Sherman Alexie - The Lone Ranger and Tonto Fistfight in Heaven

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When it was first published in 1993,
established Sherman Alexie as a stunning new talent of American letters. The basis for the award-winning movie
it remains one of his most beloved and widely praised books. In this darkly comic collection, Alexie brilliantly weaves memory, fantasy, and stark realism to paint a complex, grimly ironic portrait of life in and around the Spokane Indian Reservation. These twenty-two interlinked tales are narrated by characters raised on humiliation and government-issue cheese, and yet are filled with passion and affection, myth and dream. Against a backdrop of alcohol, car accidents, laughter, and basketball, Alexie depicts the distances between Indians and whites, reservation Indians and urban Indians, men and women, and, most poetically, modern Indians and the traditions of the past.

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I run from my tipi across the ground toward the tree, climb the branches to watch the Others. There is one, taller than the clouds, who doesn’t ride a pony, who runs across the dust, faster than my memory.

Sometimes they come back. The Others, carrying salmon, water. Once, they took Noah Chirapkin, tied him down to the ground, poured water down his throat until he drowned.

The tallest Other, the giant, took Tremble Dancer away, brought her back with a big belly. She smelled of salt, old blood. She gave birth, salmon flopped from her, salmon growing larger.

When she died, her hands bled seawater from the palms.

At the Tribal Council meeting last night, Judas WildShoe gave a watch he found to the tribal chairman.

“A white man artifact, a sin,” the chairman said, put the watch in his pouch.

I remember watches. They measured time in seconds, minutes, hours. They measured time exactly, coldly. I measure time with my breath, the sound of my hands across my own skin.

I make mistakes.

Last night I held my transistor radio in my hands, gently, as if it were alive. I examined it closely, searching for some flaw, some obvious damage. But there was nothing, no imperfection I could see. If there was something wrong, it was not evident by the smooth, hard plastic of the outside. All the mistakes would be on the inside, where you couldn’t see, couldn’t reach.

I held that radio and turned it on, turned the volume to maximum, until all I could hear was the in and out, in again, of my breath.

JESUS CHRIST’S HALF-BROTHER IS ALIVE AND WELL ON THE SPOKANE INDIAN RESERVATION

1966

ROSEMARY MORNINGDOVE GAVE BIRTH to a boy today and seeing as how it was nearly Christmas and she kept telling everyone she was still a virgin even though Frank Many Horses said it was his we all just figured it was an accident. Anyhow she gave birth to him but he came out all blue and they couldn’t get him to breathe for a long time but he finally did and Rosemary MorningDove named him — which is unpronounceable in Indian and English but it means: He Who Crawls Silently Through the Grass with a Small Bow and One Bad Arrow Hunting for Enough Deer to Feed the Whole Tribe.

We just call him James.

1967

Frank Many Horses and Lester FallsApart and I were drinking beers in the Breakaway Bar playing pool and talking stories when we heard the sirens. Indians get all excited when we hear sirens because it means fires and it means they need firefighters to put out the fires and it means we get to be firefighters and it means we get paid to be firefighters. Hell somebody always starts a fire down at the Indian burial grounds and it was about time for the Thirteenth Annual All-Indian Burial Grounds Fire so Frank and Lester and I ran down to the fire station expecting to get hired but we see smoke coming from Commodity Village where all the really poor Indians live so we run down there instead and it was Rosemary MorningDove’s house that was on fire. Indians got buckets of water but this fire was way too big and we could hear a baby crying and Frank Many Horses gets all excited even though it’s Lillian Many’s baby right next to us. But Frank knows James is in the house so he goes running in before any of us can stop him and pretty soon I see Frank leaning out the upstairs window holding James and they’re both a little on fire and Frank throws James out the window and I’m running my ass over to catch him before he hits the ground making like a high school football hero again but I miss him just barely slipping through my fingers and James hits the ground hard and I pick him up right away and slap the flames out with my hands all the while expecting James to be dead but he’s just looking at me almost normal except the top of his head looks all dented in like a beer can.

He wasn’t crying.

1967

I went down to the reservation hospital to see how James and Frank and Rosemary were doing and I got drunk just before I went so I wouldn’t be scared of all the white walls and the sound of arms and legs getting sawed off down in the basement. But I heard the screams anyway and they were Indian screams and those can travel forever like all around the world and sometimes from a hundred years ago so I close my ears and hide my eyes and just look down at the clean clean floors. Oh Jesus I’m so drunk I want to pray but I don’t and before I can change my mind about coming here Moses MorningDove pulls me aside to tell me Frank and Rosemary have died and since I saved James’s life I should be the one who raises him. Moses says it’s Indian tradition but somehow since Moses is going on about two hundred years old and still drinking and screwing like he was twenty I figure he’s just trying to get out of his grandfatherly duties. I don’t really want any of it and I’m sick and the hospital is making me sicker and my heart is shaking and confused like when the nurse wakes you up in the middle of the night to give you a sleeping pill but I know James will end up some Indian kid at a welfare house making baskets and wearing itchy clothes and I’m only twenty myself but I take one look at James all lumpy and potato looking and I look in the mirror and see myself holding him and I take him home.

Tonight the mirror will forgive my face.

1967

All dark tonight and James couldn’t sleep and just kept looking at the ceiling so I walk on down to the football field carrying James so we can both watch the stars looking down at the reservation. I put James down on the fifty-yard line and I run and run across the frozen grass wishing there was snow enough to make a trail and let the world know I was there in the morning. Thinking I could spell out my name or James’s name or every name I could think of until I stepped on every piece of snow on the field like it was every piece of the world or at least every piece of this reservation that has so many pieces it might just be the world. I want to walk circles around James getting closer and closer to him in a new dance and a better kind of healing which could make James talk and walk before he learns to cry. But he’s not crying and he’s not walking and he’s not talking and I see him sometimes like an old man passed out in the back of a reservation van with shit in his pants and a battered watch in his pocket that always shows the same damn time. So I pick James up from the cold and the grass that waits for spring and the sun to change its world but I can only walk home through the cold with another future on my back and James’s future tucked in my pocket like an empty wallet or a newspaper that feeds the fire and never gets read.

Sometimes all of this is home.

1968

The world changing the world changing the world. I don’t watch the TV anymore since it exploded and left a hole in the wall. The woodpile don’t dream of me no more. It sits there by the ax and they talk about the cold that waits in corners and surprises you on a warm almost spring day. Today I stood at the window for hours and then I took the basketball from inside the wood stove and shot baskets at the hoop nailed to a pine tree in the yard. I shot and shot until the cold meant I was protected because my skin was too warm to feel any of it. I shot and shot until my fingertips bled and my feet ached and my hair stuck to the skin of my bare back. James waited by the porch with his hands in the dirt and his feet stuck into leather shoes I found in the dump under a washing machine. I can’t believe the details I am forced to remember with each day that James comes closer to talking. I change his clothes and his dirty pants and I wash his face and the crevices of his little body until he shines like a new check.

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