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Herman Melville: Pierre, Or the Ambiguities

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Herman Melville Pierre, Or the Ambiguities

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A reconstruction of Melville's original text omits the "Pierre as author" subplot that was later assimilated and is accompanied by thirty full-color pictures by Maurice Sendak.

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Or how think you it would be with this youthful Pierre, if every day descending to breakfast, he caught sight of an old? tattered British banner or two, hanging over an arched window in his hall; and those banners captured by his grandfather, the general, in fair fight? Or how think you it would be if every time he heard the band of the military company of the village, he should distinctly recognize the peculiar tap of a British kettle-drum also captured by his grandfather in fair fight, and afterwards suitably inscribed on the brass and bestowed upon the Saddle Meadows Artillery Corps? Or how think you it would be, if sometimes of a mild meditative Fourth of July morning in the country, he carried out with him into the garden by way of ceremonial cane, a long, majestic, silver-tipped staff, a Major-General's baton, once wielded on the plume-nodding and musket-flashing review by the same grandfather several times herein-before mentioned? I should say that considering Pierre was quite young and very unphilosophical as yet, and withal rather high-blooded; and sometimes read the History of the Revolutionary War, and possessed a mother who very frequently made remote social allusions to the epaulettes of the Major-General his grandfather;-I should say that upon all of these occasions, the way it must have been with him, was a very proud, elated sort of way. And if this seem but too fond and foolish in Pierre; and if you tell me that this sort of thing in him showed him no sterling Democrat, and that a truly noble man should never brag of any arm but his own; then I beg you to consider again that this Pierre was but a youngster as yet. And believe me you will pronounce Pierre a thorough-going Democrat in time; perhaps a little too Radical altogether to your fancy.

In conclusion, do not blame me if I here make repetition, and do verbally quote my own words in saying that it had been the choice fate of Pierre to have been born and bred in the country. For to a noble American youth this indeed-more than in any other land-this indeed is a most rare and choice lot. For it is to be observed, that while in other countries, the finest families boast of the country as their home; the more prominent among us, proudly cite the city as their seat. Too often the American that himself makes his fortune, builds him a great metropolitan house, in the most metropolitan street of the most metropolitan town. Whereas a European of the same sort would thereupon migrate into the country. That herein the European hath the better of it, no poet, no philosopher, and no aristocrat will deny. For the country is not only the most poetical and philosophical, but it is the most aristocratic part of this earth, for it is the most venerable, and numerous bards have ennobled it by many fine titles. Whereas the town is the more plebeian portion: which, besides many other things, is plainly evinced by the dirty unwashed face perpetually worn by the town; but the country, like any Queen, is ever attended by scrupulous lady's maids in the guise of the seasons, and the town hath but one dress of brick turned up with stone; but the country hath a brave dress for every week in the year; sometimes she changes her dress twenty-four times in the twenty-four hours; and the country weareth her sun by day as a diamond on a Queen's brow; and the stars by night as necklaces of gold beads; whereas the town's sun is smoky paste, and no diamond, and the town's stars are pinchbeck and not gold.

In the country then Nature planted our Pierre; because Nature intended a rare and original development in Pierre. Never mind if hereby she proved ambiguous to him in the end; nevertheless, in the beginning she did bravely. She blew her wind-clarion from the blue hills, and Pierre neighed out lyrical thoughts, as at the trumpet-blast, a war-horse paws himself into a lyric of foam. She whispered through her deep groves at eve, and gentle whispers of humanness, and sweet whispers of love, ran through Pierre's thought-veins, musical as water over pebbles. She lifted her spangled crest of a thickly-starred night, and forth at that glimpse of their divine Captain and Lord, ten thousand mailed thoughts of heroicness started up in Pierre's soul, and glared round for some insulted good cause to defend.

