Rawi Hage - Carnival

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Carnival: краткое содержание, описание и аннотация

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Shortlisted for the Rogers Writers' Trust Fiction Prize and the Quebec Writers' Federation Hugh MacLennan Prize for Fiction. In the Carnival city there are two types of taxi drivers — the spiders and the flies. The spiders patiently sit in their cars and wait for the calls to come. But the flies are wanderers — they roam the streets, looking for the raised hands of passengers among life's perpetual flux.
Fly is a wanderer and a knower. Raised in the circus, the son of a golden-haired trapeze artist and a flying carpet pilot from the East, he is destined to drift and observe. From his taxi we see the world in all its carnivalesque beauty and ugliness. We meet criminals, prostitutes, madmen, magicians, and clowns of many kinds. We meet ordinary people going to extraordinary places, and revolutionaries trying to live ordinary lives. Hunger and injustice claw at the city, and books provide the only true shelter. And when the Carnival starts, all limits dissolve, and a gunshot goes off. .
With all of the beauty, truth, rage, and peripatetic storytelling that have made
and
international publishing sensations,
gives us Rawi Hage at his searing best. Alternately laughing at absurdity and crying out at oppression, by turns outrageous, hilarious, sorrowful, and stirring,
is a tour de force that will make all of life's passengers squirm in their comfortable, complacent backseats.

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During the rest of the crossing, I would wake up in the middle of the night and see that the bed I shared with the bearded lady was empty except for me, but I was happy because I knew that Pips would take care of La Dame. He would love having her in his bed as the sea rocked the boat and splashed the deck and the little round windows with water and fish and every other kind of creature that originated from the sea.

Pips decided to travel with us the rest of the way, and when we arrived in the Carnival city the three of us shared small rooms with a communal bathroom. Pips found a few birthday gigs and a restaurant where we performed some nights, but then, suddenly, poverty hit us and hunger surfaced again from beneath our clothing and hats, it settled in our mattresses and covered the tablecloth, and we all went looking for jobs. I wore a turban on my head and a long robe that reached past my feet. I stood on corners while Pips shouted, The Surmise Boy, ladies and gentlemen! He will guess your age and weight and the remaining number of your living years. .

The bearded lady couldn’t find a job because people here want everything to be clear: men are men and women are women and those who are in between are left to the vultures and the crocodiles. We were barely surviving, and one day Pips held me and said, Listen, kid, I have another trick up my sleeve, but you have to help me without our lady knowing. He showed me a book on “spiritism,” as he called it. He flashed the book in front of my eyes. I read the title, The Book of Mediums and the Secret World of Beyond and After . When I tried to grab it, Pips pulled it back and said, You will read it someday.

With the little money we made on the street, Pips rented a room and proclaimed himself a spirit medium. We fed on old ladies who had lost their husbands, mothers who talked to their missing sons in the jungles of war or the sunken ships below the seas, and we summoned lost lovers, wives, dogs, sons, and daughters from the beyond. When new clients called for an appointment, Pips, to look important and sincere, would ask for a reference, and then he would ask for their names and the year of their birth and tell them that he would be in touch soon. And I would go to the library and research past addresses, occupations, and lives. Then, in the afternoons, Pips and I would stroll to our clients’ childhood places: we would note trees and watch kids play, we would observe the colours of window frames, the meadows, or the electric poles nearby. We went to the local bars and coffee shops and made conversation. It was easy to evoke the dead, because their traces are everywhere. Their past lives stretched and covered candy stores, benches, water fountains, dirt roads, and dusty graves. The dead, Pips would say, are what we make of them.

Pips and I dimmed the lights in the rented room, hung velvet drapes, and skilfully positioned the dancing tables and talking chairs. We bought a cheap skull and passed thin ropes through it. And I let my own dark spirit hide behind the wardrobe door to pull the rope and make the skull talk and shiver. We built a wooden box, placed a bell inside it, and positioned the box under the table. Whenever the box was kicked or nudged, the bell would ring. Just when the spirit was about to respond, Pips would hold the client’s arm and ask everyone to move back from the table, hold hands, close their eyes, and let their bodies fall forward. From there he would faintly jiggle the table with his head, making it shift and squeak, and kick the box.

