Эптон Синклер - Oil!

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Oil!: краткое содержание, описание и аннотация

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The basis for the movie There Will Be Blood. Based on the Teapot Dome scandal of the Harding administration, it is the story of Bunny Ross, the son of a wealthy California oil operator, who discovers that politicians are unscrupulous and that oil magnates are equally bad.
In Oil! Upton Sinclair fashioned a novel out of the oil scandals of the Harding administration, providing in the process a detailed picture of the development of the oil industry in Southern California. Bribery of public officials, class warfare, and international rivalry over oil production are the context for Sinclair's story of a genial independent oil developer and his son, whose sympathy with the oilfield workers and socialist organizers fuels a running debate with his father. Senators, small investors, oil magnates, a Hollywood film star, and a crusading evangelist people the pages of this lively novel. 

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IV

Bunny went to see the young lawyer whom the oil workers’ union had engaged to defend the eight “political prisoners.” The union had since become practically extinct, and the young lawyer had been wondering where he was going to get his pay. When Bunny came to question him, it was a great relief—for surely this young oil prince would put up something for the defense of his friends! Or could it be that he was sent as an emissary from the other side, to feel out the situation?

Young Mr. Harrington talked freely about the case. The thing which the state was doing to these eight men was without precedent in our law, and if it could stand, it meant the end of American justice. Every prisoner was supposed to know the charges against him, the specific acts he was alleged to have committed. But in all these “criminal syndicalism” cases, the state simply alleged violation of the law in its vague general terms, and that was all. How could you prepare a defense in such a case? What witnesses would you summon—when you didn’t know the time, or the place, or the particular things a man was alleged to have done, or said, or written, or published? You were taken into court blindfolded, bound and gagged. Yet, so completely were the courts terrorized by the business crowd, no judge would order the district attorney to make a detailed statement of the charges!

Bunny went away, and in his desperation played a dirty trick on Vernon Roscoe—he went to see Annabelle Ames. Annabelle was kind and gentle, and he would wring her soul, and see if in that way he could not get under the hide of the old petroleum pachyderm! He told her about these boys, what they looked like, what they believed, what they were suffering in the jail. Annabelle listened, and the tears came into her eyes, and she said it was horrible that men could be so cruel. What could she do? Bunny told her that the strike was over, the spring lamb had been slaughtered and eaten, and Verne ought to be willing to cry quits. It would be of no use for him to plead that he couldn’t do anything, that the law must take its course; that was all rubbish, because the district attorney had the right to ask for dismissal of the cases, and he would surely do it if Verne said the word.

Well, Bunny got under the hide of the old petroleum pachyderm! The way Bunny heard about it, Dad came in in a terrible state, Verne had jumped on him, Verne was mad as the very devil, Bunny sneaking into his home and plotting against his domestic peace! He wanted it understood, by Jees, if Dad couldn’t control his son, Verne would. Bunny wanted to know what Verne meant to do, spank him? Or have him locked up with the others?

Bunny had made up his mind, and stood his ground—he had a perfect right to talk to Annabelle, she was a grown woman, and there was no way Verne could stop him. He was going to do more talking before he got through—he was sorry enough to make his father unhappy, but here was the fact, if that case ever came to trial, he, Bunny Ross, was going to take the stand as a witness for the eight defendants, and not merely a character witness, but one with first-hand knowledge of the facts; he had sat in the Rascum cabin night after night, and heard them discuss the problems of the strike, and their own attitude to it, and he could testify that every man of them had agreed on workers’ solidarity as the way to victory, and acts of violence as a trap the operators would try to lure them into. If there was no other way to get money for the defense of these boys, Bunny would sell the car that Dad had given him—“I suppose Verne won’t have any right to keep me from walking to the university!”

Poor Dad, he couldn’t stand talk like that from his darling son; he began to give way, and revealed that he and Verne had discussed the possibility of a compromise with the rebels. Would they agree to get out of the state, or at least to keep their hands off the oil industry? And Bunny said, by God, if Vernon Roscoe wanted to make any such proposition, he could be his own messenger boy! Bunny knew what Paul’s answer would be—Paul had a right to try to organize oil workers, and he would never quit while he lived. Bunny was sure the whole eight would respond with a unanimous shout, they would rot in jail the rest of their lives before they would make such a bargain!

Then, having said that very magnificently, the young idealist who was gradually and painfully evolving into a man of the world, went on to point out that as a matter of fact none of the eight would have much chance to bother Verne. His efficient blacklist system would see to it that they didn’t get work in the oil fields; and any organizing they could do would be of a pitiful sort. On the other hand, Verne must realize that if he persisted in trying to railroad these fellows to jail, there was going to be a long trial, and a lot of publicity of a kind the operators might find troublesome. The testimony would have to be “framed”; and Bunny would do everything in his power to expose it, and to see that the public got the facts. What if it should occur to the defendants’ lawyer to subpoena Mr. Vernon Roscoe and ask what he knew about the planting of spies on the Paradise workers?

“Oh, son!” cried Dad. “You wouldn’t do a dirty thing like that!”

Bunny answered, “Of course I wouldn’t. I said the lawyer might do it. Wouldn’t you, if you were in his place?” And Dad, very uncomfortable, said to let the matter ride, and he would see what he could do with Verne.

V

One outcome of these negotiations, Dad appealed to Vee Tracy: couldn’t she possibly do more to keep Bunny out of the hands of these awful reds? Why, he wasn’t thinking about a thing else! Vee said she would try, and she did, and it was a further strain upon their love and affection. For Bunny was beginning to know what he wanted now, and he didn’t want to be kept from it.

Vee was hard at work on “The Princess of Patchouli.” It was a silly story, she would freely admit; yet her whole being was concentrated upon making it real and vivid. If you asked her why, the answer would be, it was her profession; which meant that she was getting four thousand a week, with the possibility of increasing it to five thousand a week if she “made good.” But what did she want with five thousand a week? To buy more applause and attention, as a means of getting more thousands for more weeks? It was a vicious circle—exactly like Dad’s oil wells. The wobblies had a song about it in their jungles: “We go to work to get the cash to buy the food to get the strength to go to work to get the cash to buy the food to get the strength to go to work—” and so on, as long as your breath held out.

Vee wanted to talk about the picture and the problems that arose day by day, and the various personalities and their jealousies and vanities, their loves and hates. Bunny, who loved her, would pretend to be interested, because it would hurt her if he wasn’t. And it was the same with the Hollywood parties; once they had been new and startling, but now they all seemed alike. Everybody was making a new picture, but it would always be like the old pictures. Nobody did anything original, but everybody followed fashions; the public’s taste ran to society pictures, and nobody would look at a war picture—but presently the public would want war pictures, and after that costume pictures, and then sea pictures, and then back to society pictures. Vee’s friends changed their bootleggers, but it was always the same stuff they drank. Also they changed their lovers; a certain man slept with a certain woman, and then presently it was a different woman—but the more it changed, the more it was the same thing.

Bunny and Vee loved each other, just as passionately as ever. At least, they told themselves it was as ever, but all the while the subtle chemistry of change was at work. Men and women are not bodies only, and cannot be satisfied with delights of the body only. Men and women are minds, and have to have harmony of ideas. Can they be bored with each other’s ideas, and still be just as much in love? Men and women are characters, and these characters lead to actions—and what if they lead to different actions? What if the man wants to read a book, while the woman wants to go to a dance?

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