Ottessa Moshfegh - Eileen

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Eileen: краткое содержание, описание и аннотация

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A lonely young woman working in a boys’ prison outside Boston in the early 60s is pulled into a very strange crime, in a mordant, harrowing story of obsession and suspense, by one of the brightest new voices in fiction.
So here we are. My name was Eileen Dunlop. Now you know me. I was twenty-four years old then, and had a job that paid fifty-seven dollars a week as a kind of secretary at a private juvenile correctional facility for teenage boys. I think of it now as what it really was for all intents and purposes — a prison for boys. I will call it Moorehead. Delvin Moorehead was a terrible landlord I had years later, and so to use his name for such a place feels appropriate. In a week, I would run away from home and never go back. This is the story of how I disappeared. The Christmas season offers little cheer for Eileen Dunlop, an unassuming yet disturbed young woman trapped between her role as her alcoholic father’s caretaker in a home whose squalor is the talk of the neighborhood and a day job as a secretary at the boys’ prison, filled with its own quotidian horrors. Consumed by resentment and self-loathing, Eileen tempers her dreary days with perverse fantasies and dreams of escaping to the big city. In the meantime, she fills her nights and weekends with shoplifting, stalking a buff prison guard named Randy, and cleaning up her increasingly deranged father’s messes. When the bright, beautiful, and cheery Rebecca Saint John arrives on the scene as the new counselor at Moorehead, Eileen is enchanted and proves unable to resist what appears at first to be a miraculously budding friendship. In a Hitchcockian twist, her affection for Rebecca ultimately pulls her into complicity in a crime that surpasses her wildest imaginings.
Played out against the snowy landscape of coastal New England in the days leading up to Christmas, young Eileen’s story is told from the gimlet-eyed perspective of the now much older narrator. Creepy, mesmerizing, and sublimely funny, in the tradition of Shirley Jackson and early Vladimir Nabokov, this powerful debut novel enthralls and shocks, and introduces one of the most original new voices in contemporary literature.

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I wouldn’t be the first to admit that working as a young woman in an all-male institution had its perks. This is not to say that my position at Moorehead gave me any sense of my power as a female, nor did it bring me closer to realizing any imagined romantic encounters — none of that nonsense. But working at Moorehead did give me a sneak peek into the male disposition. I could, at times, stand quietly and observe the boys like animals in a zoo — how they moved, breathed, all the nuanced gestures and attitudes that made each of them seem special. It was through studying the comportment of imprisoned youngsters that I developed my understanding of the strange spectrum of male emotions. Shrugging meant “I’ll punch you later.” Smiling was a promise of undying love and affection or severe hatred, cutthroat fury. Did I derive erotic pleasure from looking at these boys? Only a little, honestly, since I didn’t get to observe them on a regular basis, and never in their natural state. I only watched them filing in and out of assembly meetings or the cafeteria, and during their visits with their mothers. I wasn’t in a position to observe them at rest in their bunks, at work in the rec room, or playing in the yard, where I imagine they were more at ease, more animated, and expressed more subtlety, more vulnerability, humor, spontaneity. In any case, I liked their fluctuating, miserable faces. The best was when I could see the hard face of a cold-hearted killer breaking through the chubby cheeks and callow softness of youth. That thrilled me.

It may not have been at that particular Christmas assembly performance, but I remember a boy who played Mary ripping out the pillow from under his costume and throwing it on the ground and sitting on it. A wise man mimed a strip tease once. So the boys were charming in a way. Would I miss them once I was gone? Of course I wouldn’t, and I didn’t miss them, though I wondered, staring at the backs of their heads in the chapel that day, if I’d remember any of their faces, if I’d be sorry if any of them died. Would I have helped them if I could have? Would I have sacrificed anything for their benefit? The answer was a shame-faced but honest no. I was selfish, solely concerned with my own wants and needs. I remember watching Randy standing there in the dark of the auditorium. I wondered if his nether regions were squashed inside his pants. I imagined he must have kept them to one side to accommodate the way the pants were made. They were tight. I can’t bring back the precise image right now, but I regularly studied the arrangement of folds in the groin area that would have suggested which side he preferred. I wasn’t completely unfamiliar with the male parts. I don’t actually remember seeing any male parts in my father’s dirty magazines, now that I think of it, though they were inferred, I guess. My knowledge was limited to anatomical drawings. I’d sat through health class sophomore year of high school, after all. Sweating behind that hot spotlight, I worried that my inexperience with men would make Rebecca think I was childish and pathetic. If she found out I’d never had a boyfriend, she would dismiss me, I feared.

