Quan Barry - She Weeps Each Time You're Born

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A luminous fiction debut: the tumultuous history of modern Vietnam as experienced by a young girl born under mysterious circumstances a few years before reunification — and with the otherworldly ability to hear the voices of the dead. At the peak of the war in Vietnam, a baby girl is born on the night of the full moon along the Song Ma River. This is Rabbit, who will journey away from her destroyed village with a makeshift family thrown together by war. Here is a Vietnam we've never encountered before: through Rabbit's inexplicable but radiant intuition, we are privy to an intimate version of history, from the days of French Indochina and the World War II rubber plantations through the chaos of postwar reunification. With its use of magical realism — Rabbit's ability to "hear" the dead — the novel reconstructs a turbulent historical period through a painterly human lens. This is the moving story of one woman's struggle to unearth the true history of Vietnam while simultaneously carving out a place for herself within it.

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After her skin has cooled, he helps her to dress. For a moment he thinks he sees the skin of her belly trembling, but it is probably just a trick of the late-afternoon light. Together they walk outside to the jackfruit tree. He has done all he can. He of all people should know that when the heart breaks, there is no salve. Around them the air hangs fetid with the wet heat that follows the southwest monsoon. On the ground the ants are already dismantling the ruined fruit.

Wait, Lam says. He hobbles back inside. He returns with a peony, its pink bud furled tight as a fist. Tell your mother-in-law Thuan I am her servant always, he says, pressing the flower into Little Mother’s hand. He thinks of Thuan and her old-woman eyes as though rinsed with milk. If he were a younger man, he would run a needle through fire and take Thuan’s face in his moldy old hands, carefully lifting the cloud from each of her eyes. He imagines that when he finished, Thuan would rise from the stool and behold him as he used to be, both their bodies once again young and flawless.

Little Mother nods and tucks the flower in the weft of her hat. She has never heard anyone call her mother-in-law by her given name. She knows Bà will be happy to get the peony, her milky eyes shining. For a second time Little Mother pats the flower with her fingertips, securing it in place. Everywhere the small bruises jewel her skin, each one the diameter of a child’s wrist.

Three times Lam waves off the crumpled piastres she offers him. Please, she says, her eyes fixed on the ground, as each time he refuses. Finally she tucks the money back up in her conical hat. Grandfather, she says, turning to go. In the next life I will serve you. He places a fist in the scarred-green palm of his other hand and bows deeply. It isn’t until she has fully disappeared around the bend in the road that he stands back up.

Sometimes things blow shut of their own accord. The way a door creaks on its splintery wooden hinges — pain in the very sound of it. How the pain comes fluttering up in the joints, the pain permanent like new teeth. This is a moment of thresholds. The sound of doors swinging wildly somewhere in the wind .

THE BRIDGE ACROSS THE SONG MA HAD LONG SINCE BEEN destroyed, but the little basket boat was still sitting on the near shore, bobbing in the current. There were no oars, just a series of guide ropes one could use to pull the bamboo boat back and forth. This was the last place she’d seen him. More than eight months had passed. Little Mother still remembered the shape of Tu’s neck under his hat as he pulled himself across the water, the birthmark gleaming on the edge of his hairline. They had walked to the river hand in hand through the dusk, the bats just starting to stir. Something buzzed in her ear, but she didn’t swat it, not wanting him to remember her as anything less than stoic, Little Mother eager to demonstrate that she would be all right in his absence. They both knew the time had come for him to disappear, the war changing the land around them. As he slipped across the Song Ma, Tu didn’t look back. The sound of water lapped against the sides of the boat as he melted into the landscape, her heart slipping away from her body.

Little Mother studied the sky. There was an hour left until sundown. The old medicine man had said it would come that night. There was nothing else to do. On the far shore the rope was fastened around an iron hook set deep in a rock. She found the other end where she had left it tied up to the roots of a mangrove tree. Water sloshed in the bottom of the boat, the water hot around her ankles as she stepped in. Swiftly she pulled herself across the river, though it was mostly the current that carried her. The water coursed so dull red and matte she couldn’t see anything in it, not even her own reflection.

On the other side of the river she stepped out of the boat and crawled hand over hand up the bank. Just five months ago there had been a cluster of families living on both sides of the Song Ma. The families had made their living fishing and ferrying people and goods across the river. For the past few months the charred remains of their huts dotted the shoreline. Over time the blackened heaps looked less and less like the remains of houses. It was hard to say who’d done it with any certainty. Little Mother took a deep breath and held it as she hurried past without looking. The patriarch had gone running back into one of the burning huts to find his granddaughter, the thatched roof like a woman with her hair on fire. Neither the old man nor the girl were ever seen again. Little Mother half remembered meeting the little girl from time to time, her hair done in two mismatched braids, one longer than the other, a space where her front tooth was missing, the head of the new tooth just starting to show. The grandfather had been a fisherman. He was known far and wide for fishing with a snow-white cormorant, the bird an albino, its eyes a bloody pink. Until the fire, most nights the grandfather and the bird could be seen together floating on a simple raft, the old man’s long gray beard in stark contrast to his bald head. In the weekly market Little Mother had heard that the man and his granddaughter were somewhere still walking the earth. She imagined meeting the two of them, the blue flames of their spirits roaming restlessly through the dark. From the look of things, with the next good rain the last of the wreckage would wash down into the river, everything as if nobody had ever lived there.

A half mile down the road Little Mother came across the carcass of a wild sow. Its teats gleamed like big brown buttons up and down its bloated gut. Most likely the creature had eaten something poisonous. There was no noticeable trauma, though its mouth gaped, its yellowed tusks long as fingers where the gums had receded. Little Mother wondered if she herself looked like that — gums drawn so far back her teeth as if twice as long.

By the trunk of a black palm she stopped to rest. In the distance the Truong Son Mountains were hazy with ash. It happened often enough that she had learned to sleep through it, the nightly rumble of distant planes. Each time it started, the night sky would light up. The next morning ash would shower down, a black confetti floating as far as Qui Nhon on the coast.

The moon was just on the edge of the horizon as Little Mother rounded the final bend, the sugar apples coming into view in the yard. The one-room she shared with Bà was west of the Song Ma in the southern corner of the province. The first few months of her marriage things had been quiet. Then a small weapons cache was found buried in a field outside Hau Bon. The farmer said he hadn’t worked the field in years, that he left it fallow as a place for the spirits of the rice to live, and that everyone for miles around knew it, but he was carted off to Pleiku anyway. After that, everything changed. Evenings she would see people floating through the hamlet she had never seen before, their accents hard to place. Across the Song Ma a village chief was killed. Someone draped a sign around his neck. PUPPET. Then one by one Tu and the other men of fighting age disappeared, some like Tu joining the Vietcong out in the jungle, others just slipping away. The bombings in the Truong Son Mountains began to physically change their topography, the peaks leveled, helicopters landing at all hours. And now the whole fifty square miles west of the river had been declared a free-fire zone. The Americans ordered everyone out. Tu said the Americans were trying to stamp out the Vietcong by banishing the local people. No people meant no food, no aid. In a free-fire zone the Americans could shoot without asking. Anyone remaining was assumed to be VC. Bà had begged Little Mother to stay, saying they would be all right because they were harmless, two women in the middle of nowhere, and besides, how else would Tu know where to find them when he returned from the jungle? Most of the other villagers had left for Cong Heo, the strategic hamlet in Binh Dinh Province, though Cong Heo had long since fallen into disuse. Little Mother had heard there was a wooden fence with razor wire running along the top, a ring of bamboo stakes all around the compound, the stakes gone soft with rot.

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