whole place and everything in it aimed at one thing--to
illustrate, to elaborate, to criticise and illuminate, and make
ever plainer and plainer the significance of animal and vegetable
structure. It dealt from floor to ceiling and end to end with
the Theory of the Forms of Life; the very duster by the
blackboard was there to do its share in that work, the very
washers in the taps; the room was more simply concentrated in aim
even than a church. To that, perhaps, a large part of its
satisfyingness was due. Contrasted with the confused movement
and presences of a Fabian meeting, or the inexplicable enthusiasm
behind the suffrage demand, with the speeches that were partly
egotistical displays, partly artful manoeuvres, and partly
incoherent cries for unsoundly formulated ends, compared with the
comings and goings of audiences and supporters that were like the
eddy-driven drift of paper in the street, this long, quiet,
methodical chamber shone like a star seen through clouds.
Day after day for a measured hour in the lecture-theatre, with
elaborate power and patience, Russell pieced together difficulty
and suggestion, instance and counter-instance, in the elaborate
construction of the family tree of life. And then the students
went into the long laboratory and followed out these facts in
almost living tissue with microscope and scalpel, probe and
microtome, and the utmost of their skill and care, making now and
then a raid into the compact museum of illustration next door, in
which specimens and models and directions stood in disciplined
ranks, under the direction of the demonstrator Capes. There was
a couple of blackboards at each end of the aisle of tables, and
at these Capes, with quick and nervous speech that contrasted
vividly with Russell's slow, definitive articulation, directed
the dissection and made illuminating comments on the structures
under examination. Then he would come along the laboratory,
sitting down by each student in turn, checking the work and
discussing its difficulties, and answering questions arising out
of Russell's lecture.
Ann Veronica had come to the Imperial College obsessed by the
great figure of Russell, by the part he had played in the
Darwinian controversies, and by the resolute effect of the
grim-lipped, yellow, leonine face beneath the mane of silvery
hair. Capes was rather a discovery. Capes was something
superadded. Russell burned like a beacon, but Capes illuminated
by darting flashes and threw light, even if it was but momentary
light, into a hundred corners that Russell left steadfastly in
the shade.
Capes was an exceptionally fair man of two or three-and-thirty,
so ruddily blond that it was a mercy he had escaped light
eyelashes, and with a minor but by no means contemptible
reputation of his own. He talked at the blackboard in a
pleasant, very slightly lisping voice with a curious spontaneity,
and was sometimes very clumsy in his exposition, and sometimes
very vivid. He dissected rather awkwardly and hurriedly, but, on
the whole, effectively, and drew with an impatient directness
that made up in significance what it lacked in precision. Across
the blackboard the colored chalks flew like flights of variously
tinted rockets as diagram after diagram flickered into being.
There happened that year to be an unusual proportion of girls and
women in the advanced laboratory, perhaps because the class as a
whole was an exceptionally small one. It numbered nine, and four
of these were women students. As a consequence of its small
size, it was possible to get along with the work on a much easier
and more colloquial footing than a larger class would have
permitted. And a custom had grown up of a general tea at four
o'clock, under the auspices of a Miss Garvice, a tall and
graceful girl of distinguished intellectual incompetence, in whom
the hostess instinct seemed to be abnormally developed.
Capes would come to these teas; he evidently liked to come, and
he would appear in the doorway of the preparation-room, a
pleasing note of shyness in his manner, hovering for an
invitation.
From the first, Ann Veronica found him an exceptionally
interesting man. To begin with, he struck her as being the most
variable person she had ever encountered. At times he was
brilliant and masterful, talked round and over every one, and
would have been domineering if he had not been extraordinarily
kindly; at times he was almost monosyllabic, and defeated Miss
Garvice's most skilful attempts to draw him out. Sometimes he was
obviously irritable and uncomfortable and unfortunate in his
efforts to seem at ease. And sometimes he overflowed with a
peculiarly malignant wit that played, with devastating effect,
upon any topics that had the courage to face it. Ann Veronica's
experiences of men had been among more stable types--Teddy, who
was always absurd; her father, who was always authoritative and
sentimental; Manning, who was always Manning. And most of the
others she had met had, she felt, the same steadfastness.
Goopes, she was sure was always high-browed and slow and
Socratic. And Ramage too--about Ramage there would always be
that air of avidity, that air of knowledge and inquiry, the
mixture of things in his talk that were rather good with things
that were rather poor. But one could not count with any
confidence upon Capes.
The five men students were a mixed company. There was a very
white-faced youngster of eighteen who brushed back his hair
exactly in Russell's manner, and was disposed to be uncomfortably
silent when he was near her, and to whom she felt it was only
Christian kindness to be consistently pleasant; and a lax young
man of five-and-twenty in navy blue, who mingled Marx and Bebel
with the more orthodox gods of the biological pantheon. There
was a short, red-faced, resolute youth who inherited an
authoritative attitude upon bacteriology from his father; a
Japanese student of unassuming manners who drew beautifully and
had an imperfect knowledge of English; and a dark, unwashed
Scotchman with complicated spectacles, who would come every
morning as a sort of volunteer supplementary demonstrator, look
very closely at her work and her, tell her that her dissections
were "fairish," or "very fairish indeed," or "high above the
normal female standard," hover as if for some outbreak of
passionate gratitude and with admiring retrospects that made the
facetted spectacles gleam like diamonds, return to his own place.
The women, Ann Veronica thought, were not quite so interesting as
the men. There were two school-mistresses, one of whom--Miss
Klegg--might have been a first cousin to Miss Miniver, she had so
many Miniver traits; there was a preoccupied girl whose name Ann
Veronica never learned, but who worked remarkably well; and Miss
Garvice, who began by attracting her very greatly--she moved so
beautifully--and ended by giving her the impression that moving
beautifully was the beginning and end of her being.
Part 2
The next few weeks were a time of the very liveliest thought and
growth for Ann Veronica. The crowding impressions of the
previous weeks seemed to run together directly her mind left the
chaotic search for employment and came into touch again with a
coherent and systematic development of ideas. The advanced work
at the Central Imperial College was in the closest touch with
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