William Yeats - The Collected Works in Verse and Prose of William Butler Yeats. Volume 2 of 8

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[Begins to hesitate; scratching his head.

But what comes now? Something about the King.

BRIAN

Get on! get on! The food is all set out.

MAYOR

Don’t hurry me.

FIRST CRIPPLE

Give us a taste of it.
He’ll not begrudge it.

SECOND CRIPPLE

Let them that have their limbs
Starve if they will. We have to keep in mind
The stomach God has left us.

MAYOR

Hush! I have it!
The King was said to be most friendly to us,
And we have reason, as you’ll recollect,
For thinking that he was about to give
Those grazing lands inland we so much need,
Being pinched between the water and the stones.
Our mowers mow with knives between the stones;
The sea washes the meadows. You know well
We have asked nothing but what’s reasonable.

SEANCHAN

Reason in plenty. Yellowy white hair,
A hollow face, and not too many teeth.
How comes it he has been so long in the world
And not found Reason out?

[ While saying this he has turned half round. He hardly looks at the MAYOR
BRIAN
[ Trying to pull MAYOR away. ]

What good is there
In telling him what he has heard all day!
I will set food before him.

MAYOR
[ Shoving BRIAN away. ]

Don’t hurry me!
It’s small respect you’re showing to the town!
Get farther off! [ To SEANCHAN.] We would not have you think,
Weighty as these considerations are,
That they have been as weighty in our minds
As our desire that one we take much pride in,
A man that’s been an honour to our town,
Should live and prosper; therefore we beseech you
To give way in a matter of no moment,
A matter of mere sentiment – a trifle —
That we may always keep our pride in you.

[ He finishes this speech with a pompous air, motions to BRIAN to bring the food to SEANCHAN , and sits on seat
BRIAN

Master, master, eat this! It’s not king’s food,
That’s cooked for everybody and nobody.
Here’s barley-bread out of your father’s oven,
And dulse from Duras. Here is the dulse, your honour;
It’s wholesome, and has the good taste of the sea.

[ Takes dulse in one hand and bread in other and presses them into SEANCHAN’S hands. SEANCHAN shows by his movement his different feeling to BRIAN
FIRST CRIPPLE

He has taken it, and there’ll be nothing left!

SECOND CRIPPLE

Nothing at all; he wanted his own sort.
What’s honey to a cat, corn to a dog,
Or a green apple to a ghost in a churchyard?

SEANCHAN
[ Pressing food back into BRIAN’S hands. ]

Eat it yourself, for you have come a journey,
And it may be eat nothing on the way.

BRIAN

How could I eat it, and your honour starving!
It is your father sends it, and he cried
Because the stiffness that is in his bones
Prevented him from coming, and bid me tell you
That he is old, that he has need of you,
And that the people will be pointing at him,
And he not able to lift up his head,
If you should turn the King’s favour away;
And he adds to it, that he cared you well,
And you in your young age, and that it’s right
That you should care him now.

SEANCHAN
[Who is now interested.]

And is that all?
What did my mother say?

BRIAN

She gave no message;
For when they told her you had it in mind to starve,
Or get again the ancient right of the poets,
She said: ‘No message can do any good.
He will not send the answer that you want.
We cannot change him.’ And she went indoors,
Lay down upon the bed, and turned her face
Out of the light. And thereupon your father
Said: ‘Tell him that his mother sends no message,
Albeit broken down and miserable.’ [ A pause.
Here’s a pigeon’s egg from Duras, and these others
Were laid by your own hens.

SEANCHAN

She has sent no message.
Our mothers know us; they know us to the bone.
They knew us before birth, and that is why
They know us even better than the sweethearts
Upon whose breasts we have lain.
Go quickly! Go
And tell them that my mother was in the right.
There is no answer. Go and tell them that.
Go tell them that she knew me.

MAYOR

What is he saying?
I never understood a poet’s talk
More than the baa of a sheep!

[ Comes over from seat. SEANCHAN turns away

You have not heard,
It may be, having been so much away,
How many of the cattle died last winter
From lacking grass, and that there was much sickness
Because the poor have nothing but salt fish
To live on through the winter?

BRIAN

Get away,
And leave the place to me! It’s my turn now,
For your sack’s empty!

MAYOR

Is it ‘get away’!
Is that the way I’m to be spoken to!
Am I not Mayor? Amn’t I authority?
Amn’t I in the King’s place? Answer me that!

BRIAN

Then show the people what a king is like:
Pull down old merings and root custom up,
Whitewash the dunghills, fatten hogs and geese,
Hang your gold chain about an ass’s neck,
And burn the blessed thorn trees out of the fields,
And drive what’s comely away!

MAYOR

Holy Saint Coleman!

FIRST CRIPPLE

Fine talk! fine talk! What else does the King do?
He fattens hogs and drives the poet away!

SECOND CRIPPLE

He starves the song-maker!

FIRST CRIPPLE

He fattens geese!

MAYOR

How dare you take his name into your mouth!
How dare you lift your voice against the King!
What would we be without him?

BRIAN

Why do you praise him?
I will have nobody speak well of him,
Or any other king that robs my master.

MAYOR

And had he not the right to? and the right
To strike your master’s head off, being the King,
Or yours or mine? I say, ‘Long live the King!
Because he does not take our heads from us.’
Call out, ‘Long life to him!’

BRIAN

Call out for him!

[ Speaking at same time with MAYOR.

There’s nobody’ll call out for him,
But smiths will turn their anvils,
The millers turn their wheels,
The farmers turn their churns,
The witches turn their thumbs,
’Till he be broken and splintered into pieces.

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