So the country was a glorious benediction to young Pierre; we shall see if that blessing pass from him as did the divine blessing from the Hebrews; we shall yet see again, I say, whether Fate hath not just a little bit of a word or two to say in this world; we shall see whether this wee little bit scrap of latinity be very far out of the way- Nemo contra Deum nisi Deus ipse.

V

"Sister Mary," said Pierre, returned from his sunrise stroll, and tapping at his mother's chamber door:-"do you know, sister Mary, that the trees which have been up all night, are all abroad again this morning before you? — Do you not smell something like coffee, my sister?"

A light step moved from within toward the door; which opened, showing Mrs. Glendinning, in a resplendently cheerful morning robe, and holding a gay wide ribbon in her hand.

"Good morning, Madam," said Pierre, slowly, and with a bow, whose genuine and spontaneous reverence amusingly contrasted with the sportive manner that had preceded it. For thus sweetly and religiously was the familiarity of his affections bottomed on the profoundest filial respect.

"Good afternoon to you, Pierre, for I suppose it is afternoon. But come, you shall finish my toilet;-here, brother"- reaching the ribbon-"now acquit yourself bravely"-and seating herself away from the glass, she awaited the good offices of Pierre.

"First Lady in waiting to the Dowager Duchess Glendinning," laughed Pierre, as bowing over before his mother, he gracefully passed the ribbon round her neck, simply crossing the ends in front.

"Well, what is to hold it there, Pierre?"

"I am going to try and tack it with a kiss, sister, — there! — oh, what a pity that sort of fastening won't always hold! — where's the cameo with the fawns, I gave you last night? — Ah! on the slab-you were going to wear it then? — Thank you, my considerate and most politic sister-there! — but stop-here's a ringlet gone romping-so now, dear sister, give that Assyrian toss to your head."

The haughtily happy mother rose to her feet, and as she stood before the mirror to criticize her son's adornings, Pierre, noticing the straggling tie of her slipper, knelt down and secured it. "And now for the urn," he cried, "Madam!" and with a humorous gallantry, offering his arm to his mother, the pair descended to breakfast.

With Mrs. Glendinning it was one of those spontaneous maxims, which women sometimes act upon without ever thinking of, never to appear in the presence of her son in any dishabille that was not eminently becoming. Her own independent observation of things, had revealed to her many very common maxims, which often become operatively lifeless from a vicarious reception of them. She was vividly aware how immense was that influence, which, even in the closest ties of the heart, the merest appearances make upon the mind. And as in the admiring love and graceful devotion of Pierre lay now her highest joy in life; so she omitted no slightest trifle which could possibly contribute to the preservation of so sweet and flattering a thing.

Besides all this, Mary Glendinning was a woman, and with more than the ordinary vanity of women-if vanity it can be called-which in a life of nearly fifty years had never betrayed her into a single published impropriety, or caused her one known pang at the heart. Moreover, she had never yearned for admiration; because that was her birthright by the eternal privilege of beauty; she had always possessed it; she had not to turn her head for it, since spontaneously it always encompassed her. Vanity, which in so many women approaches to a spiritual vice, and therefore to a visible blemish; in her peculiar case-and though possessed in a transcendent degree — was still the token of the highest health; inasmuch as never knowing what it was to yearn for its gratification, she was almost entirely unconscious of possessing it at all. Many women carry this light of their lives flaming on their foreheads; but Mary Glendinning unknowingly bore hers within. Through all the infinite traceries of feminine art, she evenly glowed like a vase which, internally illuminated, gives no outward sign of the lighting flame, but seems to shine by the very virtue of the exquisite marble itself. But that bluff corporeal admiration, with which some ball-room women are content, was no admiration to the mother of Pierre. Not the general homage of men, but the selected homage of the noblest men, was what she felt to be her appropriate right. And as her own maternal partialities were added to, and glorified the rare and absolute merits of Pierre; she considered the voluntary allegiance of his affectionate soul, the representative fealty of the choicest guild of his race. Thus, though replenished through all her veins with the subtlest vanity, with the homage of Pierre alone she was content.

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