Mavis Gallant - From the Fifteenth District

They came out of the post office to a drenching rain. Dieter wondered what shape their uniforms would be in by the time they surrendered. Gabriel argued that after the siege of the Palais du Luxembourg the original uniforms must have shown wear. Dieter answered that it was not up to him or Gabriel to decide such things.

Rain fell for another fortnight, but, at last, on a cool shining June day, they were able to surrender. During one of the long periods of inextricable confusion, Dieter and Gabriel walked as far as the Delacroix monument and sat on its rim. Dieter was disappointed in his men. There were no real Germans among them, but Yugoslavs, Turks, North Africans, Portuguese, and some unemployed French. The Resistance forces were not much better, he said. There had been complaints. Gabriel had to agree that they were a bedraggled-looking lot. Dieter recalled how in the sixties there used to be real Frenchmen, real Germans, authentic Jews. The Jews had played deportation the way they had seen it in films, and the Germans had surrendered according to film tradition, too, but there had been this difference: They had at least been doing something their parents had done before them. They had not only the folklore of movies to guide them but — in many cases — first-hand accounts. Now, even if one could assemble a true cast of players, they would be trying to imitate their grandfathers. They were at one remove too many. There was no assurance that a real German, a real Frenchman would be any more plausible now than a Turk.

Dieter sighed, and glanced up at the houses on the other side of the street edging the park. “It wouldn’t be bad to live up there,” he said. “At the top, with one of those long terraces. They grow real trees on them — poplars, birches.”

“What would it cost?”

“Around a hundred and fifty million francs,” said Dieter. “Without the furniture.”

“Anyone can have a place like that with money,” said Gabriel. “The interesting thing would be to live up there without it.”

“How?”

Gabriel took off his helmet and looked deeply inside it. He said, “I don’t know.”

Dieter showed him the snapshots of his cousin’s wedding. Helga and the groom wore rimless spectacles. In one picture they cut a cake together; in another they tried to drink out of the same champagne glass. Eyeglasses very like theirs, reduced in size, were worn by a plain little girl. On her head was a wreath of daisies. She was dressed in a long, stiff yellow gown. Gabriel could see just the hem of the dress and the small shoes, and her bashful anxious face and slightly crossed eyes. Her wrists were encircled by daisies, too. Most of her person was behind an accordion. The accordion seemed to be falling apart; she had all she could do to keep it together.

“My cousin’s husband’s granddaughter,” said Dieter. He read Helga’s letter: “ ‘She can play anything — fast, fast. Her fingers simply fly over the keyboard.’ ”

Gabriel examined every detail of the picture. The child was dazzled and alarmed, and the accordion was far too heavy. “What is her name?” he said.

Dieter read more of the letter and said, “Erna.”

“Erna,” Colonel Baum repeated. He looked again at the button of a face, the flower bracelets, the feet with the heels together — they must have told her to stand that way. He gave the snapshot back without saying anything.

A crowd had collected in the meantime, drawn by the lights and the equipment and the sight of the soldiers in German uniform. Some asked if they might be photographed with them; this often happened when a film of that kind was made in the streets.

An elderly couple edged up to the two officers. The woman said, in German, in a low voice, “What are you doing here?”

“Waiting to surrender,” said Dieter.

“I can see that, but what are you doing? ”

“I don’t know,” said Dieter. “I’ve been sitting on the edge of this monument for thirty-five years. I’m still waiting for orders.”

The man tried to give them cigarettes, but neither colonel smoked. The couple took pictures of each other standing between Dieter and Gabriel, and went away.

Why is it, said Gabriel to himself, that when I was playing a wretched, desperate victim no one ever asked to have his picture taken with me? The question troubled him, seeming to proceed from the younger Gabriel, who had been absent for some time now. He hoped his unruly tenant was not on his way back, screaming for a child’s version of justice, for an impossible world.

Some of the men put their helmets upside-down on the ground and tried to make the visitors pay for taking their pictures. Dieter was disturbed by this. “Of course, you were a real soldier,” he said to Gabriel unhappily. “All this must seem inferior.” They sat without saying anything for a time and then Dieter began to talk about ecology. Because of ecology, there was a demand in Bavaria for fresh bread made of authentic flour, salt, water, and yeast. Because of unemployment, there were people willing to return to the old, forgotten trades, at which one earned practically nothing and had to work all night. The fact was that he had finally saved up enough money and had bought a bakery in his native town. He was through with the war, the Occupation, the Liberation, and captivity. He was going home.

This caused the most extraordinary view in Gabriel’s view of the park. All the greens in it became one dull color, as if thunderous clouds had gathered low in the sky.

“You will always be welcome,” said Dieter. “Your room will be ready, a bed made up, flowers in a vase. I intend to marry someone in the village — someone young.”

Gabriel said, “If you have four or five children, how can you keep a spare room?”

Still, it was an attractive thought. The greens emerged again, fresh and bright. He saw the room that could be his. Imagine being wakened in a clean room by birds singing and the smell of freshly baked bread. Flowers in a vase — Gabriel hardly knew one from the other, only the caged flowers of parks. He saw, in a linen press, sheets strewn with lavender. His clothes hung up or folded. His breakfast on a white table-cloth, under a lime tree. A basket of warm bread, another of boiled eggs. Dieter’s wife putting her hand on the white coffee pot to see if it was still hot enough for Gabriel. A jug of milk, another of cream. Dieter’s obedient children drinking from mugs, their chins on the rim of the table. Yes, and the younger Gabriel, revived and outraged and jealous, thrashing around in his heart, saying, “Think about empty rooms, letters left behind, cold railway stations washed down with disinfectant, dark glaciers of time.” And, then, Gabriel knew nothing about the country. He could not see himself actually in it. He had never been to the country except to jump out of trains. It was only in films that he had seen mist lifting or paths lost in ferns.

They surrendered all the rest of the afternoon. The aristo wrote “MY FRIENDS REMEMBERED” on the wall while Dieter and Gabriel led some Turks and Yugoslavs and some unemployed Frenchmen into captivity. The aristo did not even bother to turn around and look. Gabriel was breathing at a good rhythm — not too shallow, not too fast. An infinity of surrenders had preceded this one, in color and in black-and-white, with music and without. A long trail of application forms and employment questionnaires had led Gabriel here: “Baum, Gabriel, b. 1935, Germany, nat. French, mil. serv. obl. fulf.” (Actually, for some years now his date of birth had rendered the assurance about military service unnecessary.) Country words ran meanwhile in Gabriel’s head. He thought, Dense thickets, lizards and snakes, a thrush’s egg, a bee, lichen, wild berries, dark thorny leaves, pale mushrooms. Each word carried its own fragrance.