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Katherine Dunn: Geek Love

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Katherine Dunn Geek Love

Geek Love: краткое содержание, описание и аннотация

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Geek Love is the story of the Binewskis, a carny family whose mater- and paterfamilias set out — with the help of amphetamine, arsenic, and radioisotopes — to breed their own exhibit of human oddities. There’s Arturo the Aquaboy, who has flippers for limbs and a megalomaniac ambition worthy of Genghis Khan. Iphy and Elly, the lissome Siamese twins.. albino hunchback Oly, and the outwardly normal Chick, whose mysterious gifts make him the family’s most precious — and dangerous — asset. As the Binewskis take their act across the backwaters of the U.S., inspiring fanatical devotion and murderous revulsion; as its members conduct their own Machiavellian version of sibling rivalry, Geek Love throws its sulfurous light on our notions of the freakish and the normal, the beautiful and the ugly, the holy and the obscene. Family values will never be the same.

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The clear plastic tubing slides easily through the hole. On the footbath side of the door a few inches of tubing droop toward the chlorine reek of the blue surface. I bend to suck air through it. The tube is clear, not pinched by the door closing. With the tube gone the hole is in the dark below the hinge, hardly visible unless you are on your hands and knees.

I work the narrow end of the funnel into the end of the tube, coil the arrangement tidily, and tuck it under the bag in my locker. As I walk out through the big glass doors in the front lobby I see the glossy young lifeguard putting her bicycle into a stanchion.

Miss Olympia Binewski McGurk, the albino dwarf, takes two steps to the average one because her mystic breastbone has spent thirty-eight years trying to increase its distance from her agnostic spine. Those two steps carry our Miss Oly, the hunchback, into the tidal stench of corned beef and cabbage filling the dim cove of McLarnin’s at ten o’clock on a Tuesday morning when Jimmy McL. himself is steaming the wherewithal for the famous eleven-to-four buffet. The bar is clean. The glasses wait, glittering in their racks.

Miss Oly hoists her twisted frame onto the least spinnable bar stool and nods encouragingly at Jimmy. The mirror is obscured by bottlenecks, leaving shards in which Miss Oly catches a flicker of her blue-tinted spectacles and goat-grey wig bobbing over the waxy wood. Her big, soft voice is deeper than the tenor McLarnin’s.

“A shot of Jameson’s please, Jimmy,” she says, and McL. sways toward her, wrapped in cabbage mist from the kettles and flapping a bar towel in front of his red knob nose to clear the view.

“Celebrating, are we?” gurgles Jimmy in sympathy with the tall, tipping bottle.

“You too?” asks Miss Oly, squinting her rose-pink eyes behind the sapphire lenses.

“Thank you,” McL. deliberately misunderstands. “I’ll stick with Murphy’s though. I was weaned on it.”

“Is that so?” Miss Oly would like to know.

Jimmy gives a slow, thoughtful swipe at the bar with his towel and raises his crisp white eyebrows. “True enough. I was colicky as a babe and my mother’d send me off to sleep with a rag-tit tied up in thread and soaked in Murphy to suck on. She swore by it for a whole night’s rest.”

“I was thirty-eight years old,” muses Miss Oly, “before I ever felt the burn of whiskey on my lip. But I knew it right away for what it was.”

“The virgin’s arms,” nods Jimmy. “God’s breath.”

“I am amazed at all the years I spent without whiskey,” says Oly.

“Just as well. It takes a lady of a certain age to contain the stuff. Particularly the Irish. No offense but a bit of weathering and experience are required not to go right off the edge with it. I would hesitate to serve Irish to a green schoolgirl. Mixes and vodka are enough for them to go wrong on. I couldn’t look at myself shaving if I poured Irish for the young.”

“Don’t tell me you look?”

The diplomat McLarnin senses a delicacy about mirrors in Miss Oly, and deftly switches his bulk to block her exposure to the jolt of her own image reflected in shreds behind the bar bottles.

