Rudyard Kipling - Soldiers Three

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Soldiers Three is a collection of short stories by Rudyard Kipling. The three soldiers of the title are Learoyd, Mulvaney and Ortheris, who had also appeared previously in the collection Plain Tales from the Hills. Soldiers Three and other stories consists of three sections which each had previously received separate publication in 1888.

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G. Don't be too hard on a man. You know that a lot of us only take up the thing for a few years and then go back to Town and catch on with the rest.

M. Not lots, and they aren't some of Us .

G. And then there are one's affairs at Home to be considered—my place and the rents, and all that. I don't suppose my father can last much longer, and that means the title, and so on.

M. 'Fraid you won't be entered in the Stud Book correctly unless you go Home? Take six months, then, and come out in October. If I could slay off a brother or two, I s'pose I should be a Marquis of sorts. Any fool can be that; but it needs men , Gaddy—men like you—to lead flanking squadrons properly. Don't you delude yourself into the belief that you're going Home to take your place and prance about among pink–nosed Kabuli dowagers. You aren't built that way. I know better.

G. A man has a right to live his life as happily as he can. You aren't married.

M. No—praise be to Providence and the one or two women who have had the good sense to jawab me.

G. Then you don't know what it is to go into your own room and see your wife's head on the pillow, and when everything else is safe and the house shut up for the night, to wonder whether the roof–beams won't give and kill her.

M. ( Aside .) Revelations first and second! ( Aloud .) So–o! I knew a man who got squiffy at our Mess once and confided to me that he never helped his wife on to her horse without praying that she'd break her neck before she came back. All husbands aren't alike, you see.

G. What on earth has that to do with my case? The man must ha' been mad, or his wife as bad as they make 'em.

M. ( Aside .) 'No fault of yours if either weren't all you say. You've forgotten the tune when you were insane about the Herriott woman. You always were a good hand at forgetting. ( Aloud .) Not more mad than men who go to the other extreme. Be reasonable, Gaddy. Your roof–beams are sound enough.

G. That was only a way of speaking. I've been uneasy and worried about the Wife ever since that awful business three years ago—when—I nearly lost her. Can you wonder?

M. Oh, a shell never falls twice in the same place. You've paid your toll to misfortune—why should your wife be picked out more than anybody else's?

G. I can talk just as reasonably as you can, but you don't understand—you don't understand. And then there's The Butcha. Deuce knows where the Ayah takes him to sit in the evening! He has a bit of a cough. Haven't you noticed it?

M. Bosh! The Brigadier's jumping out of his skin with pure condition. He's got a muzzle like a rose–leaf and the chest of a two–year–old. What's demoralised you?

G. Funk. That's the long and the short of it. Funk!

M. But what is there to funk?

G. Everything. It's ghastly.

M. Ah! I see.

You don't want to fight,
And by Jingo when we do,
You've got the kid, you've got the Wife,
You've got the money, too.
That's about the case, eh?

G. I suppose that's it. But it's not for myself. It's because of them. At least I think it is.

M. Are you sure? Looking at the matter in a cold–blooded light, the Wife is provided for even if you were wiped out to–night. She has an ancestral home to go to, money, and the Brigadier to carry on the illustrious name.

G. Then it is for myself or because they are part of me. You don't see it. My life's so good, so pleasant, as it is, that I want to make it quite safe. Can't you understand?

M. Perfectly. 'Shelter–pit for the Orf'cer's charger,' as they say in the Line.

G. And I have everything to my hand to make it so. I'm sick of the strain and the worry for their sakes out here; and there isn't a single real difficulty to prevent my dropping it altogether. It'll only cost me—Jack, I hope you'll never know the shame that I've been going through for the past six months.

M. Hold on there! I don't wish to be told. Every man has his moods and tenses sometimes.

G. ( Laughing bitterly .) Has he? What do you call craning over to see where your near–fore lands?

M. In my case it means that I have been on the Considerable Bend, and have come to parade with a Head and a Hand. It passes in three strides.

G. ( Lowering voice .) It never passes with me, Jack. I'm always thinking about it. Phil Gadsby funking a fall on parade! Sweet picture, isn't it! Draw it for me.

M. ( Gravely .) Heaven forbid! A man like you can't be as bad as that. A fall is no nice thing, but one never gives it a thought.

G. Doesn't one? Wait till you've got a wife and a youngster of your own, and then you'll know how the roar of the squadron behind you turns you cold all up the back.

M. ( Aside. ) And this man led at Amdheran after Bagal–Deasin went under, and we were all mixed up together, and he came out of the show dripping like a butcher. ( Aloud. ) Skittles! The men can always open out, and you can always pick your way more or less. We haven't the dust to bother us, as the men have, and whoever heard of a horse stepping on a man?

G. Never—as long as he can see. But did they open out for poor Errington?

M. Oh, this is childish!

G. I know it is, worse than that. I don't care. You've ridden Van Loo. Is he the sort of brute to pick his way—'specially when we're coming up in column of troop with any pace on?

M. Once in a Blue Moon do we gallop in column of troop, and then only to save time. Aren't three lengths enough for you?

G. Yes—quite enough. They just allow for the full development of the smash. I'm talking like a cur, I know: but I tell you that, for the past three months, I've felt every hoof of the squadron in the small of my back every time that I've led.

M. But, Gaddy, this is awful!

G. Isn't it lovely? Isn't it royal? A Captain of the Pink Hussars watering up his charger before parade like the blasted boozing Colonel of a Black Regiment!

M. You never did!

G. Once only. He squelched like a mussuck , and the Troop–Sergeant–Major cocked his eye at me. You know old Haffy's eye. I was afraid to do it again.

M. I should think so. That was the best way to rupture old Van Loo's tummy, and make him crumple you up. You knew that.

G. I didn't care. It took the edge off him.

M. 'Took the edge off him'? Gaddy, you—you—you mustn't , you know! Think of the men.

G. That's another thing I am afraid of. D'you s'pose they know?

M. Let's hope not; but they're deadly quick to spot skrim—little things of that kind. See here, old man, send the Wife Home for the hot weather and come to Kashmir with me. We'll start a boat on the Dal or cross the Rhotang—shoot ibex or loaf—which you please. Only come! You're a bit off your oats and you're talking nonsense. Look at the Colonel—swag–bellied rascal that he is. He has a wife and no end of a bow–window of his own. Can any one of us ride round him—chalk–stones and all? I can't, and I think I can shove a crock along a bit.

G. Some men are different. I haven't the nerve. Lord help me, I haven't the nerve! I've taken up a hole and a half to get my knees well under the wallets. I can't help it. I'm so afraid of anything happening to me. On my soul, I ought to be broke in front of the squadron, for cowardice.

M. Ugly word, that. I should never have the courage to own up.

G. I meant to lie about my reasons when I began, but—I've got out of the habit of lying to you, old man. Jack, you won't?—But I know you won't.

M. Of course not. ( Half aloud .) The Pinks are paying dearly for their Pride.

G. Eh! Wha–at?

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