Ken Follett - World Without End

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Amazon.com Review
Ken Follett has 90 million readers worldwide. The Pillars of the Earth is his bestselling book of all time. Now, eighteen years after the publication of The Pillars of the Earth, Ken Follett has written the most-anticipated sequel of the year, World Without End.
In 1989 Ken Follett astonished the literary world with The Pillars of the Earth, a sweeping epic novel set in twelfth-century England centered on the building of a cathedral and many of the hundreds of lives it affected. Critics were overwhelmed-"it will hold you, fascinate you, surround you" (Chicago Tribune)-and readers everywhere hoped for a sequel.
World Without End takes place in the same town of Kingsbridge, two centuries after the townspeople finished building the exquisite Gothic cathedral that was at the heart of The Pillars of the Earth. The cathedral and the priory are again at the center of a web of love and hate, greed and pride, ambition and revenge, but this sequel stands on its own. This time the men and women of an extraordinary cast of characters find themselves at a crossroad of new ideas-about medicine, commerce, architecture, and justice. In a world where proponents of the old ways fiercely battle those with progressive minds, the intrigue and tension quickly reach a boiling point against the devastating backdrop of the greatest natural disaster ever to strike the human race-the Black Death.
Three years in the writing, and nearly eighteen years since its predecessor, World Without End breathes new life into the epic historical novel and once again shows that Ken Follett is a masterful author writing at the top of his craft.

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Merthin went on: “This is not the type of cracking you’re seeing on the bridge. Contrary to what Elfric said, those arches are strong enough: the thickness of the arch is one twentieth of its diameter at the base, which is the standard proportion, in every country.”

The builders in the room nodded. They all knew that ratio.

“The crown is intact. However, there are horizontal cracks at the springing of the arch either side of the central pier.”

Bill spoke again. “You sometimes see that in a quadripartite vault.”

“Which this bridge is not ,” Merthin pointed out. “The vaults are simple.”

“What’s causing it, then?”

“Elfric did not follow my original design.”

Elfric said: “I did!”

“I specified a pile of large, loose stones at both ends of the piers.”

“A pile of stones?” Elfric said mockingly. “And you say that’s what was going to keep your bridge upright?”

“Yes, I do,” Merthin said. He could tell that even the builders in the room agreed with Elfric’s scepticism. But they did not know about bridges, which were different from any other kind of building because they stood in water. “The piles of stones were an essential part of the design.”

“They were never in the drawings.”

“Would you like to show us my drawings, Elfric, to prove your point?”

“The tracing floor is long gone.”

“I did a drawing on parchment. It should be in the priory library.”

Elfric looked at Godwyn. At that moment the complicity between the two men was blatant, and Merthin hoped the rest of the guild could see it. Godwyn said: “Parchment is costly. That drawing was scraped and reused long ago.”

Merthin nodded as if he believed Godwyn. There was still no sign of Jeremiah. Merthin might have to win the argument without the help of the original plans. “The stones would have prevented the problem that is now causing the cracks,” he said.

Philemon put in: “You would say that, wouldn’t you? But why should we believe you? It’s just your word against Elfric’s.”

Merthin realized he would have to stick his neck out. All or nothing, he thought. “I will tell you what the problem is, and prove it to you, in daylight, if you will meet me at the riverside tomorrow at dawn.”

Elfric’s face showed that he wanted to refuse this challenge, but Bill Watkin said: “Fair enough! We’ll be there.”

“Bill, can you bring two sensible boys who are good swimmers and divers?”

“Easy.”

Elfric had lost control of the meeting, and Godwyn intervened, revealing himself as the puppetmaster. “What kind of a mockery are you planning?” he said angrily.

But it was too late. The others were curious now. “Let him make his point,” said Bill. “If it’s a mockery, we’ll all know soon enough.”

Just then, Jeremiah came in. Merthin was pleased to see that he was carrying a wooden frame with a large sheet of parchment stretched across it. Elfric stared at Jeremiah, shocked.