“You’ve a voice like mulled toddy, Miss O,” grins Jimmy. “I cried like a busted banker at your story on the radio this morning.”

“Hush,” grunts Oly, ducking a peek into the empty darkness behind her. “The Story Lady of Station KBNK isn’t supposed to be boozing at ten A.M. Today’s show was an old tape. I called in sick. Besides, McLarnin, I have the voice of a baritone kazoo and your real name is Nelson. You were born in Nebraska. Admit it.”

“You’re bitter this morning, Miss O. And it leads you to grievous error. I was born up the street at Good Sam, fifty-six years ago, and I’ve lived in the sound of its sirens ever since. Not unlike yourself, I imagine.”

“I was born in a trailer. No idea where it was parked at the time. But I was conceived here.”

At 5:30 I am sitting on the windowsill of a deserted conference room on the fourth floor of the TAC Club, watching the circle drive inside the entrance gates. Miss Lick’s sedan blows in on time and the lackey in the club uniform opens her door for her. He takes her keys and tools the car out to her private parking space as she heads for the entrance. I get down off the sill and settle into an armchair to watch the wall clock.

I can feel her in the building. With my eyes closed I can see her crossing the lobby, nodding to the woman at the reception desk, clumping down the carpeted corridor to the elevator. I know exactly how she will stare at the elevator door, waiting for it to open, with her big hands folded in front of her to prevent fidgeting.

Usually I am in the locker room when she walks in. Today her face — ready to smile as she pushes through the door — will lift in puzzlement. She will skin down and get into her tank suit wondering about me. I can almost hear her splashing into the footbath and feel the air move as the locker door hisses closed behind her. I can smell her heat mingling with the metallic green fumes of the chlorine in the unventilated cubicle.

There is no bulb in the ceiling fixture of the footbath. The only light is the grey murk that comes through the small diamond-shaped window in the door to the pool. She will be standing there, ankle-deep in chlorine water, peering through the thick, wire-reinforced glass. She will be searching the pool for me.

She stands, rotating her big shoulders, her elbows flapping like wings. She bends, hiking a foot out of the blue water, running her fingers between her toes, trading feet for the same ritual.

Planting both feet in the soup again she takes the plastic quart jar of chlorine from its niche in the tiled wall, opens it, and, ignoring the measuring scoop, sprinkles a goodly pinch of the sea-green crystals over the surface of the water.

The plan is simple. She is always the last one out of the pool. The lifeguard locks up and leaves as Miss Lick begins her second mile of laps. The respected Miss Lick has her own keys and can come in to swim at 3 A.M. if she wants to. She can certainly swim alone with her dwarf pal and lock up behind herself.

I, pale thing, always climb out before Miss Lick, and have showered and dressed before her pork palms slap the pool deck to hoist her out. Sitting on the bench in the locker room, I can always hear her sighing and swishing for long peaceful minutes in the footbath before she comes in to scour herself under the shower. Miss Lick never gets enough of that chlorine footbath.

There is plenty of time to empty the full chlorine jar into the water of the footbath. It’s simple to close the footbath door to the locker room and turn its deadbolt, and then slip out to the corridor and down to the hall door opening onto the pool.

I stand, silent, behind the tall stack of paddleboards until Miss Lick emerges from the pool, cascading water, and stomps over to the footbath door. As the door wheezes closed behind her I am there to twist the deadbolt.

The monster is caught in the closet with her eyes stinging in the rising chlorine. She is pounding the sides of her fists on the door to the locker room as I scuttle for the hall, run the few silent yards to the other entrance, and gasp my way in with my heart screaming hide-and-seek in my ears.

Her pounding fills the room. I race to my locker, scatter it empty, an ammonia jug in each hand, dragging toward that little hole in the door.

“Oly!” she bellows beyond the wood slab. The name freezes my lungs. The skin all over my body rises in pimples of fear.

“Oly! Are you all right?”

Now she is pounding on the poolside door. The drum wave moves away from me as I shove the tip of the hose into the hole. The stink of chlorine is strong from the small hole and my eyes water from bending close to it.

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