Mary Russell - Doc

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Doc: краткое содержание, описание и аннотация

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The year is 1878, peak of the Texas cattle trade. The place is Dodge City, Kansas, a saloon-filled cow town jammed with liquored-up adolescent cowboys and young Irish hookers. Violence is random and routine, but when the burned body of a mixed-blood boy named Johnnie Sanders is discovered, his death shocks a part-time policeman named Wyatt Earp. And it is a matter of strangely personal importance to Doc Holliday, the frail twenty-six-year-old dentist who has just opened an office at No. 24, Dodge House.
Beautifully educated, born to the life of a Southern gentleman, Dr. John Henry Holliday is given an awful choice at the age of twenty-two: die within months in Atlanta or leave everyone and everything he loves in the hope that the dry air and sunshine of the West will restore him to health. Young, scared, lonely, and sick, he arrives on the rawest edge of the Texas frontier just as an economic crash wrecks the dreams of a nation. Soon, with few alternatives open to him, Doc Holliday is gambling professionally; he is also living with Mária Katarina Harony, a high-strung Hungarian whore with dazzling turquoise eyes, who can quote Latin classics right back at him. Kate makes it her business to find Doc the high-stakes poker games that will support them both in high style. It is Kate who insists that the couple travel to Dodge City, because 'that's where the money is.'
And that is where the unlikely friendship of Doc Holliday and Wyatt Earp really begins — before Wyatt Earp is the prototype of the square-jawed, fearless lawman; before Doc Holliday is the quintessential frontier gambler; before the gunfight at the O.K. Corral links their names forever in American frontier mythology — when neither man wanted fame or deserved notoriety.
Authentic, moving, and witty, Mary Doria Russell's fifth novel redefines these two towering figures of the American West and brings to life an extraordinary cast of historical characters, including Holliday's unforgettable companion, Kate. First and last, however, Doc is John Henry Holliday's story, written with compassion, humor, and respect by one of our greatest contemporary storytellers.

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John Henry Holliday believed in science, in rationality, and in free will. He believed in study, in the methodical acquisition and accumulation of useful skills. He believed that he could homestead his future with planning and preparation: sending scouts ahead and settling it with pioneering effort. Above all, he believed in practice, which increased predictability and reduced the element of chance in any situation.

The very word made him feel calm. Piano practice. Dental practice. Pistol practice, poker practice. Practice was power. Practice was authority over his own destiny.

Luck? That was what fools called ignorance and laziness and despair when they gave themselves up to the turn of a card, and lost, and lost, and lost …

An hour later, he woke to Kate’s fingers on his buttons, to her lips, to her voice, to her breath, whiskey sweet, smoke sour.

Viens au lit ,” she was saying. “ Viens t’allonger près de moi, mon amour .”

“Darlin’, please,” he mumbled. “I am beat flat. I can’t—”

“You don’t have to do nothing, Doc. I’ll do it all,” she said. “You’ll sleep good.”

“I was sleepin’.” His voice sounded fretful and peevish, even to himself, and he tried to spunk up. “You have to let me rest, Kate.”

“I’m sorry. I’m sorry, Doc. I was drunk last night, that’s all. I’ll make it up to you. I’ll make it right.”

The vulgarity. The exaggerated, theatrical, lascivious carnality. All that was gone. In its place was this fearful, earnest, pathetic need to please. He fought to open his eyes, too tired to lift a hand and stroke her hair.

“Let me make it up to you,” she said. “You’ll get some rest, you’ll feel better.”

He was consumptive and exhausted; he was male and twenty-six. And Kate, too, was practiced in her trade.

“See how good that is?” she whispered, lifting her skirts now, straddling him, lowering herself. “That’s good, isn’t it, Doc?”

She watched his face as she worked, saw the growing tension, the rigidity. She slowed her rhythm, deepening her hold, smiling when she saw release, triumphant when his breathing caught, and stopped, and then went on, without any coughing at all.

“That’s my man,” she said softly. “That’s my loving man …”

The doctors said this was bad for him, but she knew that they were wrong. They all said something different. He should rest. He should exercise. He should go to the mountains. He should stay on the plains. Get plenty of fresh air. No, stay inside. They said the smoking was bad for him, the drinking, the all-night games, but he could make so much money at the tables, and it was so easy for him! It was this day work that was killing him, anybody could see that. And it didn’t pay!

Doctors don’t know nothing, she told herself. They said he’d be dead by now, but I’m good for him. He don’t cough with me.