Godwyn looked pale and said: “Who gave you that?”

“A revealing question,” Merthin commented. “The lord prior doesn’t ask what the drawing shows, nor where it came from – he seems to know all that already. He just wonders who handed it over.”

Bill said: “Never mind all that. Show us the drawing, Jeremiah.”

Jeremiah stood in front of the scales and turned the frame round so that everyone could see the drawing. There at the ends of the piers were the piles of stones Merthin had spoken of.

Merthin stood up. “In the morning, I’ll explain how they work.”

*

Summer was turning into autumn, and it was chilly on the river bank at dawn. News had somehow got around that a drama would take place and, as well as the members of the parish guild, there were two or three hundred people waiting to see the clash between Merthin and Elfric. Even Caris was there. This was no longer merely an argument about an engineering problem, Merthin realized. He was the youngster challenging the authority of the old bull, and the herd understood that.

Bill Watkin produced two lads of twelve or thirteen, stripped to their undershorts and shivering. It turned out they were Mark Webber’s younger sons, Dennis and Noah. Dennis, the thirteen-year-old, was short and chunky, like his mother. He had red-brown hair the colour of leaves in autumn. Noah, the younger by two years, was taller, and would probably grow up to be as big as Mark. Merthin identified with the short redhead. He wondered whether Dennis was embarrassed, as Merthin himself had been at that age, to have a younger brother who was bigger and stronger.

Merthin thought Elfric might object to Mark’s sons being the divers, on the grounds that they might have been briefed in advance by their father and told what to say. However, Elfric said nothing. Mark was too transparently honest for anyone to suspect him of such duplicity, and perhaps Elfric realized that – or, more likely, Godwyn realized it.

Merthin told the boys what to do. “Swim out to the central pier, then dive. You’ll find the pier is smooth for a long way down. Then there’s the foundation, a great lump of stones held together with mortar. When you reach the river bed, feel underneath the foundation. You probably won’t be able to see anything – the water will be too muddy. But hold your breath for as long as you can and investigate thoroughly all around the base. Then come up to the surface and tell us exactly what you find.”

They both jumped into the water and swam out. Merthin spoke to the assembled townspeople. “The bed of this river is not rock but mud. The current swirls around the piers of a bridge and scours the mud out from underneath the pillars, leaving a depression filled only with water. This happened to the old wooden bridge. The oak piers were not resting on the river bed at all, but hanging from the superstructure. That’s why the bridge collapsed. To prevent the same thing happening to the new bridge, I specified piles of large rough stones around the feet of the piers. Such piles break up the current so that its action is haphazard and weak. However, the piles were not installed and so the piers have been undermined. They are no longer supporting the bridge, but hanging from it – and that’s why there are cracks where the pier joins the arch.”

Elfric snorted sceptically, but the other builders looked intrigued. The two boys reached midstream, touched the central pier, took deep breaths and disappeared.

Merthin said: “When they come back, they will tell us that the pier is not resting on the river bed, but hanging over a depression, filled with water, large enough for a man to climb into.”

He hoped he was right.

Both boys stayed under water for a surprisingly long time. Merthin found himself feeling breathless, as it were in sympathy with them. At last a wet head of red hair broke the surface, then a brown one. The two boys conversed briefly, nodding, as if establishing that they had both observed the same thing. Then they struck out for the shore.

Merthin was not completely sure of his diagnosis, but he could think of no other explanation for the cracks. And he had felt the need to appear supremely confident. If he now turned out to be wrong, he would look all the more foolish.

The boys reached the bank and waded out of the water, panting. Madge gave them blankets which they pulled around their shaking shoulders. Merthin allowed them a few moments to catch their breath, then said: “Well? What did you find?”

“Nothing,” said Dennis, the elder.

“What do you mean, nothing?”

“There’s nothing there, at the bottom of the pillar.”

Elfric looked triumphant. “Just the mud of the river bed, you mean.”

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