both couples, however, are grappling with the transformations they know parenthood will immediately bring.
Set in a milieu of material excess and limitless ambition,
skewers new parents who expect perfect lives, but also offers an intimate look at the trials all new parents face as they learn how to nurture.
This ebook features a new illustrated biography of Rafael Yglesias, including rare photos and never-before-seen documents from the author’s personal collection.
With insight and candor, Yglesias recounts five years in the lives of two yuppie couples, to whom parenthood occasions typical tribulations and discouraging self-assessments. Byron’s birth exacerbates the problems between Diane and Peter Hummel (she’s a Yale-educated corporate lawyer, he’s a wealthy fundraiser for the arts). While she foolishly tries to be super-mom, wife and professional, she also puts pressure on Byron to excel, attempting to enroll him in an elite school and forcing him to play the violin. Peter withdraws from them both after Byron’s presence activates long-dormant memories of his icily aloof mother. Investment counselor Eric Gold, obsessed by the humiliation of his father’s business failures, frantically pushes himself to produce substantial earnings for his wife Nina and their son Luke. Her imagined inadequacies torment Nina, especially when she cannot soothe Luke, whose colic makes him infuriatingly uncontrollable. This is a vivid description of how rearing a first child can conjure up neurotic fears, which must be resolved before parents can nurture their offspring. Yglesias has abandoned the cynicism that infused Hot Properties; this new novel is deeply felt and thought-provoking. $75,000 ad/promo; Doubleday Book Club main selection; Literary Guild featured alternate.
Copyright 1988 Reed Business Information, Inc.
"The joys of Motherhood. Are they all one great lie?" In carefully orchestrated, parallel stories of two New York couples and their sons from birth through age five, Yglesias explores this and other contemporary parenting issues. The story moves carefully between the Golds and the Hummels in a sort of literary counterpoint that becomes more staccato in the second half of the book. Educated professionals with good incomes, both sets of parents have excellent intentions but are crippled by emotional "baggage": they are adult children ("only children") themselves. The children are unusually bright, but their development, like their parents’, is impeded by complex psychological issues. Yglesias writes with insight, showing how true adulthood comes with self-awareness, pain, and understanding. Definitely recommended.Ellen R. Cohen, Rockville, Md.
Copyright 1988 Reed Business Information, Inc. From Publishers Weekly
From Library Journal

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THE WORK was great. Nina was good at it. She knew, not simply because Tad, her teacher and part-time boss, told her so, but because she could feel her own mastery.

Of course, it was nothing, coloring the designs, making a suggestion here and there about hue — very, very gently, creeping through the lair of a sleeping monster. Tad never woke to roar at her. But he sure did yell at the others, especially the pretty young men. Tad would push the loose, bulky sleeves of his sweater up to his elbows for emphasis, and his reedy voice, ill suited for the sounding of anger, squealed up to the fourteen-foot tin ceiling. But never at her. “No, dear,” was the worst he would say.

Is Tad gentle with me because he’s gay? she wondered. Couldn’t the reverse be true just as easily? She mentioned this question once to Eric.

“He’s a fag?” Eric said, chewing the word up in several tones of disgust. He sounded like a real New Yorker then; the word came out of his mouth unvarnished from the raw prejudices and fears of his adolescence. “Of course, he’s a fag,” Eric added. “He’s a dress designer. That’s a relief. I was worried you were having an affair with him.”

“You were?” Nina was amazed. Not at the idea that Eric would be jealous if she had an affair, but at the discovery that he had the imagination to think she might. “You were, really?”

“Yep.”

Nina was pleased for several hours, until it occurred to her that maybe Eric didn’t think any man would want her to work for him unless she was putting out.

“Why didn’t you tell me he was a fag?” Eric asked the next night.

She was angry by then. “Stop calling him a fag.”

Eric laughed, with the indulgent laugh of a parent. “Sorry. Why didn’t you tell me he’s gay?”

“Why should I?” Nina asked. I don’t like what he’s become, Nina thought. Eric was dressed in a suit because he had had to have drinks with a potential client. Eric’s kinky bush of hair was pressed flat, his eyes were circled by fatigue, he spoke loudly, probably from the alcohol — everything smelled of business and money and grown-up maleness. Nothing soft, nothing imaginative, nothing natural, nothing beautiful.

“I don’t know.” Eric flipped through a copy of Forbes —he always had some money publication in front of him. “Just gossip.” Eric peered at an article and then spoke abruptly. “Aren’t you worried about AIDS?”

