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Эптон Синклер: Oil!

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Эптон Синклер Oil!

Oil!: краткое содержание, описание и аннотация

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The basis for the movie There Will Be Blood. Based on the Teapot Dome scandal of the Harding administration, it is the story of Bunny Ross, the son of a wealthy California oil operator, who discovers that politicians are unscrupulous and that oil magnates are equally bad. In Oil! Upton Sinclair fashioned a novel out of the oil scandals of the Harding administration, providing in the process a detailed picture of the development of the oil industry in Southern California. Bribery of public officials, class warfare, and international rivalry over oil production are the context for Sinclair's story of a genial independent oil developer and his son, whose sympathy with the oilfield workers and socialist organizers fuels a running debate with his father. Senators, small investors, oil magnates, a Hollywood film star, and a crusading evangelist people the pages of this lively novel. 

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Some time ago these two had witnessed a serious traffic accident, and afterwards had appeared to testify concerning it. The clerk of the court had called “J. Arnold Ross,” and then, just as solemnly, “J. Arnold Ross, junior,” and the boy had climbed into the witness-chair, and testified that he knew the nature of an oath, and knew the traffic regulations, and just what he had seen.

That had made him, as you might say, “court-conscious.” Whenever, in driving, anything happened that was the least bit irregular, the boy’s imagination would elaborate it into a court scene. “No, your honor, the man had no business on the left side of the road; we were too close to him, he had no time to pass the car in front of him.” Or it was: “Your honor, the man was walking on the right side of the road at night, and there was a car coming towards us, that had blinding lights. You know, your honor, a man should walk on the left side of the road at night, so that he can see the cars coming towards him.” In the midst of these imaginings of accidents, the boy would give a little jump; and Dad would ask, “What’s the matter, son?” The boy would be embarrassed, because he didn’t like to say that he had been letting his dreams run away with him. But Dad knew, and would smile to himself; funny kid, always imagining things, his mind jumping from one thing to another, always excited!

Dad’s mind was not like that; it got on one subject and stayed there, and ideas came through it in slow, grave procession; his emotions were like a furnace that took a long time to heat up. Sometimes on these drives he would say nothing for a whole hour; the stream of his consciousness would be like a river that has sunk down through the rocks and sand, clean out of sight; he would be just a pervading sense of well-being, wrapped in an opulent warm overcoat, an accessory, you might say, of a softly purring engine running in a bath of boiling oil, and traversing a road at fifty miles an hour. If you had taken this consciousness apart, you would have found, not thoughts, but conditions of physical organs, and of the weather, and of the car, and of bank-accounts, and of the boy at his side. Putting it into words makes it definite and separate—so you must try to take it all at once, blended together: “I, the driver of this car, that used to be Jim Ross, the teamster, and J. A. Ross and Co., general merchandise at Queen Centre, California, am now J. Arnold Ross, oil operator, and my breakfast is about digested, and I am a little too warm in my big new overcoat because the sun is coming out, and I have a new well flowing four thousand barrels at Lobos River, and sixteen on the pump at Antelope, and I’m on my way to sign a lease at Beach City, and we’ll make up our schedule in the next couple of hours, and ‘Bunny’ is sitting beside me, and he is well and strong, and is going to own everything I am making, and follow in my footsteps, except that he will never make the ugly blunders or have the painful memories that I have, but will be wise and perfect and do everything I say.”

Meantime the mind of “Bunny” was not behaving in the least like this, but on the contrary was leaping from theme to theme, as a grass-hopper in a field leaps from one stalk of grass to another. There was a jackrabbit, racing away like mad; he had long ears, like a mule, and why were they so transparent and pink? There was a butcher-bird, sitting on the fence; he stretched his wings all the time, like he was yawning—what did he mean by that? And there was a road-runner, a long lean bird as fast as a race-horse, beautiful and glossy, black and brown and white, with a crest and a streaming tail. Where do you suppose he got water in these dry hills? There on the road was a mangled corpse—a ground squirrel had tried to cross, and a car had mashed it flat; other cars would roll over it, till it was ground to powder and blown away by the wind. There was no use saying anything to Dad about that—he would remark that squirrels carried plague, or at least they had fleas which did; every now and then there would be cases of this disease and the newspapers would have to hush it up, because it was bad for real estate.

