Miriam Toews - Irma Voth

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Miriam Toews' new novel brings us back to the beloved voice of her award-winning, #1 bestseller
, and to a Mennonite community in the Mexican desert. Original and brilliant, she is a master of storytelling at the height of her powers, who manages with trademark wry wit and a fierce tenderness to be at once heartbreaking and laugh-out-loud funny.
Irma Voth entangles love, longing and dark family secrets. The stifling, reclusive Mennonite life of nineteen-year-old Irma Voth — newly married and newly deserted and as unforgettable a character as Nomi Nickel in
— is irrevocably changed when a film crew moves in to make a movie about the community. She embraces the absurdity, creative passion and warmth of their world but her intractable and domineering father is determined to keep her from it at all costs. The confrontation between them sets her on an irrevocable path towards something that feels like freedom as she and her young sister, Aggie, wise beyond her teenage years, flee to the city, upheld only by their love for each other and their smart wit, even as they begin to understand the tragedy that has their family in its grip.
Irma Voth

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Please sit, Irma, he said. I sat on his bed and he sat next to me and put his hand on my shoulder. Aggie has to go back, he said. I promised your father I’d make her go back. If she doesn’t go back he’ll call the police and the newspapers in Mexico City and tell them I’ve kidnapped her.

She can’t go back, I said. I promised her she wouldn’t have to.

She has to go back, said Diego, or I won’t be able to finish my film.

I know, I said, but she can’t go back.

And when I’m finished making the film then I’ll make sure that you and Aggie are safe.

How will you do that? I said.

Don’t worry, he said, I’ll find some way.

He’s not really going to call the police and newspapers in Mexico City, I said.

How do you know? said Diego.

And who cares if he does? I said. You’ll tell them you haven’t kidnapped her and that’ll be the end of it.

That’s not really the point, said Diego. He wants her back in his house. And if she doesn’t go home he’ll fuck up the production.

No, I said. She can’t go back.

Irma, said Diego, she has to go back. Please. I’m begging you now. Please tell her to go home.

I can’t tell her anything, I said. She doesn’t listen to me.

Then I’ll tell her, said Diego.

No! I said. Please don’t.

Diego and I stopped talking and stared at the line of books he had on the little shelf above his bed. We looked at those books beseechingly, as though they were UN peace workers sent to help us negotiate our impasse. I imagined them rearranging themselves on the shelf to spell out some cryptic answer, a solution, but they didn’t move an inch.

Tell my father that Aggie is sleeping right now and will go home in the morning, I said.

She’s in the kitchen playing cards with Elias, said Diego. Your father can see her through the window.

Tell him she’s sick with parasites, I said.

Irma, said Diego, she’s sitting in the kitchen and—

And that she can’t infect our mother or she’ll lose the baby. Worms will eat it from the in—

That’s ridiculous, Irma, said Diego. You know it is.

Tell him it’s like a quarantine.

He won’t believe me, said Diego.

Then tell him Oveja has to go with her, I said.

No, said Diego. We need Oveja here and besides, your father will just shoot him if Aggie brings him home.

You said we could live here with you, I said.

I know, said Diego. That was before.

Well, then I’m quitting, I said. I can’t work for you anymore. If you send Aggie home you’ll lose me too.

You have no place to go, said Diego. He looked at me kindly, steadily, like a cop who’s just busted a kid for a very minor offence, like it hurt him a little bit but the evidence was there and it was irrefutable.

I need to get paid, I said. I need to get my wages.

Yes, said Diego, that is correct. You’re right. Wilson will bring your money back from Mexico City in one or two days. I promise. I radioed José about it.

I got up and left Diego’s room and walked down the long hall and through the kitchen, past Aggie and Marijke and the others, and out into the yard to my father who was now standing by himself in the half-light, waiting. He was in the same spot. He could have moved over and leaned against the wall of the barn. He could have held his arms out as I approached him. He could have kept us all in Canada and shape-shifted with the times. He could have been a million things.

Let Aggie stay with me at my house tonight, I said. I need her to help me pack my things up and clean the stove and fridge and stuff before you change the locks. When we’re finished I’ll send her straight home. For good. And I won’t bother you again.

My father looked so tired. Daughters, I imagined him saying to himself. Who are these people?

You can do those things alone, he said.

But I can’t do them and the milking too and have it all done by the morning, I said.

I don’t need you to do the milking anymore, he said. I’ve arranged for Klaus Kroeker to do it from now on.

Well, I said. I could hear a few soft strains of cumbia playing in the house. The stars mocked me, even the puny one all on its own in Texas, four hours to the north.

I thought: I’ve run out of words. I have nothing. I’ve failed. My father was quiet, waiting. He could stand and wait it out, wear me down. He could stand forever like the Tarahumara family on the side of the road. I could learn about this. I touched my forehead, the space between my eyes, the source, according to Marijke, of my energy and my light.

Please? I said. That was all I had, apparently, nothing but a dim flicker. Just the one low-beam request for mercy. I looked down at the ground. I covered my face with my hands. My eyes burned and tears fell. I got down on one knee, then the other, and prayed quietly at my father’s feet. When I was finished I opened my eyes and he was gone.

I need to use one of the trucks, I said.

Why? said Diego.

I’ll bring it back in an hour, I said.

Where are you going? said Diego. It’s very late.

To see a friend, I said.

Is Aggie going home? said Diego.

Yeah, I said. I’ll drop her off on the way.

I want to start shooting early in the morning, said Diego. Like at five a.m. We have to do as much as we can before everything goes to shit. Alfredo is giving me three more days before he walks. He says.

I know, I said. I’ll be back in time.

And Marijke is losing her mind, he said.

She’s fine, I said. She thinks she’s disappearing but that’s all normal, I think.

картинка 7

Aggie and Oveja and I were in my house, standing beside the kitchen counter, and Aggie was trying to get the tap to run but it wouldn’t.

Don’t worry about it, I said. He’s turned off the water. Go to the pump and fill up some buckets from the barn and put them in the back of the truck and then meet me in the grain shed.

Yeah, but what if—

Aggie, I said. I know it’s against your religion to do anything I tell you to do but you’re going to take a break from your religion, okay, and you’re going to do everything I tell you to do starting right now.

Are we in trouble? said Aggie.

Well, you know, yeah, I said. A little bit. Which is why.

Why what? she said.

Why I have a plan, I said. And then later on, in a week or so, you’ll be able to once again refuse to do some of the things I ask you to do.

All things? said Aggie.

Just a few, I said. Just to keep your soul from disintegrating. Okay? Please?

Aggie sighed heavily and Oveja stared mournfully at her, his eyes a well of deep concern. He was also a rebel, a fighter, and understood the significance of what I had asked her to do.

Let’s quickly eat something, I said.

There was some leftover shepherd’s pie in the fridge that wasn’t working anymore since the generator died and Aggie ate the meaty stuff at the bottom and I ate the top layer of potatoes.

Then we both went outside and Aggie went to the pump to get some water and I went to the barn and let out all the cows. I punched their rear ends and shouted at them and that got Oveja all worked up and he came running over and started growling and nipping and chasing the cows out into the yard and into the cornfields and onto the road. Aggie came back from the pump and put the pails of water in the back of the truck.

What the hell are you doing? she said.

Back the truck up to the grain shed, I said.

Why should—

Aggie! I said. Do it. Remember what I said?

I know but—

No, Aggie, you don’t understand. Right now you have to shut up and do everything I say.

I know but—

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