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Herman Melville: Pierre, Or the Ambiguities

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Herman Melville Pierre, Or the Ambiguities

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A reconstruction of Melville's original text omits the "Pierre as author" subplot that was later assimilated and is accompanied by thirty full-color pictures by Maurice Sendak.

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"Thank you, sister.-There, put it down, Dates; are the horses ready?"

"Just driving round, sir, I believe."

"Why, Pierre," said his mother, glancing out at the window, "are you going to Santa Fe De Bogota with that enormous old phaeton;-what do you take that Juggernaut out for?"

"Humor, sister, humor; I like it because it's old-fashioned, and because the seat is such a wide sofa of a seat, and finally because a young lady by the name of Lucy Tartan cherishes a high regard for it. She vows she would like to be married in it."

"Well, Pierre, all I have to say, is, be sure that Christopher puts the coach-hammer and nails, and plenty of cords and screws into the box. And you had better let him follow you in one of the farm-wagons, with a spare axle and some boards." "No fear, sister; no fear;-I shall take the best of care of the old phaeton. The quaint old arms on the panel, always remind me who it was that first rode in it."

"I am glad you have that memory, brother Pierre." "And who it was that next rode in it." "Bless you! — God bless you, my dear son! — always think of him and you can never err; yes, always think of your dear perfect father, Pierre."

"Well, kiss me now, dear sister, for I must go."

"There; this is my cheek, and the other is Lucy's; though

now that I look at them both, I think that hers is getting to be

the most blooming; sweeter dews fall on that one, I suppose."

Pierre laughed, and ran out of the room, for old Christopher was getting impatient. His mother went to the window and stood there.

"A noble boy, and docile"-she murmured-"he has all the frolicsomeness of youth, with little of its giddiness. And he does not grow vain-glorious in sophomorean wisdom. I thank heaven I sent him not to college. A noble boy, and docile. A fine, proud, loving, docile, vigorous boy. Pray God, he never becomes otherwise to me. His little wife, that is to be, will not estrange him from me; for she too is docile, — beautiful, and reverential, and most docile. Seldom yet have I known such blue eyes as hers, that were not docile, and would not follow a bold black one, as two meek blue-ribboned ewes follow their martial leader. How glad am I that Pierre loves her so, and not some dark-eyed haughtiness, with whom I could never live in peace; but who would be ever setting her young married state before my elderly widowed one, and claiming all the homage of my dear boy-the fine, proud, loving, docile, vigorous boy! — the lofty-minded, well-born, noble boy; and with such sweet docilities! See his hair! He does in truth illustrate that fine saying of his father's, that as the noblest colts, in three points-abundant hair, swelling chest, and sweet docility-should resemble a fine woman, so should a noble youth. Well, good-bye, Pierre, and a merry morning to ye!"

So saying she crossed the room, and-resting in a corner — her glad proud eye met the old General's baton, which the day before in one of his frolic moods Pierre had taken from its accustomed place in the pictured-bannered hall. She lifted it, and musingly swayed it to and fro; then paused, and staff-wise rested with it in her hand. Her stately beauty had ever somewhat martial in it; and now she looked the daughter of a General, as she was; for Pierre's was a double revolutionary descent. On both sides he sprung from heroes.

"This is his inheritance-this symbol of command! and I swell out to think it. Yet but just now I fondled the conceit that Pierre was so sweetly docile! Here sure is a most strange inconsistency! For is sweet docility a general's badge? and is this baton but a distaff then? — Here's something widely wrong. Now I almost wish him otherwise than sweet and docile to me, seeing that it must be hard for man to be an uncompromising hero and a commander among his race, and yet never ruffle any domestic brow. Pray heaven he show his heroicness in some smooth way of favoring fortune, not be called out to be a hero of some dark hope forlorn;-of some dark hope forlorn, whose cruelness makes a savage of a man. Give him, O God, regardful gales! Fan him with unwavering prosperities! So shall he remain all docility to me, and yet prove a haughty hero to the world!"

BOOK II. LOVE, DELIGHT, AND ALARM

I

ON THE previous evening, Pierre had arranged with Lucy the plan of a long winding ride, among the hills which stretched around to the southward from the wide plains of Saddle Meadows.

Though the vehicle was a sexagenarian, the animals that drew it, were but six-year colts. The old phaeton had outlasted several generations of its drawers.

Pierre rolled beneath the village elms in billowy style, and soon drew up before the white cottage door. Flinging his reins upon the ground he entered the house.

The two colts were his particular and confidential friends; born on the same land with him, and fed with the same corn, which, in the form of Indian-cakes, Pierre himself was often wont to eat for breakfast. The same fountain that by one branch supplied the stables with water, by another supplied Pierre's pitcher. They were a sort of family cousins to Pierre, those horses; and they were splendid young cousins; very showy in their redundant manes and mighty paces, but not at all vain or arrogant. They acknowledged Pierre as the undoubted head of the house of Glendinning. They well knew that they were but an inferior and subordinate branch of the Glendinnings, bound in perpetual feudal fealty to its headmost representative. Therefore, these young cousins never permitted themselves to run from Pierre; they were impatient in their paces, but very patient in the halt. They were full of good-humor too, and kind as kittens.

"Bless me, how can you let them stand all alone that way, Pierre," cried Lucy, as she and Pierre stepped forth from the cottage door, Pierre laden with shawls, parasol, reticule, and a small hamper.

"Wait a bit," cried Pierre, dropping his load; "I will show you what my colts are."

So saying, he spoke to them mildly, and went close up to them, and patted them. The colts neighed; the nigh colt neighing a little jealously, as if Pierre had not patted impartially. Then, with a low, long, almost inaudible whistle, Pierre got between the colts, among the harness. Whereat Lucy started, and uttered a faint cry, but Pierre told her to keep perfectly quiet, for there was not the least danger in the world. And Lucy did keep quiet; for somehow, though she always started when Pierre seemed in the slightest jeopardy, yet at bottom she rather cherished a notion that Pierre bore a charmed life, and by no earthly possibility could die from her, or experience any harm, when she was within a thousand leagues.

Pierre, still between the horses, now stepped upon the pole of the phaeton; then stepping down, indefinitely disappeared, or became partially obscured among the living colonnade of the horses' eight slender and glossy legs. He entered the colonnade one way, and after a variety of meanderings, came out another way; during all of which equestrian performance, the two colts kept gayly neighing, and good-humoredly moving their heads perpendicularly up and down; and sometimes turning them sideways toward Lucy; as much as to say-We understand young master; we understand him, Miss; never fear, pretty lady: why, bless your delicious little heart, we played with Pierre before you ever did.

"Are you afraid of their running away now, Lucy?" said Pierre, returning to her.

"Not much, Pierre; the superb fellows! Why, Pierre, they have made an officer of you-look!" and she pointed to two foam-flakes epauletting his shoulders. "Bravissimo again! I called you my recruit, when you left my window this morning, and here you are promoted."

"Very prettily conceited, Lucy. But see, you don't admire their coats; they wear nothing but the finest Genoa velvet, Lucy. See! did you ever see such well-groomed horses?" "Never!"

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