Once the drama onstage had unraveled, the warden reappeared and started a long soliloquy on the nature of sin. I abandoned my post behind the spotlight and left the chapel to stroll down the prison halls, hoping to run into Rebecca. The rec room and offices were empty. The library, which held mostly religious tracts and encyclopedias, the dining hall with its long steel tables strewn with dirty plastic cutlery — all was quiet. The boys’ sleeping quarters were in the far back. The small windows there looked out on the rolling, snow-filled dunes. The ocean beyond like a canyon of woe, tumbling and icy all day and night, was so thunderous, I pictured God himself emerging from the water, laughing at us all in spite. It was easy to imagine the depressive thoughts that view must have inspired in those little boys. The windows were at such a height from the floor that one had to either stoop down or kneel to get a good look out there. I listened to the waves rumbling in the empty room for a moment. Bunk beds lined the circumference of the room, which was bell-shaped and had lines painted on the floor in guiding paths that showed where to stand during morning announcements, where to kneel at night to pray, which way to walk to the showers, which way to the cafeteria. The baby-blue laminate squeaked under my feet so loudly on my way out, I thought I’d stepped on a mouse.

I remember scurrying back up to the kitchen and stealing a carton of milk from the vacant cafeteria line. It was a very impressive kitchen, all gray steel, heavy machinery. When the boys were being punished for bad behavior, they were made to do double duty washing pots and pans and forced to sleep in a room that had been the old meat locker behind the kitchen — solitary confinement. They called that room “the cave.” A boy sent to the cave would not be allowed out except to use the shower and wash more dishes. He’d eat his meals in there, use a bucket as a toilet. I remember that bucket was of great interest to me. As one might guess, I was easily roused by the grosser habits of the human body — toilet business not least of all. The very fact that other people moved their bowels filled me with awe. Any function of the body that one hid behind closed doors titillated me. I recall one of my early relationships — not a heavy love affair, just a light one — was with a Russian man with a wonderful sense of humor who permitted me to squeeze the pus from his pimples on his back and shoulders. To me, this was the greatest intimacy. Before that, still young and neurotic, just allowing a man to listen to me urinate was utter humiliation, torture, and therefore, I thought, proof of profound love and trust.

There was a boy who’d been in the cave for several weeks. I went around back and found the old meat locker whose original stainless steel door had been replaced by a heavy iron one with a small window, and padlocked. The Polk boy was inside, sitting on his cot, staring at the wall. I recognized him as the Polk boy from the day he’d arrived at Moorehead a few weeks earlier. My father had been following stories about him in the Post . During the intake procedure, the boy had been silent and withdrawn. He hadn’t struck me at first as particularly attractive or special. He had a stiff posture, I remember, and was thin but had broad shoulders — the awkward confluence of a young boy’s ease and a man’s imposing heft and brutishness. There were newly tattooed letters on the knuckles of his right hand but I couldn’t make them out clearly. I watched as he lifted his gaze as though reading something written on the ceiling. His eyes were light, skin olive, and his hair shorn and brown. He seemed contemplative, wistful, sad. The saddest boys at Moorehead were the runaways locked up for vagrancy or prostitution. How much, I wondered as I watched through the window, would it cost to defile a young boy like this one? He had intelligent eyes, I thought, long elegant limbs, a pensive tilt to his head. I hoped he’d charged a lot, whatever he’d done. Back then I still pictured male prostitutes working in service to wealthy housewives, entertaining them while their husbands were away on business — I was that naive. I watched as the boy bent his neck this way and that, sensually, as though to relax himself. He yawned. I don’t think he saw me through the window. To this day, I don’t know that he ever even knew my name. I watched as he lay down on the cot, turned on his side, closed his eyes and stretched. For a minute he seemed to be falling asleep. Then his fingers, mindlessly it seemed, fell to his groin area. I held my breath as I watched him cup his genitals under his uniform. His body curled up like a small animal. In my effort to understand the movements of his hand, I pressed my face to the window. My tongue, cold from the milk, met the surface of the glass. I watched for a minute or two, rapt, stunned, mystified until noise from the hall made me jump and scurry back up to the office. I really don’t think the boy saw me. I learned later on he was only fourteen. He could have passed for nineteen, twenty. I wasn’t immune to him either.

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