Vicente Blasco Ibáñez - The Dead Command

"Señor, this lady asks me to introduce you to her," said the clerk.

Turning toward the English girl he added with Teutonic composure, like one fulfilling a duty, "Monsieur the hidalgo Febrer, Marquis of Spain."

He understood the part he was playing. Everyone who travels with good valises is an hidalgo and a marquis until the contrary be proven.

Then, with his eyes, he indicated the English girl who stood stiff and grave during the ceremony without which no well-bred woman may exchange a word with a man: "Miss Gordon, doctor of the University of Melbourne."

The young lady extended her white gloved hand and shook Febrer's with gymnastic vigor. Not till then did she venture to speak:

"Oh, Spain! Oh, 'Don Quixote'!"

Unconsciously they strolled out of the hotel together discussing the afternoon performances which they had attended. There was to be no function at the theaters that day and she was thinking of going to the park called Theresienwiese, at the foot of the statue of Bavaria, to see the Tyrolese fair and to listen to the folk-songs. After breakfasting at the hotel they went to the fair grounds; they climbed upon an enormous statue and viewed the Bavarian plain, its lakes and its distant mountains; they explored the Memorial Hall, filled with busts of celebrated Bavarians, most of whose names they read for the first time, and they finished by going from booth to booth, admiring the costumes of the Tyrolese, their gymnastic dances, their birdlike warbling and trilling.

They went about as if they had known each other all their lives, Jaime admiring the masculine liberty of Saxon girls who are not afraid of associating with men and who feel strong in their ability to take care of themselves. From that day they visited together museums, academies, old churches, sometimes alone, and again with the companion, who made strenuous exertions to keep pace with them. They were comrades who communicated their impressions without thinking of difference of sex. Jaime was disposed to take advantage of this intimacy by making gallant speeches, by risking little advances, but he restrained himself. With women like this action might be dangerous, they remain impassive, proof against all manner of impressions. He must wait until she should take the initiative. These were women who could go alone around the world, likely to interrupt passionate advances with the blows of a trained boxer. He had seen some in his travels who carried diminutive nickel-plated revolvers in their muffs or in their handbags along with powder box and handkerchief.

Mary Gordon told of the distant Oceanic archipelago in which her father exercised authority like a viceroy. She had no mother, and she had come to Europe to complete studies begun in Australia. She held the degree of Doctor from the University of Melbourne; a doctor of music. Jaime, suppressing his astonishment at this news from a distant world, told of himself, of his family, of his native land, of the curiosities of the island, of the cavern of Arta, tragically grand, chaotic as an ante-chamber of the inferno; of the Dragon's caves with their forests of stalactites, glistening like an ice palace, of its thousand placid lakes, from the deep crystal depths of which it seemed as if nude sirens would arise like those Rhine maidens who guarded the treasure of the Niebelungs. Mary listened to him, entranced. Jaime seemed to grow greater before her eyes, as she learned that he was a son of that isle of dreams, where the sea is always blue, where the sun is ever shining, and where blooms the orange flower.

Febrer began to spend his afternoons in the room of the English girl. The performances of the Mozart festival were ended. Miss Gordon needed daily the spiritual uplift of music. She had a piano in her reception room, and a roll of opera scores which accompanied her on her travels. Jaime sat near, before the keyboard, trying to accompany the pieces she was interpreting, ever those of the same author, the god, the only! The hotel was near the station, and the noise of drays, carriages and street cars annoyed the English woman and she closed the windows. Her stout companion had gone to her own apartment, rejoiced at being free from that musical tempest, the delights of which could not compare with those of making a good bit of Irish point lace. Miss Gordon, alone with the Spaniard, treated him as if she were a master.

"Come, do that again; let us repeat the theme of the sword. Pay attention!"

But Jaime was distracted, peeping out of the corner of his eye at the girl's long, white neck bristling with little golden locks, at the network of blue veins delicately outlined beneath the transparency of her pearly skin.

One afternoon it rained; the leaden sky seemed to graze the roofs of the houses; in the reception room there was the diffused light of a cellar. They were playing almost in the dark, bending their heads forward to read the score. Forth rolled the music of the forest of enchantments, moving its green and whispering tree tops before the rude Siegfried, the innocent child of Nature, eager to know the language of the soul and of inanimate things. The master-bird sang, his voice rising above the murmur of the foliage. Mary was trembling with excitement.

"Ah, poet! Poet!"

She continued playing. Then, in the growing darkness of the room, sounded the strong chords which accompanied the hero to the tomb; the funeral march of the warriors bearing upon the shield the muscular body of Siegfried, with his golden hair, interrupting the melancholy phrase of the God of gods. Mary continued trembling, until suddenly her hands fell from the keyboard and her head rested on Jaime's shoulder, like a bird folding its wings.

"Oh, Richard!… Richard, mon bien aimée! "

The Spaniard saw her wandering eyes and her tremulous lips offering themselves to him; in his grasp he felt her cold hands; her breath floated about him. Against his bosom were pressed hidden curves of firm elastic plumpness, the existence of which he had not suspected.

There was no more music that afternoon.

At midnight when Febrer retired, he had not yet recovered from his astonishment. After so many fears, this was the way things had happened, with the greatest simplicity, as one is offered a hand, without exertion on his part.

Another surprise had been to hear himself called by a name which was not his. Who could that Richard be? But in the hour of sweet and dreamy explanations which follow those of madness and forgetfulness, she had told him of the impression she had received in Bayreuth when she saw him for the first time among the thousand heads which filled the theater. It was he, the great musician, as he was portrayed in his youthful pictures! When she met him again in Munich beneath the same roof, she had felt that the die was cast and that it was useless to resist this attraction.

Febrer examined himself with ironical curiosity in the mirror in his room. What ideas a woman is capable of conceiving! Yes, he was something like that other one—the heavy forehead, the drooping hair, the beaked nose, and the prominent chin, which, in years to come would turn inward, seeking each other, and give him a certain witchlike profile.... Excellent and glorious Richard! By what miracle had Wagner brought to him one of the greatest joys of his existence! What an original woman was this!

Astonishment, mingled with a shade of annoyance, grew upon Febrer as the days passed. She seemed to forget what had taken place, and to grow constantly more unapproachable. She received him with grave rigidity, as if nothing had occurred, as if the past had left no trace upon her mind, as if the day before had never been. Only when music evoked the memory of the other man came tenderness and submission.

Jaime was irritated, and he determined to dominate her; he would prove himself a man! At last he triumphed to such an extent that the piano was heard less and she began to see in him something more than a living picture of her idol.