William Yeats - The Collected Works in Verse and Prose of William Butler Yeats. Volume 2 of 8

I said the poets hung
Images of the life that was in Eden
About the child-bed of the world, that it,
Looking upon those images, might bear
Triumphant children. But why must I stand here,
Repeating an old lesson, while you starve?

Tell on, for I begin to know the voice.
What evil thing will come upon the world
If the Arts perish?

If the Arts should perish,
The world that lacked them would be like a woman,
That looking on the cloven lips of a hare,
Brings forth a hare-lipped child.

But that’s not all:
For when I asked you how a man should guard
Those images, you had an answer also,
If you’re the man that you have claimed to be,
Comparing them to venerable things
God gave to men before he gave them wheat.

I answered – and the word was half your own —
That he should guard them as the Men of Dea
Guard their four treasures, as the Grail King guards
His holy cup, or the pale, righteous horse
The jewel that is underneath his horn,
Pouring out life for it as one pours out
Sweet heady wine… But now I understand;
You would refute me out of my own mouth;
And yet a place at table, near the King,
Is nothing of great moment, Seanchan.
How does so light a thing touch poetry?

At Candlemas you called this poetry
One of the fragile, mighty things of God,
That die at an insult.

Give me some true answer,
For on that day we spoke about the Court,
And said that all that was insulted there
The world insulted, for the Courtly life,
Being the first comely child of the world,
Is the world’s model. How shall I answer him?
Can you not give me some true argument?
I will not tempt him with a lying one.

O, tell him that the lovers of his music
Have need of him.

But I am labouring
For some that shall be born in the nick o’ time,
And find sweet nurture, that they may have voices,
Even in anger, like the strings of harps;
And how could they be born to majesty
If I had never made the golden cradle?

Why did you take me from my father’s fields?
If you would leave me now, what shall I love?
Where shall I go? What shall I set my hand to?
And why have you put music in my ears,
If you would send me to the clattering houses?
I will throw down the trumpet and the harp,
For how could I sing verses or make music
With none to praise me, and a broken heart?

What was it that the poets promised you,
If it was not their sorrow? Do not speak.
Have I not opened school on these bare steps,
And are not you the youngest of my scholars?
And I would have all know that when all falls
In ruin, poetry calls out in joy,
Being the scattering hand, the bursting pod,
The victim’s joy among the holy flame,
God’s laughter at the shattering of the world.
And now that joy laughs out, and weeps and burns
On these bare steps.

O master, do not die!

Trouble him with no useless argument.
Be silent! There is nothing we can do
Except find out the King and kneel to him,
And beg our ancient right.
For here are some
To say whatever we could say and more,
And fare as badly. Come, boy, that is no use.

If it seem well that we beseech the King,
Lay down your harps and trumpets on the stones
In silence, and come with me silently.
Come with slow footfalls, and bow all your heads,
For a bowed head becomes a mourner best.

‘Chief Poet,’ ‘Ireland,’ ‘Townsman,’ ‘Grazing land,’
Those are the words I have to keep in mind —
‘Chief Poet,’ ‘Ireland,’ ‘Townsman,’ ‘Grazing land.’
I have the words. They are all upon the Ogham.
‘Chief Poet,’ ‘Ireland,’ ‘Townsman,’ ‘Grazing land.’
But what’s their order?

The King were rightly served
If Seanchan drove his good luck away.
What’s there about a king, that’s in the world
From birth to burial like another man,
That he should change old customs, that were in it
As long as ever the world has been a world?

If I were king I would not meddle with him,
For there is something queer about a poet.
I knew of one that would be making rhyme
Under a thorn at crossing of three roads.
He was as ragged as ourselves, and yet
He was no sooner dead than every thorn tree
From Inchy to Kiltartan withered away.

The King is but a fool!

I am getting ready.

A poet has power from beyond the world,
That he may set our thoughts upon old times,
And lucky queens and little holy fish
That rise up every seventh year —

Hush! hush!

To cure the crippled.

I am half ready now.

There’s not a mischief I’d begrudge the King
If it were any other —

Hush! I am ready.

That died to get it. I have brought out the food,
And if my master will not eat of it,
I’ll home and get provision for his wake,
For that’s no great way off. Well, have your say,
But don’t be long about it.

Chief Poet of Ireland,
I am the Mayor of your own town Kinvara,
And I am come to tell you that the news
Of this great trouble with the King of Gort
Has plunged us in deep sorrow – part for you,
Our honoured townsman, part for our good town.