Later we oiled the wardrobe’s door so that when it opened, no sound could be heard. Before the client came into the room, I would slip inside the wardrobe with a few sealed envelopes. During the session, Pips would ask the client, let’s say it was a lady, to write a question to the deceased. She would insert it into an envelope, seal it, and Pips would take it from her and ask her to close her eyes and concentrate. From inside the wardrobe, I would exchange envelopes with Pips, right under the lady’s nose. Then Pips would ask the lady to open her eyes and read the answer of the spirits. The messages we wrote were always vague, a reference to a place that we, Pips and I, eerie humans that we were, had visited the day before.

Pips even made deals with the undertaker. He promised him that, once in a while, a client would come to him wanting to upgrade a loved one’s headstone to something more expensive. And Pips would take a cut. The contents of some envelopes read The white stone, change the white stone , or simply the fountain, I am happy here , or Grandpa . From inside the wardrobe, I tried not to breathe heavily, not to sneeze, not to laugh or feel sorry.

For a while business thrived and we ate well. Pips walked around in a new suit and bought the bearded lady flowers from the shop. And then, one day, the bearded lady cornered me with a stick and a rope, and I confessed that the money had come from the wishes of old ladies and the desperation of orphans. That it was collected from mothers in tears and extracted from old husbands who had no one left to talk to. The bearded lady cried and said only clergy and charlatans would promise to secure the welfare of the dead. She told me that we might be jokers, tricksters, rope walkers, and buffoons, but we had never been the kind to swindle desperate believers with falsehoods. And she held my hand and said, The best of them fall when they are in despair; they spend the rest of their lives and their fortunes on seances and dark chambers, waiting for the table to rattle, for the glass to speak. Listen, my son, all we’re allowed to sell is the wonders that we see, the acts that we witness, and the plays that we perform. Now close the curtains and go to your room before the door opens and hell breaks loose.

Late that night Pips appeared and the bearded lady grabbed him by the skull and pounded him to a pulp. She called him a swine and packed his clothes and threw him into the street. She cried all night, she climbed into my bed, and I swept away her tears and kissed her beard.

HUNGER

THE DRUG DEALER came out of the strip bar, sat in the back of my car, and said, Okay, let’s call it a night. Drop me at the next bridge, the blue one. I’ll show you once we get there.

But then he became friendly and talkative and I wondered if he’d had a few drinks and a lap dance or two. Hey, Fly, where you from, he asked from behind his shady cool glasses.

From everywhere, I said.

Yeah, like you’re from China or Timbuktu. But really, are you from here?

I grew up among the animals, I said.

So you are one of those farmer boys; we do business there too, he said. My grandfather was a farmer, but his kind, the God-fearing, churchgoing farmers are all gone. Now they all have TVs on their roofs and orgies in their barns. The flux, Fly, man, the flux of time. If everything goes tits up, there’s always the farm and the cows. . speaking of which, are you on for long drives outside of town?

Anywhere the wind brings the barley and the dough, I said.

That is my man, Fly is the man. Fly, are you gay?

No, I said.

No offence, but I am asking because the other day you said you had no girlfriend, so I didn’t know if you meant, like, no girlfriend but a boyfriend or if you’re just into ascetic living, deprivation, or masturbation. You know these things can be tricky.

No, no girlfriend.

But you do get laid, don’t you? Not with animals, I hope. Are you into kink, chains and shit, classy whores, white pussy, pink pussy, Chinese pussy, black pussy? Because I could set you up. Just say the word.

Much appreciated, I said. But you know how it is with mixing business and pleasure.

It can be pleasurable, the dealer said. My girl is my accountant, manager, fashion consultant, and my whore, if you know what I mean. Hey, we were never properly introduced. You are Fly, I know. Call me Zee. Zee as in “zee one, zee only Zee,” and he laughed. . And thank you for asking me my name, Fly, now that we are friends. That was very polite of you, Fly. Very polite, Fly.

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