Philip Roth - Letting Go

“Maury—” said Doris.

“A baby!” declared Maury. “A baby would heal that rift, I know it. Gabe, I would write to Paul myself, I would tell him my feelings on this whole thing — but to Paul I’m probably just an old friend he doesn’t even remember. But you could tell him. Somebody has to tell him. You can’t be selfish all your life. Paul was my best friend, but he always had a tendency to be a little selfish. Not to think of the other guy. Just a tendency, but still …”

“I’ll tell him,” I said, as the phone rang.

“Thanks, kiddo,” Maury said, taking my arm. Then he was on his sprightly elfin feet and had picked up the phone, which was pale blue to go with the carpet. I really couldn’t stand him.

“Hello? What … No-no-no. Just chatting …”

“Who?” Doris whispered, and for an answer Maury merely had to close his eyes.

Doris nodded. She said, sotto voce, “They call three times a day.”

When Maury hung up, he said, “I have to go down for a few minutes. Leonard says she’s hysterical. She keeps crying about Thanksgiving.”

“I hope I didn’t do it,” I said. “I probably shouldn’t have come.”

“How could you know?” Doris demanded in her singsong voice. “She’s been like this for a week already.”

“I’ll be right back,” Maury said.

“Take Marjorie Morningstar ,” Doris said. “Maybe they’ll read it. If he’ll just start it,” she explained to me, “I’m sure he’ll be gripped. Have you read it?”

“Not yet,” I said, and began to get up.

“Wait a minute,” Maury said to me. “I’ll be right back.”

“I have to run on home myself.”

“Why don’t you wait until I talk to the folks? I’d appreciate that.”

“Sure. Okay.” I sat down on the cushions.

When we were alone, Doris lost a little of her composure, or whatever you may choose to call it, and began to hum. She said finally, “You don’t look Jewish, you know?”

“No?”

“You look Irish.”

“Not really. Not Irish.”

“Well, you know what I mean. Paul always looked very Jewish.”

“I suppose so.”

“You ought to read Marjorie Morningstar ,” she said. “It’s about a girl who one of her problems is, I don’t think she wants to be Jewish. I think maybe Paul ought to read it.”

“You think I ought to recommend it to him?”

She did not know what to make of my response. She said, “Look, it’s just funny when a boy you went out with marries a Gentile girl. I mean I always thought of Paul as a very Jewish fella. He worked in the mountains , he never got in any trouble , he went to college , he had a good sense of humor —and then he turns around and does a thing like that. I don’t think those things generally work out, do you? Most divorces are intermarried, you know. Maybe Paul’s will work out, I’m not saying that. I’m sure if Paul picked her she’s a very nice girl. Certainly I have nothing against her. I don’t even know her. It’s just, I don’t know, none of us expected it. Do you get what I’m talking about?”

“I think so. Yes, I do.”

“Let me give you an example. Maury — now Maury, I mean you just know Maury wouldn’t do it. Maury is a very Jewish fella. He’s a very haymishe fella. To him a family is very important , a nice place to live is very important , he has a good sense of humor —” She got up off the floor and went to the piano, where there was another framed photograph. “This is Maury,” she said, carrying it back to me, “with Ted Mack. Ted Mack from the Amateur Hour. You know Ted Mack, don’t you?”

When I told her I did, she seemed somewhat relieved about my chances in the world.

“Now, Maury could have been a singer. Maury could have been a terrific singer on the style of Frankie Laine. Maury is a very interpretive fella with a song. He won two weeks in a row on Ted Mack, and when he lost, it was only to that little Rhonda whatever her name; you know, the one who had polio and overcame it. I mean that’s very nice, but it certainly didn’t have very much to do with talent. Maury was very unfortunate with that whole thing. Still, two weeks is definitely not nothing, and Arthur Godfrey was very interested in Maury, and the phone calls were coming in from agents for a week. In fact, we had a friend whose cousin was Ed Sullivan, so I mean anything could have happened. I mean Eddie Fisher just happened to meet Eddie Cantor and that was the whole thing. What I’m getting at is that Maury is a very different fella from Paul.” Her point — some point — made, she took the picture back to the piano. I stood up to stretch my legs.

“When I met Maury,” Doris was saying, “I had only really stopped seeing Paul because he went away to Cornell. Otherwise I don’t know, I probably would still have been dating Paul. I was in NYU and I personally did not even know Maury was a friend of Paul’s, can you imagine? And I was in this psychology class, and the first day in walks this very attractive fella, and it was Maury. And I knew how he had been on Ted Mack already, and what a terrific showman he was, and Maury asked me out, and then we just saw each other right on through, and then we got married. And that’s it.”

“And that’s it,” I said.

“Yeah,” she said mousily, and shrugged her shoulders. “That was all really. We met each other and we liked each other and that was all.” She put one hand on her hip; she seemed almost to have become angry with me. “I mean I never put out for Paul, you know. I mean I knew I would marry Maury very early.”

“In life?”

“You remind me of a guy in Marjorie Morningstar ,” she said. “Noel Airman. He’s an intellectual, you know, and also a wise guy. When I was reading the book, in fact, I was thinking of Paul. I’ll bet he turned out a little bit that way too.”

At this point I kissed her. I closed my eyes, dreaming of the simplest, the very simplest of lives.

For a second she looked nothing more than irritated, as though out on a picnic the weather had taken an unexpected turn. But then she bit her lip, and life became, even for Doris, a very threatening affair. Then that passed, too. She turned her back to me. I took my place on the cushion, and for the next five minutes neither of us said anything. She broke down at last and began to file her nails.

Maury came back shortly after. “I calmed her down,” he said. “I told them Paul was thinking of having a baby. Even the old man got some blood in his face.”

On that note I left.

The lights were out at home and I took it that everything had been cleared away and all were asleep. It was after midnight — I had come back from Brooklyn by way of the Village, where I had stopped off at several bars I used to habituate as a young man (a younger man) down from Cambridge. But the girls were the same and the boys were the same and so were the jazz musicians. I had enough beer to make me feel exactly as uncomfortable as the same amount had made me feel years ago, and then, whistling “Linda,” the hit song of 1947, I had taken the Eighth Avenue subway home, the end of an atavistic day. I had spent much of the day looking for some door that would lead me back into the simple life, but I had not found one. On the subway I had a vision of dopey Doris Horvitz in bed snuggling up to Maury; then I had a vision of myself, spinning further and further from my youth, and kissing as I went all the women who had ever entered Paul Herz’s life.

I sobered quickly at the entrance to the apartment. Though the lights were out not everyone was asleep. Gruber was in the living room showing himself slides, while in a posture of abandon — or rather in the posture of one abandoned — Mrs. Silberman was flung across a love seat. Her head lolled over one end, and one arm hung to the floor, dripping fingers. Over the further end, her hooked knees were weighted in place by two exhausted, earthbound legs. My father was rolled up on the sofa, his big jaw cradled on his knees. I stood in the doorway unnoticed as all the world flicked by. I watched them ride a gondola in Venice and mount the Acropolis in Greece; in the doorways of cathedrals in Paris, Chartres, and Milan, they all stood grinning. Beside the river Seine, my father took a woman’s hand.