FEDELM
[Throwing her arms about him.]
I will not be put from you, although I think
I had not grudged it you if some great lady,
If the King’s daughter, had set out your bed.
I will not give you up to death; no, no!
And are not these white arms and this soft neck
Better than the brown earth?
SEANCHAN
[Struggling to disengage himself.]
Begone from me!
There’s treachery in those arms and in that voice.
They’re all against me. Why do you linger there?
How long must I endure the sight of you?
FEDELM
SEANCHAN
[Rising.]
Go where you will,
So it be out of sight and out of mind.
I cast you from me like an old torn cap,
A broken shoe, a glove without a finger,
A crooked penny; whatever is most worthless.
FEDELM
[Bursts into tears.]
O, do not drive me from you!
SEANCHAN
[Takes her in his arms.]
What did I say,
My dove of the woods? I was about to curse you.
It was a frenzy. I’ll unsay it all.
But you must go away.
FEDELM
Let me be near you.
I will obey like any married wife.
Let me but lie before your feet.
SEANCHAN
[Kisses her.
If I had eaten when you bid me, sweetheart,
The kiss of multitudes in times to come
Had been the poorer.
[ Enter KING from palace, followed by the two PRINCESSES
KING
[ To FEDELM.]
FEDELM
No, King, and will not till you have restored
The right of the poets.
KING
[ Coming down and standing before SEANCHAN.]
Seanchan, you have refused
Everybody that I have sent, and now
I come to you myself; and I have come
To bid you put your pride as far away
As I have put my pride. I had your love
Not a great while ago, and now you have planned
To put a voice by every cottage fire,
And in the night when no one sees who cries,
To cry against me till my throne has crumbled.
And yet if I give way I must offend
My courtiers and nobles till they, too,
Strike at the crown. What would you have of me?
SEANCHAN
When did the poets promise safety, King?
KING
Seanchan, I bring you bread in my own hands,
And bid you eat because of all these reasons,
And for this further reason, that I love you.
[Seanchan pushes bread away, with FEDELM’S hand
You have refused it, Seanchan?
SEANCHAN
KING
I have been patient, though I am a king,
And have the means to force you. But that’s ended,
And I am but a king, and you a subject.
Nobles and courtiers, bring the poets hither;
[ Enter COURT LADIES, MONK, SOLDIER, CHAMBERLAIN , and COURTIERS with PUPILS , who have halters round their necks
For you can have your way. I that was man,
With a man’s heart, am now all king again,
Remembering that the seed I come of, though
A hundred kings have sown it and resown it,
Has neither trembled nor shrunk backward yet
Because of the hard business of a king.
Speak to your master; beg your life of him;
Show him the halter that is round your necks.
If his heart’s set upon it, he may die;
But you shall all die with him. [ Goes up steps.
Beg your lives!
Begin, for you have little time to lose.
Begin it, you that are the oldest pupil.
OLDEST PUPIL
Die, Seanchan, and proclaim the right of the poets.
KING
Silence! you are as crazy as your master.
But that young boy, that seems the youngest of you,
I’d have him speak. Kneel down before him, boy;
Hold up your hands to him, that you may pluck
That milky-coloured neck out of the noose.
YOUNGEST PUPIL
Die, Seanchan, and proclaim the right of the poets.
OLDEST PUPIL
Gather the halters up into your hands
And drive us where you will, for in all things,
But in our Art, we are obedient.
[ They hold the ends of the halter towards the KING . The KING comes slowly down steps
KING
Kneel down, kneel down; he has the greater power.
There is no power but has its root in his —
I understand it now. There is no power
But his that can withhold the crown or give it,
Or make it reverend in the eyes of men,
And therefore I have laid it in his hands,
And I will do his will.
[ He has put the crown into SEANCHAN’S hands
SEANCHAN
[Who has been assisted to rise by his pupils.]
O crown! O crown!
It is but right the hands that made the crown
In the old time should give it where they please.
[ He places the crown on the KING’S head
O silver trumpets! Be you lifted up,
And cry to the great race that is to come.
Long-throated swans, amid the waves of Time,
Sing loudly, for beyond the wall of the world
It waits, and it may hear and come to us.
[
The PUPILS
blow a trumpet blast.
To William Fay
BECAUSE OF THE BEAUTIFUL PHANTASY OF HISPLAYING IN THE CHARACTER OFTHE FOOL
A Fool
A Blind Man
Cuchulain, King of Muirthemne
Conchubar, High King of Ulad
A Young Man, Son of Cuchulain
Kings and Singing Women
A great hall at Dundealgan, not ‘Cuchulain’s great ancient house’ but an assembly house nearer to the sea. A big door at the back, and through the door misty light as of sea mist. There are many chairs and one long bench. One of these chairs, which is towards the front of the stage, is bigger than the others. Somewhere at the back there is a table with flagons of ale upon it and drinking-horns. There is a small door at one side of the hall. A FOOL and BLIND MAN , both ragged, come in through the door at the back. The BLIND MAN leans upon a staff.
FOOL
What a clever man you are though you are blind! There’s nobody with two eyes in his head that is as clever as you are. Who but you could have thought that the henwife sleeps every day a little at noon? I would never be able to steal anything if you didn’t tell me where to look for it. And what a good cook you are! You take the fowl out of my hands after I have stolen it and plucked it, and you put it into the big pot at the fire there, and I can go out and run races with the witches at the edge of the waves and get an appetite, and when I’ve got it, there’s the hen waiting inside for me, done to the turn.
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