"Exactly!" He lifted a paper-weight and dabbed it gently down
again. "What ought you to do?"
"I've hunted up all sorts of things."
"The point to note is that fundamentally you don't want
particularly to do it."
"I don't understand."
"You want to be free and so forth, yes. But you don't
particularly want to do the job that sets you free--for its own
sake. I mean that it doesn't interest you in itself."
"I suppose not."
"That's one of our differences. We men are like children. We
can get absorbed in play, in games, in the business we do.
That's really why we do them sometimes rather well and get on.
But women--women as a rule don't throw themselves into things
like that. As a matter of fact it isn't their affair. And as a
natural consequence, they don't do so well, and they don't get
on--and so the world doesn't pay them. They don't catch on to
discursive interests, you see, because they are more serious,
they are concentrated on the central reality of life, and a
little impatient of its--its outer aspects. At least that, I
think, is what makes a clever woman's independent career so much
more difficult than a clever man's."
"She doesn't develop a specialty." Ann Veronica was doing her
best to follow him.
"She has one, that's why. Her specialty is the central thing in
life, it is life itself, the warmth of life, sex--and love."
He pronounced this with an air of profound conviction and with
his eyes on Ann Veronica's face. He had an air of having told
her a deep, personal secret. She winced as he thrust the fact at
her, was about to answer, and checked herself. She colored
faintly.
"That doesn't touch the question I asked you," she said. "It may
be true, but it isn't quite what I have in mind."
"Of course not," said Ramage, as one who rouses himself from deep
preoccupations And he began to question her in a business-like
way upon the steps she had taken and the inquiries she had made.
He displayed none of the airy optimism of their previous talk
over the downland gate. He was helpful, but gravely dubious.
"You see," he said, "from my point of view you're grown
up--you're as old as all the goddesses and the contemporary of
any man alive. But from the--the economic point of view you're a
very young and altogether inexperienced person."
He returned to and developed that idea. "You're still," he said,
"in the educational years. From the point of view of most things
in the world of employment which a woman can do reasonably well
and earn a living by, you're unripe and half-educated. If you
had taken your degree, for example."
He spoke of secretarial work, but even there she would need to be
able to do typing and shorthand. He made it more and more evident
to her that her proper course was not to earn a salary but to
accumulate equipment. "You see," he said, "you are like an
inaccessible gold-mine in all this sort of matter. You're
splendid stuff, you know, but you've got nothing ready to sell.
That's the flat business situation."
He thought. Then he slapped his hand on his desk and looked up
with the air of a man struck by a brilliant idea. "Look here,"
he said, protruding his eyes; "why get anything to do at all just
yet? Why, if you must be free, why not do the sensible thing?
Make yourself worth a decent freedom. Go on with your studies at
the Imperial College, for example, get a degree, and make
yourself good value. Or become a thorough-going typist and
stenographer and secretarial expert."
"But I can't do that."
"Why not?"
"You see, if I do go home my father objects to the College, and
as for typing--"
"Don't go home."
"Yes, but you forget; how am I to live?"
"Easily. Easily. . . . Borrow. . . . From me."
"I couldn't do that," said Ann Veronica, sharply.
"I see no reason why you shouldn't."
"It's impossible."
"As one friend to another. Men are always doing it, and if you
set up to be a man--"
"No, it's absolutely out of the question, Mr. Ramage." And Ann
Veronica's face was hot.
Ramage pursed his rather loose lips and shrugged his shoulders,
with his eyes fixed steadily upon her. "Well anyhow-- I don't
see the force of your objection, you know. That's my advice to
you. Here I am. Consider you've got resources deposited with
me. Perhaps at the first blush--it strikes you as odd. People
are brought up to be so shy about money. As though it was
indelicate--it's just a sort of shyness. But here I am to
draw upon. Here I am as an alternative either to nasty work--or
going home."
"It's very kind of you--" began Ann Veronica.
"Not a bit. Just a friendly polite suggestion. I don't suggest
any philanthropy. I shall charge you five per cent., you know,
fair and square."
Ann Veronica opened her lips quickly and did not speak. But the
five per cent. certainly did seem to improve the aspect of
Ramage's suggestion.
"Well, anyhow, consider it open." He dabbed with his
paper-weight again, and spoke in an entirely indifferent tone.
"And now tell me, please, how you eloped from Morningside Park.
How did you get your luggage out of the house? Wasn't it--wasn't
it rather in some respects--rather a lark? It's one of my
regrets for my lost youth. I never ran away from anywhere with
anybody anywhen. And now--I suppose I should be considered too
old. I don't feel it. . . . Didn't you feel rather EVENTFUL--in
the train--coming up to Waterloo?"
Part 6
Before Christmas Ann Veronica had gone to Ramage again and
accepted this offer she had at first declined.
Many little things had contributed to that decision. The chief
influence was her awakening sense of the need of money. She had
been forced to buy herself that pair of boots and a
walking-skirt, and the pearl necklace at the pawnbrokers' had
yielded very disappointingly. And, also, she wanted to borrow
that money. It did seem in so many ways exactly what Ramage said
it was--the sensible thing to do. There it was--to be borrowed.
It would put the whole adventure on a broader and better footing;
it seemed, indeed, almost the only possible way in which she
might emerge from her rebellion with anything like success. If
only for the sake of her argument with her home, she wanted
success. And why, after all, should she not borrow money from
Ramage?
It was so true what he said; middle-class people WERE
ridiculously squeamish about money. Why should they be?
She and Ramage were friends, very good friends. If she was in a
position to help him she would help him; only it happened to be
the other way round. He was in a position to help her. What was
the objection?
She found it impossible to look her own diffidence in the face.
So she went to Ramage and came to the point almost at once.
"Can you spare me forty pounds?" she said.
Mr. Ramage controlled his expression and thought very quickly.
"Agreed," he said, "certainly," and drew a checkbook toward him.
"It's best," he said, "to make it a good round sum.
"I won't give you a check though-- Yes, I will. I'll give you an
uncrossed check, and then you can get it at the bank here, quite
close by. . . . You'd better not have all the money on you; you
had better open a small account in the post-office and draw it
out a fiver at a time. That won't involve references, as a bank
account would--and all that sort of thing. The money will last
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