Nina wondered where that came from. She stared.

He tossed the Forbes away. “You know, with all that sewing, if he’s gay, couldn’t there be some blood—”

She stared at him. He was kidding. He had to be.

Eric paused and looked nervous, aware he had said something stupid. “I just thought — you know there might be—”

“He doesn’t do any sewing!” Nina shouted. She chuckled at the thought. “You think I’m sitting in a room sewing?” She burst out laughing. Is Eric so out of it, so totally uninterested in me, that he thinks I’m sewing in a sweatshop?

“No, of course not,” Eric said, a grave mask lowering over his innocent bewilderment.

“He sketches designs. I help color them sometimes, draft variations on his instructions. He lets me try out a few little things. Tiny, tiny things — you wouldn’t even notice the changes.”

“Why does he need help coloring them?” Eric asked.

“He doesn’t.” Nina shook her head. She must have explained this before. “He doesn’t want to go through the tedious process of trying different shades. These are just for him to look at, rough sketches, and it’s a way of us learning about the unity of color and design — the whole creative process.”

“You mean, this is the school part?”

“No, not exactly.”

“Is his company publicly traded?” Eric said, and reached for a copy of the Wall Street Journal . He flipped to the stock listing noisily, an animal rustling through a bed of leaves.

“I don’t know,” Nina said.

“Could you ask him?”

“No.”

“No?” Eric raised his eyebrows. “Nothing to be embarrassed about. Tell him your husband manages fifty million dollars — he’ll be happy to tell you whether there’s stock for me to buy.”

“Un-huh,” Nina said, and tried to think of something to do or say that would end this. She couldn’t. She stared back at Eric and tried to smile pleasantly, but her chin felt tight, defensive.

Eric leaned forward and spoke with eager condescension. “Really. You see, if he has a publicly traded company, then he’ll own a lot of shares himself, and if I buy for my clients, that’ll send the price up, which increases his worth. Understand?”

“Yes,” she managed to get out. She willed herself to smile brightly, but her muscles rebelled and restrained that desire into a regretful pout.

“You’ll ask him?”

“Un-huh,” she mumbled, convinced that this evasion wasn’t as bad as a direct no.

Eric nodded. He glanced at the stock listings and let the newspaper drop to the floor. “Did Luke take a crap today?”

Nina shook her head. Not this again. What could she do about it? She followed the doctor’s impossible directions: get Luke to take this chocolate pudding stool softener, but don’t make a big deal about his constipation. How could she do both? Luke had never been told to do a particular thing and had the reason why withheld from him. “Just tell him it’s something to make him grow,” the pediatrician said, irritated, wanting to go on to the next patient, to give another quick answer to someone else. But that would be like Luke’s vitamins and she never made him take his vitamins. This laxative had to be administered every night or it wouldn’t work. So she told Luke what it was for and he was scared.

Luke doesn’t want to go to the bathroom, she admitted to herself. Luke’s not constipated. He doesn’t like the sensation, and so he holds it in and then becomes constipated.

“Don’t make an issue of going to the bathroom,” the doctor had told Nina. “If you make it a test of wills, things will get worse.”

“It will make it softer,” she told Luke, and offered him a reward if he took it.

Luke took the chocolate pudding softener and, for several months, it helped. He would move his bowels every three or four days with a lot of complaining and straining, but he’d manage it at last. Afterward he was so happy, racing everywhere, hungry for activity and very hungry for food. But by the next day, she could see him occasionally flex his buttocks tight, pushing it in, stopping his actions, his mood changing. …

She hadn’t told Eric her observation. He would argue. Because Nina had once confided to Eric that she was constipated as a child, he was convinced Luke’s problem was genetic. Her fault, more to the point.

“How long has it been?” Eric asked.

The intervals were lengthening, and so were the stools. “Five days,” she said.

“We have to take him back to the doctor.”

“I’m not taking him back to the doctor,” Nina said instantly. “He’s examined him and there’s nothing organically wrong.”

“There has to be!” Eric pleaded. He got up from the chair and removed his suit jacket, ready to get to the dirty work. “How could he be holding it in?”

“He just holds it in!” Nina said.

“But how?”

“Don’t you ever hold it in?”

“No,” Eric inhaled, his chest puffing. “Why would I?”

“You’re not near a bathroom! You have to hold it in. What would you do, go in your pants? Of course, you can hold it in.”

“I go every morning, right after my coffee. Unless my stomach’s upset.”

“Terrific. Let’s get your mother to toilet-train Luke. She did a great job with you.”

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