Charles Dickens - Sketches by Boz

“When we're a LEETLE more perfect, I think it will go admirably,” said Mr. Sempronius, addressing his CORPS DRAMATIQUE, at the conclusion of the hundred and fiftieth rehearsal. In consideration of his sustaining the trifling inconvenience of bearing all the expenses of the play, Mr. Sempronius had been, in the most handsome manner, unanimously elected stage-manager. “Evans,” continued Mr. Gattleton, the younger, addressing a tall, thin, pale young gentleman, with extensive whiskers—“Evans, you play RODERIGO beautifully.”

“Beautifully,” echoed the three Miss Gattletons; for Mr. Evans was pronounced by all his lady friends to be “quite a dear.” He looked so interesting, and had such lovely whiskers: to say nothing of his talent for writing verses in albums and playing the flute! RODERIGO simpered and bowed.

“But I think,” added the manager, “you are hardly perfect in the—fall—in the fencing-scene, where you are—you understand?”

“It's very difficult,” said Mr. Evans, thoughtfully; “I've fallen about, a good deal, in our counting-house lately, for practice, only I find it hurts one so. Being obliged to fall backward you see, it bruises one's head a good deal.”

“But you must take care you don't knock a wing down,” said Mr. Gattleton, the elder, who had been appointed prompter, and who took as much interest in the play as the youngest of the company. “The stage is very narrow, you know.”

“Oh! don't be afraid,” said Mr. Evans, with a very self-satisfied air; “I shall fall with my head “off,” and then I can't do any harm.”

“But, egad,” said the manager, rubbing his hands, “we shall make a decided hit in “Masaniello.” Harleigh sings that music admirably.”

Everybody echoed the sentiment. Mr. Harleigh smiled, and looked foolish—not an unusual thing with him—hummed” Behold how brightly breaks the morning,” and blushed as red as the fisherman's nightcap he was trying on.

“Let's see,” resumed the manager, telling the number on his fingers, “we shall have three dancing female peasants, besides FENELLA, and four fishermen. Then, there's our man Tom; he can have a pair of ducks of mine, and a check shirt of Bob's, and a red nightcap, and he'll do for another—that's five. In the choruses, of course, we can sing at the sides; and in the market-scene we can walk about in cloaks and things. When the revolt takes place, Tom must keep rushing in on one side and out on the other, with a pickaxe, as fast as he can. The effect will be electrical; it will look exactly as if there were an immense number of “em. And in the eruption-scene we must burn the red fire, and upset the tea-trays, and make all sorts of noises—and it's sure to do.”

“Sure! sure!” cried all the performers UNA VOCE—and away hurried Mr. Sempronius Gattleton to wash the burnt cork off his face, and superintend the “setting up” of some of the amateur-painted, but never-sufficiently-to-be-admired, scenery.

Mrs. Gattleton was a kind, good-tempered, vulgar soul, exceedingly fond of her husband and children, and entertaining only three dislikes. In the first place, she had a natural antipathy to anybody else's unmarried daughters; in the second, she was in bodily fear of anything in the shape of ridicule; lastly—almost a necessary consequence of this feeling—she regarded, with feelings of the utmost horror, one Mrs. Joseph Porter over the way. However, the good folks of Clapham and its vicinity stood very much in awe of scandal and sarcasm; and thus Mrs. Joseph Porter was courted, and flattered, and caressed, and invited, for much the same reason that induces a poor author, without a farthing in his pocket, to behave with extraordinary civility to a twopenny postman.

“Never mind, ma,” said Miss Emma Porter, in colloquy with her respected relative, and trying to look unconcerned; “if they had invited me, you know that neither you nor pa would have allowed me to take part in such an exhibition.”

“Just what I should have thought from your high sense of propriety,” returned the mother. “I am glad to see, Emma, you know how to designate the proceeding.” Miss P., by-the-bye, had only the week before made “an exhibition” of herself for four days, behind a counter at a fancy fair, to all and every of her Majesty's liege subjects who were disposed to pay a shilling each for the privilege of seeing some four dozen girls flirting with strangers, and playing at shop.

“There!” said Mrs. Porter, looking out of window; “there are two rounds of beef and a ham going in—clearly for sandwiches; and Thomas, the pastry-cook, says, there have been twelve dozen tarts ordered, besides blancmange and jellies. Upon my word! think of the Miss Gattletons in fancy dresses, too!”

“Oh, it's too ridiculous!” said Miss Porter, hysterically.

“I'll manage to put them a little out of conceit with the business, however,” said Mrs. Porter; and out she went on her charitable errand.

“Well, my dear Mrs. Gattleton,” said Mrs. Joseph Porter, after they had been closeted for some time, and when, by dint of indefatigable pumping, she had managed to extract all the news about the play, “well, my dear, people may say what they please; indeed we know they will, for some folks are SO ill-natured. Ah, my dear Miss Lucina, how d'ye do? I was just telling your mamma that I have heard it said, that—”

“What?”

“Mrs. Porter is alluding to the play, my dear,” said Mrs. Gattleton; “she was, I am sorry to say, just informing me that—”

“Oh, now pray don't mention it,” interrupted Mrs. Porter; “it's most absurd—quite as absurd as young What's-his-name saying he wondered how Miss Caroline, with such a foot and ankle, could have the vanity to play FENELLA.”

“Highly impertinent, whoever said it,” said Mrs. Gattleton, bridling up.

“Certainly, my dear,” chimed in the delighted Mrs. Porter; “most undoubtedly! Because, as I said, if Miss Caroline DOES play FENELLA, it doesn't follow, as a matter of course, that she should think she has a pretty foot;—and then—such puppies as these young men are—he had the impudence to say, that—”

How far the amiable Mrs. Porter might have succeeded in her pleasant purpose, it is impossible to say, had not the entrance of Mr. Thomas Balderstone, Mrs. Gattleton's brother, familiarly called in the family “Uncle Tom,” changed the course of conversation, and suggested to her mind an excellent plan of operation on the evening of the play.

Uncle Tom was very rich, and exceedingly fond of his nephews and nieces: as a matter of course, therefore, he was an object of great importance in his own family. He was one of the best-hearted men in existence: always in a good temper, and always talking. It was his boast that he wore top-boots on all occasions, and had never worn a black silk neckerchief; and it was his pride that he remembered all the principal plays of Shakspeare from beginning to end—and so he did. The result of this parrot-like accomplishment was, that he was not only perpetually quoting himself, but that he could never sit by, and hear a misquotation from the “Swan of Avon” without setting the unfortunate delinquent right. He was also something of a wag; never missed an opportunity of saying what he considered a good thing, and invariably laughed until he cried at anything that appeared to him mirth-moving or ridiculous.

“Well, girls!” said Uncle Tom, after the preparatory ceremony of kissing and how-d'ye-do-ing had been gone through—“how d'ye get on? Know your parts, eh?—Lucina, my dear, act II., scene I—place, left-cue—”Unknown fate,”—What's next, eh?—Go on—”The Heavens—”

“Oh, yes,” said Miss Lucina, “I recollect—

“The heavens forbid But that our loves and comforts should increase Even as our days do grow!”