Sherman Alexie - The Lone Ranger and Tonto Fistfight in Heaven

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When it was first published in 1993,
established Sherman Alexie as a stunning new talent of American letters. The basis for the award-winning movie
it remains one of his most beloved and widely praised books. In this darkly comic collection, Alexie brilliantly weaves memory, fantasy, and stark realism to paint a complex, grimly ironic portrait of life in and around the Spokane Indian Reservation. These twenty-two interlinked tales are narrated by characters raised on humiliation and government-issue cheese, and yet are filled with passion and affection, myth and dream. Against a backdrop of alcohol, car accidents, laughter, and basketball, Alexie depicts the distances between Indians and whites, reservation Indians and urban Indians, men and women, and, most poetically, modern Indians and the traditions of the past.

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This is my religion.

1968

Seems like the cold would never go away and winter would be like the bottom of my feet but then it is gone in one night and in its place comes the sun so large and laughable. James sitting up in his chair so young and he won’t talk and the doctors at the Indian clinic say it’s way too early for him to be talking anyhow but I see in his eyes something and I see in his eyes a voice and I see in his eyes a whole new set of words. It ain’t Indian or English and it ain’t cash register and it ain’t traffic light or speed bump and it ain’t window or door. Late one day James and I watch the sun fly across the sky like a basketball on fire until it falls down completely and lands in Benjamin Lake with a splash and shakes the ground and even wakes up Lester FallsApart who thought it was his father come back to slap his face again.

Summer coming like a car from down the highway.

1968

James must know how to cry because he hasn’t cried yet and I know he’s waiting for that one moment to cry like it was five hundred years of tears. He ain’t walked anywhere and there are no blisters on his soles but there are dreams worn clean into his rib cage and it shakes and shakes with each breath and I see he’s trying to talk when he grabs at the air behind his head or stares up at the sky so hard. All of this temperature rising hot and I set James down in the shade by the basketball court and I play and I play until the sweat of my body makes it rain everywhere on the reservation. I play and I play until the music of my shoes against pavement sounds like every drum. Then I’m home alone and I watch the cockroaches live their complicated lives.

I hold James with one arm and my basketball with the other arm and I hold everything else inside my whole body.

1969

I take James to the Indian clinic because he ain’t crying yet and because all he does sometimes is stare and stare and sometimes he’ll wrap his arms around the stray dogs and let them carry him around the yard. He’s strong enough to hold his body off the ground but he ain’t strong enough to lift his tongue from the bottom of his mouth to use the words for love or anger or hunger or good morning. Maybe he’s only a few years old but he’s got eyes that are ancient and old and dark like a castle or a lake where the turtles go to die and sometimes even to live. Maybe he’s going to howl out the words when I least expect it or want it and he’ll yell out a cuss word in church or a prayer in the middle of a grocery store. Today I moved through town and walked and walked past the people who hadn’t seen me in so long maybe for months and they asked questions about me and James and no one bothered to knock on the door and look for the answers. It’s just me and James walking and walking except he’s on my back and his eyes are looking past the people who are looking past us for the coyote of our soul and the wolverine of our heart and the crazy crazy man that touches every Indian who spends too much time alone. I stand in the Trading Post touching the canned goods and hoping for a vision of all the miles until Seymour comes in with a twenty-dollar bill and buys a couple cases of beer and we drink and drink all night long. James gets handed from woman to woman and from man to man and a few children hold this child of mine who doesn’t cry or recognize the human being in his own body. All the drunks happy to see me drunk again and back from the wagon and I fell off that wagon and broke my ass and dreams and I wake up the next morning in a field watching a cow watch me. With piss in my pants I make the long walk home past the HUD houses and abandoned cars and past the powwow grounds and the Assembly of God where the sinless sing like they could forgive us all. I get home and James is there with Suzy Song feeding him and rocking him like a boat or a three-legged chair.

I say no and I take James away and put him in his crib and I move into Suzy’s arms and let her rock and rock me away from my stomach and thin skin.

1969

Long days and nights mean the sky looks the same all the time and James has no words yet but he dreams and kicks in his sleep and sometimes kicks his body against my body as he sleeps in my arms. Nobody dreams all the time because it would hurt too much but James keeps dreaming and sleeping through a summer rainstorm and heat lightning reaching down a hand and then a fist to tear a tree in half and then to tear my eyes in half with the light. We had venison for dinner. We ate deer and its wild taste shook me up and down my spine. James spit his mouthful out on the floor and the dogs came to finish it up and I ate and ate and the dogs ate and ate what they could find and the deer grew in my stomach. The deer grew horns and hooves and skin and eyes that pushed at my rib cage and I ate and ate until I could not feel anything but my stomach expanding and stretched full.

All my life the days I remember most with every detail sharp and clear are the days when my stomach was full.

1969

We played our first basketball game of the season tonight in the community center and I had Suzy Song watch James while I played and all of us warriors roaring against the air and the nets and the clock that didn’t work and our memories and our dreams and the twentieth-century horses we called our legs. We played some Nez Percé team and they ran like they were still running from the cavalry and they were kicking the shit out of us again when I suddenly steal the ball from their half-white point guard and drive all the way to the bucket. I jump in the air planning to dunk it when the half-white point guard runs under me knocking my ass to the floor and when I land I hear a crunch and my leg bends in half the wrong way. They take me to the reservation hospital and later on they tell me my leg has exploded and I can’t play ball for a long time or maybe forever and when Suzy comes by with James and they ask me if this is my wife and son and I tell them yes and James still doesn’t make a noise and so they ask me how old he is. I tell them he’s almost four years old and they say his physical development is slow but that’s normal for an Indian child. Anyhow I have to have an operation and all but since I don’t have the money or the strength or the memory and it’s not covered by Indian Health I just get up and walk home almost crying because my leg and life hurt so bad. Suzy stays with me that night and in the dark she touches my knee and asks me how much it hurts and I tell her it hurts more than I can talk about so she kisses all my scars and she huddles up close to me and she’s warm and she talks into my ear close. She isn’t always asking questions and sometimes she has the answers. In the morning I wake up before her and I hobble into the kitchen and make some coffee and fix a couple of bowls of cornflakes and we sit in bed eating together while James lies still in his crib watching the ceiling so Suzy and I watch the ceiling too.

The ordinary can be like medicine.

1970

Early snow this year and James and I sit at home by the stove because I can’t walk anywhere with my bad knee and since it is snowing so hard outside nobody could drive out to get us but I know somebody must be thinking about us because if they weren’t we’d just disappear just like those Indians who used to climb the pueblos. Those Indians disappeared with food still cooking in the pot and air waiting to be breathed and they turned into birds or dust or the blue of the sky or the yellow of the sun.

There they were and suddenly they were forgotten for just a second and for just a second nobody thought about them and then they were gone.

1970

I took James down to the reservation hospital again because he was almost five years old and still hadn’t bothered to talk yet or crawl or cry or even move when I put him on the floor and once I even dropped him and his head was bleeding and he didn’t make a sound. They looked him over and said there was nothing wrong with him and that he’s just a little slow developing and that’s what the doctors always say and they’ve been saying that about Indians for five hundred years. Jesus I say don’t you know that James wants to dance and to sing and to pound a drum so hard it hurts your ears and he ain’t ever going to drop an eagle feather and he’s always going to be respectful to elders at least the Indian elders and he’s going to change the world. He’s going to dynamite Mount Rushmore or hijack a plane and make it land on the reservation highway. He’s going to be a father and a mother and a son and a daughter and a dog that will pull you from a raging river.

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