Philip Roth - Letting Go

“He was always critical.” She acknowledged the painful truth with a slow wagging of her head. “Suddenly nobody was good enough for him. In his whole life we never asked him to do one thing, one favor. He came home and told us he was going to Cornell — that was good enough for us. He was going to work in South Fallsburg, we wouldn’t see him for a whole summer — we never said a word. We gave him all the independence he wanted. Maury Horvitz — his mother was always running his life. Maury drink this, Maury drink that — she used to run to school with his rubbers if it was only a little sun shower. Paul never had to put up with that. We always recognized his independence.” She was picking threads from her apron while she spoke and depositing them in the pocket of her house dress. “But he wounded his father in such a way,” she said, coming down with a fist on her knee, “you can never imagine it. He made that man an old man. One thing we asked him in his whole life. One thing.” She held up a finger to convince me of the tininess of their request in the face of the vast universe. “He gave his father a wound that man will never forget. His father worked like a slave for him all his life, took every chance, and all he got was bad luck and a terrible slap in the face. Some Thanksgiving,” she said, and with her hp trembling, she removed herself from the room.

Minutes went by, and then I heard her ask, “You finished?”

“I’m finished.”

“You feel all right?”

“A little tired.”

“I told you don’t strain. The doctor told you—”

“I didn’t!”

“You just let Mother Nature do the job.”

I rose and waited for them to enter the living room. In my mind I ran over what had happened and what had been said. Had I done less than I believed Libby had intended for me to do? What more was it possible to do? I was no magician; her marriage to Paul was going to have to heal itself or finally rot away without my intervention. As I heard the forlorn sound of Mr. Herz’s slippers cautiously crossing into the living room, I was moved to sorrow for him — and then to suspicion toward his adversary. At that moment, in fact, Libby seemed to be my adversary; I recognized how much craftiness there was in her behavior toward me. What craftiness there happened to be in my behavior toward her, seemed to me a craftiness of reservation and restraint, a decorousness on the side of virtue. If I was at fault, it was because I had actually permitted myself to be a good deal less crafty at times than it was my obligation to be. I felt a little abused by her, a little made a convenience of, and I shared momentarily in that suspiciousness toward her that this heart victim and his wife had allowed to ruin the last years of their lives. There must be some weakness in men, I thought, (in Paul and myself, I later thought) that Libby wormed her way into. Of course I had no business distrusting her because of my weakness — and yet women have a certain historical advantage (all those years of being downtrodden and innocent and sexually compromised) which at times can turn even the most faithful of us against them. I turned slightly at that moment myself, and was repelled by the sex toward which at bottom I have a considerable attachment.

I took my leave with soft words; I did not feel the shame of the intruder so much as his misguidedness and self-deception.

“Good luck in your new career,” Mr. Herz called after me.

Though I could not locate the inspiration for his congratulatory remark, I thanked him. He lifted one hand as though to wave, then only rubbed it softly, with a sense of surrender, across his delicate chest.

I was halfway down the street when I remembered Doris and Maury Horvitz waiting for me in 6D. I turned and came back along the treeless block and entered the red-brick Tudorized apartment building where only one thing had been asked of Paul Herz in his entire life. The building was called “The Liverpool Arms.”

When Doris whisked open her door and whisked me in, I felt as though I’d been followed. Once I was safely over the apartment threshold, she relaxed inside her toreador pants and white blouse and directed me to the living room with a copy of Harper’s which she was holding in her hand. We were surrounded on all sides by pale blue carpeting and very low furniture. The room appeared to have been decorated with a special eye out for the comfort of aerial creatures. There was a lot of flying space over our heads, but if you happened to be a simple biped you had to chance it with your ankles through a Scandinavian jungle of coffee tables, throw cushions, and potted avocados. Maury’s figure hogged a blond Swedish chair that cradled his behind no more than three inches off the carpet; like Doris, he had changed into home attire, and was now sporting a pair of trousers the watery pastel color of some fruit-flavored Popsicle. They were cotton and baggy, and in place of a belt they had a three-inch band of elastic that could be stretched to accommodate the wearer. In the spectrum I would place them at cherry-raspberry. He had tiny, multicolored slippers on, and I noticed how thin his calves and ankles were; there was a kind of buoyancy about him, in fact, as though once out of the low chair, he would rise to the ceiling and bump helplessly along it. Tapering down as he did, he reminded me of a Daumier barrister. He greeted me with a tremendously appreciative smile, and I realized that all that fat made him think of himself as a good guy. His lithe and sexy wife begged me to settle down on a cushion, and offered me a cup of Medaglio d’Oro. I accepted, and her black toreadored behind moved westward into the kitchen.

“Talk loud ,” she called, “so I can hear.”

“We’ll wait for you, Dor,” her husband answered. While we waited, I noticed a photograph on the hi-fi cabinet; Maury noticed me noticing it. It was a large framed picture of Doris in a bathing suit. Maury said, “We’ll be going down there again in a few weeks. Right after Christmas. It’s terrific. It’s fabulous.”

“I’ll bet,” I said affably.

“You get a terrific sense of a good time down there. Everything they’ve got there is to make you comfortable and to give you a good time. Even the lobbies. After all, what do you do in a lobby? You wait for somebody, you kill time. But even there they’ve got your sense of beauty, of restfulness, in mind. Doris is crazy about it. All she talks about before we go to Miami is Miami, and all she talks about when we come back from Miami is Miami.”

It left one with the impression that Miami was all Doris ever talked about, but I only showed her husband my admiration for his good luck. He did not, however, need my admiration; Maury seemed to be convinced that he had some moral edge over the rest of his generation simply by way of having taken his wife to spend their winter vacations in Miami Beach. I wondered what kind of advice Maury was going to give me to take back to Paul. What word was I to carry to Chicago from the world of heavy food and unbroken family relations? Maury’s flashy up-to-date possessions crowed their master’s satisfaction and contentment. How did he do it? What was the solution? I was asking not just for Paul, but for myself as well. How do you love girls like Doris? How do you keep life going exactly as it was when you were ten years old? That day I wouldn’t have minded arranging such a life for myself. I began — or perhaps continued — in Maury’s living room, to miss my mother and to miss the past.

“Just a minute,” Maury suddenly said. “I want to show you something …”

When he returned he was holding a baseball in his right hand. He gave the ball to me and I turned it slowly around so as to read the inscription.