But the boy was thinking about the poor little mite of life that had been so suddenly snuffed out. How cruel life was; and how strange that things should grow, and have the power to make themselves, out of nothing apparently—and Dad couldn’t explain it, and said that nobody else could, you were just here. And then came a ranch wagon in front of them, a one-sided old thing loaded with household goods; to Dad it was just an obstacle, but “Bunny” saw two lads of his own age, riding in the back of the load and staring at him with dull, listless eyes. They were pale, and looked as if they hadn’t enough to eat; and that was another thing to wonder about, why people should be poor and nobody to help them. It was a world you had to help yourself in, was Dad’s explanation.

“Bunny,” the every-day name of this boy, had been started by his mother when he was little—because he was soft and brown and warm, and she had dressed him in a soft, fuzzy sweater, brown in color with white trimmings. Now he was thirteen, and resented the name, but the boys cut it to “Bun,” which was to stay with him, and which was satisfactory. He was a pretty boy, still brown, with wavy brown hair, tumbled by the wind, and bright brown eyes, and a good color, because he lived outdoors. He did not go to school, but had a tutor at home, because he was to take his father’s place in the world, and he went on these rides in order that he might learn his father’s business.

Wonderful, endlessly wonderful, were these scenes; new faces, new kinds of life revealed. There came towns and villages—extraordinary towns and villages, full of people and houses and cars and horses and signs. There were signs along the road; guideposts at every crossing, giving you a geography lesson—a list of the places to which the roads led, and the distances; you could figure your schedule, and that was a lesson in arithmetic! There were traffic signs, warning you of danger—curves, grades, slippery places, intersections, railroad crossings. There were big banners across the highway, or signs with letters made of electric lights: “Loma Vista: Welcome to Our City.” Then, a little farther on: “Loma Vista, City Limits: Good-bye: Come Again.”

Also there were no end of advertising signs, especially contrived to lend variety to travel. “Picture ahead; kodak as you go,” was a frequent legend, and you looked for the picture, but never could be sure what it was. A tire manufacturer had set up big wooden figures of a boy waving a flag; Dad said this boy looked like Bunny, and Bunny said he looked like a picture of Jack London he had seen in a magazine. Another tire manufacturer had a great open book, made of wood, and set up at a turn of the road leading into each town; it was supposed to be a history book, and told you something about that place—facts at once novel and instructive: you learned that Citrus was the location of the first orange grove in California, and that Santa Rosita possessed the finest radium springs west of the Rocky mountains, and that on the outskirts of Crescent City Father Junipero Serra had converted two thousand Indians to Christianity in the year 1769.

There were people still engaged in converting, you learned: they had gone out on the highway with pots of vari-colored paint, and had decorated rocks and railway culverts with inscriptions: “Prepare to meet thy God.” Then would come a traffic sign: “Railroad crossing. Stop. Look. Listen.” The railroad company wanted you to meet your God through some other agency, Dad explained, because there would be damage suits for taking religious faith too seriously. “Jesus waits,” a boulder would proclaim; and then would come, “Chicken Dinner, $1.” There were always funny signs about things to eat—apparently all the world loved a meal, and became jolly at the thought. “Hot Dog Kennels,” was an eating-place, and “Ptomaine Tommy,” and “The Clam-Baker,” and the “Lobster-Pot.” There were endless puns on the word inn—“Dew Drop Inn” and “Happen Inn,” “Welcome Inn” and “Hurry Inn.” When you went into these places you would find the spirit of jollity rampaging on the walls: “In God we Trust, All Others Cash.” “Don’t complain about our coffee; some day you may be old and weak yourself.” “We have an arrangement with our bank; the bank does not sell soup, and we do not cash checks.”

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