F. Anstey - The Brass Bottle - A Farcical Fantastic Play in Four Acts

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Horace

[ Still at door, looking after Sylvia.] A little over six weeks.

Pringle

And I have known her for as many years!

Horace

[ Closing door, and coming towards him. ] Have you, though? I noticed the Professor was uncommonly cordial to you. Look here, are you doing anything this evening?

Pringle

Er – no. That is, nothing particular. Why?

Horace

Because it would be friendly of you if you'd come and dine here. They're coming, you know.

Pringle

I know. [ After a moment's hesitation. ] Thanks, I don't mind if I do.

Horace

Capital! I'm sure if any one can keep the old man in a good humour, you can.

Pringle

[ Sourly. ] I see. You want me to engage him in conversation and leave you free to carry on your flirtation with Miss Futvoye unobserved?

Horace

Not quite that. There's nothing underhand about it. We're engaged, you know.

Pringle

Engaged! [ After a pause. ] And how long have you been that?

Horace

Only since the day before yesterday.

Pringle

[ Blankly. ] Oh! [ He walks down to window. ] I congratulate you; er – heartily, of course. [ Looking out of window. ] And – and when do you think of being married?

Horace

It's no use thinking of that, at present. Not till the Professor takes a rosier view of my prospects, at all events. But if, like a good fellow, you could put in a word for me, it would give me no end of a leg up!

Pringle

[ Dully, with his face still averted. ] You don't seem to realise what you're asking!

Horace

[ Suddenly understanding, with compunction. ] My dear chap! [ He puts both his hands on Pringle's shoulders. ] What a selfish brute I've been not to see! I am sorry!

Pringle

[ Stiffly. ] As a matter of fact, I'd quite made up my mind to propose to her – as soon as I'd got those country jobs off my mind. And now I find you 've cut in before me!

Horace

Well, it's straight of you to tell me. I suppose you'd rather come and dine some other evening? If so —

Pringle

No. A promise is a promise. I'll come. Mind you, I don't pretend it won't be an effort – but I'll see what I can do for you.

Horace

[ Gratefully. ] You are a good chap, Pringle! – one of the best! Though, really, after what you've told me, I hardly like —

Pringle

Not another word. Anything I can say on your behalf – without too wide a departure from strict accuracy – I'll say with pleasure. [ Going up to door. ] Eight o'clock's the hour, isn't it? All right. [ He goes out. ]

[Horace makes a movement towards the fireplace, as if to ring the bell . Then his eye is caught by the brass bottle, which is standing in the centre of the room. He stops, looks at his watch, and decides that he has time to open the bottle. He examines the cap on its neck, then goes to sideboard and takes from it a heavy paper-weight and a champagne-opener, returns to chair on right of table and sits, holding the bottle between his knees. Using the champagne-opener as a chisel, and the paper-weight as hammer, he proceeds to chip away the deposit round the cap, whistling an air from a musical comedy as he works.
Horace

[ To himself. ] I've loosened it. [ He seizes the cap and tries to screw it off. ] It's giving !

[ Suddenly the room is in complete darkness; there is a loud report and a spurt of flame from the bottle. Horace has fallen back on the floor, with the cap of the bottle in his hand. There is just light enough to see a tall weird figure standing with out-stretched arms behind the bottle.
Horace

[ Sitting up and rubbing the back of his head; faintly. ] Hullo! Is any one there? Who's that come in?

The Stranger

[ In an attitude of supplication. ] Towbah! Yah nebbi Ullah! Anna lah amill Kathahlik ibadan! Wullah-hi!

Horace

I daresay you're perfectly right, sir – but I've no idea what you're talking about.

The Stranger

[ Repeating the Arabic sentence. ] Towbah! (&c. &c.) Wullah-hi!

Horace

[ About to raise himself, sees the figure for the first time, and falls back astonished; then, recovering himself. ] I suppose you've just taken the rooms on the ground-floor – so you must be able to make yourself understood in English?

The Stranger

[ The room has grown lighter, and he is seen to be in dull-green robes and a high-peaked turban. His long grey beard is divided into three thin strands; his eyes are slightly slanted, and his expression is a curious mixture of fatuous benignity, simplicity, and cunning. ] Assuredly I can speak so as to be understood of all men.

Horace

Then it's as well to do it. What was it you said just now?

The Stranger

I said: "Repentance, O Prophet of Allah! I will not return to the like conduct ever!"

Horace

Oh, I beg your pardon. [ Sitting up again. ] Thought you were speaking to me . But I say – [ looking up at him ] – how do you come to be here?

The Stranger

Surely by thine own action!

Horace

I see. You ran up to see what was the matter. Fact is, my head's still rather buzzy. I fancy I must have hit it somehow when I was trying to open that jar.

The Stranger

Then it was thy hand and none other that removed the stopper?

Horace

I – I suppose so. All I know is that something went off with a bang. I can't imagine what could have been inside the beastly thing!

The Stranger

Who else but I myself?

Horace

[ Slowly rising to his feet. ] You must have your little joke, eh? [ He reels against the table. ] Or did I misunderstand you? My head's in such a muddle!

The Stranger

I tell thee that I have been confined within that accursed vessel for centuries beyond all calculation.

Horace

You can't pull my leg like that, you know! Seriously, just tell me who you are .

The Stranger

Know then that he who now addresseth thee is none other than Fakrash-el-Aamash, a Jinnee of the Green Jinn.

Horace

[ Half to himself. ] Singular, "Jinnee" – plural, "Jinn." Where did I hear that? I – I shall remember presently.

Fakrash

I dwelt in the Palace of the Mountain of the Clouds in the Garden of Irem, above the City of Babel.

Horace

[ To himself. ] Why, of course ! Sylvia! The Arabian Nights! [ To Fakrash.] I can quite account for you now – but go on.

Fakrash

For a certain offence that I committed, the wrath of Suleymán, the son of Dáood – on whom be peace! – [ he salaams ] – was heavy against me, and he commanded that I should be enclosed within a bottle of brass, and thrown into the Sea of El-Karkar, there to abide the Day of Doom.

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