She waited until he slipped from her, then lifted herself and backed away. Leaving him asleep in the chair, she lay down on their bed and watched his thin chest rise and fall, rise and fall, regular and even.

Well, a little shallow, a little labored …

Don’t mean nothing, she told herself, but he looked so pale in the sunlight, his skin as colorless as his ash-blond hair.

Ne meurs pas, mon amour. Non morais ,” she whispered in the language of love, and the language of prayer. “Don’t die on me, Doc,” she whispered, over and over, watching him until her own eyelids drooped and closed. “Don’t die on me. Don’t die …”

When Wyatt Earp rode across the Arkansas River toll bridge into Dodge the morning after Johnnie’s funeral, it was not quite noon and the city was still pretty much asleep. Apart from a few hungover cowpunchers who’d drawn the short straw and had to work the stockyards, the only things moving were cottonwood fluff, dust, and Dog Kelley, who was crossing Front Street with half a dozen skinny greyhounds.

Dog knew what was coming, and waited. “Wyatt,” he said. “Welcome back.”

“You still mayor?” Wyatt asked.

“Reelected in April,” Dog confirmed.

“Still looking for a chief deputy?”

“Job’s open yet.”

“If you’d hired me in the first place,” Wyatt said, “Ed Masterson would still be alive.”

Dog squinted up toward a clouding sky, scratching at the three-day beard on his stretched-out neck. “Wyatt,” he said peaceably, “you’re probably right about that.”

Wyatt Earp was the most fearless man Dog Kelley had ever met, and Dog had known a fair number of truly brave men in his time, for he had ridden under the Stars and Bars in the late war, and courage was commonplace among his comrades. That said, Wyatt Earp was not quite the most arrogant bastard Dog had ever met, for Sergeant James H. Kelley had also served in the U.S. Cavalry after the war, scouting for General George Armstrong Custer. It was, in fact, a direct result of Custer’s unwavering, unflappable belief that he was something awful damn special in the eyes of God and man that Dog Kelley had inherited his former commander’s pack of coursers and wolfhounds, acquiring a nickname into the bargain.

No doubt about it: George Custer took first prize for arrogance. But give the devil his due, Dog thought, watching Wyatt ride on. That prissy goddam sonofabitch comes in a real close second.

Just then Bob Wright appeared outside his store with a broom. “So,” Bob said to Dog, sweeping up the boardwalk, “Wyatt’s back. That’s good news for the town.”

“Could be,” said Dog.

“Say, Dog! You suppose the town oughta hire Wyatt again?” Bob asked.

Like he hadn’t already decided.

“Maybe so,” said Dog.

“Let’s talk about that at the city council meeting,” Bob said.

Like it was a suggestion.

“Whatever you say, Bob,” Dog replied, but his eyes were on Wyatt, who was halfway down Front Street now.

I’ll take honest arrogance over fake humility any day, Dog thought.

“See you at council,” he said.

Bat Masterson was sitting in front of the Green Front. He was dressed like he was going to a wedding except for a black mourning band around his arm for his brother. Wyatt drew up.

“Hey, Wyatt,” Bat called. “You finally shoot that two-dollar horse?”

“This’s him. You spend all your money on clothes, or just most of it?”

“Appearances count, my friend. Appearances count.”

“I was sorry to hear about Ed. What happened?”

“Drunk shot him.”

“Hell. You get the drunk?”

Bat looked like he was deciding something. Then he said, “Damn right I did.”

“Good.” Wyatt glanced over his shoulder at the Elephant Barn. “When’d that happen?”

“Monday night,” Bat told him, and looked away.

It wasn’t until he found Morgan that Wyatt learned the rest.

The first time a man was killed in Dodge, the corpse just lay around all day until, toward evening, somebody decided to dig a hole in a scrubby little hill northwest of Front Street. The deceased was buried as he’d died: with his boots on and without the dignity of a coffin.

Boot Hill received sixty-two more bodies in the next three years—mostly killings, though smallpox took a few one season. At that rate, it wasn’t long before Dodge outgrew its makeshift cemetery. On top of the crowding, there was the additional problem of where to bury townspeople whose friends and families didn’t want to plant their dearly departed next to some overconfident fool who’d picked a fight with the wrong stranger in a bar. So Bob Wright opened the Prairie Grove Cemetery down by the Union Church. It was prettier than Boot Hill, but you had to pay to get in.

Leave it to Bob, everybody said. Damn if he didn’t find a way to make money off you, even after you was dead.

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