Eleanor Catton - The Luminaries

The present company consented.

Did the present company consent to assist the widow’s transmissions further, by maintaining a state of mental receptivity for the duration of the event? Would every man agree to keep his mind cool and open, his limbs relaxed, his breathing deep and rhythmic, and his attention focused absolutely, like that of a monk at prayer?

This was assured.

‘I cannot tell you what will happen in this room tonight,’ the widow went on, still speaking in a voice of conspiracy. ‘Perhaps the furniture will move about. Perhaps we will feel breezes—the breath of the underworld, some might call it—as the spirits around us are disturbed. Perhaps the dead will speak through the mouths of the living. Or perhaps they will reveal themselves by the presentation of a token.’

‘What do you mean, a token?’ one of the diggers said.

Lydia Wells turned her calm gaze upon the speaker. ‘Sometimes,’ she said quietly, ‘and for reasons unknown to us, the dead are unable to speak. When this happens, they choose to communicate in other ways. I was party to a séance in Sydney where this occurred.’

‘What happened?’

Mrs. Wells became glazed. ‘A woman had been killed in her own home,’ she said, ‘under circumstances that were a touch mysterious—and some months following her death, a select group of spiritists convened at her house, to contact her.’

‘How was she killed?’

‘The family dog went savage,’ said Lydia Wells. ‘Quite out of character, the beast attacked her—and ripped out her throat.’

‘Hideous.’

‘Ghastly.’

‘The circumstances of her death were suspicious,’ the widow continued, ‘not the least because the dog was shot before its true nature could be established by the law. But the case was closed, and the woman’s husband, wild with grief, quit the house and sailed away. Some months later, a servant who had been employed in the house brought the matter to a medium’s attention. We arranged for a séance to be held in the very room in which this woman had been killed.

‘A gentleman in our group—not the medium, but another spiritist of high renown—happened to be wearing a pocket watch that evening. The watch was tucked inside his vest pocket, with the chain pinned to his breast. He had wound it, he assured us afterwards, before he arrived at the house, and the piece kept very good time. Well, that night—during the séance —there came a queer little whirring noise from his vest. We all heard it, though we did not know what it was. He retrieved the piece, and found to his astonishment that the dial now read three minutes past one. He insisted that he had wound the watch at six o’clock, and it was not yet nine. There was no way that the hands could have moved so far on their own accord, and he could hardly have turned the knob by accident! He tried the knob—and found that it had stuck. It was broken. In fact the piece never worked again.’

‘But what did it mean?’ someone said. ‘Three minutes past one?’

The widow’s voice became low. ‘We could only assume,’ she said, ‘that the spirit of the dead woman was trying to tell us something, very urgently. The time of her death, perhaps? Or was she delivering a warning? A death that was yet to come?’

Charlie Frost found that he was breathing shallowly.

‘What happened next?’ Nilssen whispered.

‘We decided to stay in the drawing room until three minutes past one in the morning,’ said Lydia Wells. ‘Perhaps, we thought, the spirit was inviting us to stay until that time—at which point something was to happen. We waited until the hour struck one; we waited in silence for one minute—two minutes—three—and then, exactly at that moment, there was a terrible crash: a painting tumbled from its hook upon the wall. We all turned, and saw, behind it, a hole in the plaster. The painting had been put up, you see, to mask the hole.

‘Well, the women in the group were screaming; there was noise all about; you can imagine the commotion. Someone found a knife, and cut out the piece of plaster—and lo and behold, lodged into the plaster, there was a ball of shot.’

Frost and Nilssen exchanged a quick glance. The widow’s story had reminded them both of the bullet that had vanished from Anna Wetherell’s bedchamber, in the upper room of the Gridiron Hotel.

‘Was the case ever solved?’ somebody said.

‘Oh, yes,’ the widow said. ‘I shan’t go into the details—there are too many—but you can look it all up in the papers if you’re curious. You see, the woman was never savaged by a dog at all. She had been murdered by her own husband—and he’d shot the dog, and slashed her throat himself, to cover it up.’

There were murmurs of distress around the room.

‘Yes,’ said Lydia Wells. ‘Tragic, the whole story. Elizabeth something, the woman’s name was. I forget the last name. Well, the good news was that when the case reopened, they had two clues on their side: first, that she had been killed by a ball from a Colt Army handgun … and second, that the precise time of her death was three minutes past one.’

The widow was quiet for a moment, and then she laughed. ‘But you aren’t here tonight to hear me tell tales!’ She rose from her chair. Several of the assembled men made to rise also, out of politeness, but the widow put up her hand, stalling them. ‘I regret to say that the sceptics of the world are very many,’ she said, ‘and for every good-hearted man, there are ten more who are not good at all. There may be men among you who will attempt to deny whatever happens tonight, or who will attempt to discredit me. I invite you all to look around you, now, and to reassure yourselves that this room contains no tricks or deceits or follies of any kind. I know as well as you that there are many pretenders in the art of fortune telling, but you may rest assured that I am not one of them.’ She spread her arms and said, ‘You can see that I am concealing nothing on my person. Don’t worry—you are free to look.’

There was tittering at this, and much shuffling as the men looked around them, examining the ceiling, the chairs, the paraffin lamp on the table, the candles, the rug upon the floor. Charlie Frost kept his eyes on Lydia Wells. She did not look tense. She twirled around, revealing that she was hiding nothing in her skirts, and then seated herself very easily, smiling at the room at large. She picked at a loose thread upon her sleeve and waited until the men were still.

‘Excellent,’ she said, when the collective attention had focused upon her once again. ‘Now that we are all happy, and ready, I shall cut the lights, and await Anna’s arrival.’

She leaned forward and doused the paraffin lamp, plunging them all into the gloom of candlelight. After several seconds of quiet, there came three knocks at the parlour door behind them, and Lydia Wells, still fussing over the lamp, called, ‘Come!’

The door opened, and the seven men turned. Frost, forgetting Pritchard’s instruction for a moment, looked too.

Anna was standing in the doorway with an expression of ghostly vacancy upon her face. She was still wearing the mourning dress she had been gifted by Aubert Gascoigne, but if the dress had been ill fitting once, it looked wretched on her now. The gown hung from her shoulders as though from a rail. The waist, though plainly cinched, was loose, and the tatted collar masked an almost concave breast. Her face was very pale, her expression sombre. She did not look at the faces of the assembled crowd. With her eyes fixed upon the middle distance, she came forward, slowly, and sank into the vacant armchair facing Lydia Wells.

Why , thought Frost, as she sat down, she is starving ! He glanced at Nilssen, meaning to catch the other man’s eye, but Nilssen was frowning at Anna, an expression of grave perplexity upon his face. Too late, Frost remembered his own assignation, and turned back to the widow—who, in the brief moment while every man’s head was turned towards the door, had done something. Yes: she had done something, certainly, for she was smoothing down her dress in a self-conscious, satisfied way, and her expression had suddenly become brisk. What had she done? What had she altered? In the dim light he could not tell. Frost cursed himself for having looked away. This was just the kind of subterfuge that Pritchard had predicted. He vowed that he would not look away a second time.