Эптон Синклер - Oil!

It was a popular musical comedy which was to be made into a moving picture. “Patchouli” was one of the little Balkan kingdoms, though it looked and acted very much like Vienna of the Strauss waltzes. A young American engineer came in to build a railroad, and found himself mistaken for a conspirator, and presently he was rescuing the lovely princess from a revolutionary band—no Bolsheviks, these were aristocratic army conspirators, so Bunny wouldn’t have his feelings hurt, would he? Of course the hero carried her off, married her for love only, and then got the kingdom thrown in—the bankers who were financing the railroad bought it for him.

So here was Vee, being a princess all over the place. It was amazing to watch her work—Bunny suddenly came to realize that her success hadn’t been all money and sex, after all. She pounced onto the role like a tiger-cat, and when she got going the rest of the world ceased to exist—except to the extent that she needed it for a foil. “Now, Dad, you’re the king; you walk in here—no, no, for God’s sake, kings don’t walk so fast! And I have to fall at your feet, and plead for his life, ‘Oh, mercy, sire, and so-and-so, and so-and-so, and so-and-so!’”

It is one of the peculiarities of motion picture acting that it doesn’t matter what you say, so long as you are saying something; so Vee would weep, “And so-and-so,” and she would croon “And so-and-so” in passionate love-accents to either Bunny or Appie, and she would shriek “And so-and-so” in deadly terror to an executioner with uplifted axe. And if in the course of the scene the other person didn’t do it right, then scolding and commands would serve equally well for a love-song, “Hold it, now, you idiot, I adore you, darling”—or maybe it might be, “Take your hands off me, foul beast—don’t let go, you goose, grab! That’s better, you don’t have to be polite when you’re a murderer.”

If Bunny had wanted to rehearse tempestuous emotions, and shriek and scream and tear his hair, he would have sought refuge in the woods, where only the chipmunks could have heard him. But Vee was utterly indifferent to the existence of other humans. That is something one learns on “the lot”; for there will be cameramen and scene-shifters, and property-boys, and carpenters working on the next set, and some visitors that have managed to break in despite the strictest regulations—and you just go on with your work. The first time the executioner lifted his axe and Vee started screaming, the Indian guides came running in alarm; but she hardly stopped even for a laugh, she went on with the scene, while they stood staring with mouths wide open. She and her two lovers would come in from swimming, and suddenly she would call for a rehearsal of some royal pageantry—she could be a princess just as well in a scanty bathing suit, with a carpet of pine-needles under her bare feet.

Mr. Appleton Laurence had never met any princesses, but he had read a great deal of history and poetry, and so he was an authority, and must criticise her way of walking, her gestures, her attitudes, her reaction to the love-advances of a handsome young American engineer. “Just imagine you’re in love with me yourself, Appie,” she would say—and so his emotions became sublimated into art, and he could pour out his soul to her, right before Bunny and Dad and Dad’s secretary and the Indians! “You’re much better at it than Bunny,” she would declare. “I believe he’s got used to me, it’s as bad as if we were married.”

So the time passed pleasantly. Until at last Vee had got to feel perfectly at home in her Appie’s conception of royalty; she no longer had to ask questions, not to stop and think, but knew instantly what to do—and forever after, in all her entrances to and exits from Hollywood society, she would be a little of a Harvard instructor’s Princess of Patchouli. She was impatient now, wanting to see the sets, and to hear Tommy Paley call, “Camera!” Bunny also was loaded up with answers to all possible exam questions, and ready to get back and unload them onto his professors. Dad had run down to Toronto, and signed the last of the papers for his Canadian corporation; he had telegrams from Verne almost every day—the strikers, having held out for nearly four months, had learned their lesson, and the Federal Oil Board had written them a letter, advising them to go back to work as individuals, and promising there would be no discrimination against union men.

Then one day the steamer brought a telegram signed Annabelle, addressed to Bunny, and reading, “Spring lamb for dinner come on home.” He explained what that meant, the strike was over; and so the occupants of the camp packed up, and Mr. Appleton Laurence went back to his fair Harvard, with woe in his heart and a packet of immortal sonnets in his suit-case, while Vee Tracy and Dad and Bunny and the secretary made themselves luxurious in compartments on a Canadian-Pacific train bound West.

Bunny passed his examinations, and was duly established as a “grave old senior” in Southern Pacific University. And then he hunted up his friends—and such a load of troubles as fell onto his shoulders! Literally everybody had troubles! Rachel and Jacob Menzies had come back from their summer’s fruit-picking, to find their two younger brothers, the “left wingers,” in the county jail! The police had raided a Communist meeting and arrested all the speakers, and the organizers, and the literature sellers, and all who had red badges in their buttonholes. They had raided the Communist headquarters—determined, so the newspapers announced, to root every Moscow agent out of the city. They had sorted the prisoners, and fined a few, and were holding the rest, including the Menzies boys, under that convenient universal charge, “suspicion of criminal syndicalism.”

These foolish boys had made their own trouble, said Rachel; but still it was an outrage to arrest people for their beliefs; and it was tormenting to think of your own flesh and blood shut up in those horrible cages. Bunny asked the bail—it was two thousand dollars per brother. He began explaining his troubles with his father, and his own impotence; and Rachel said of course, she understood, they couldn’t expect him to bail out the whole radical movement. And yet that did not entirely restore his peace of mind.

Then Harry Seager, whose business college was on the rocks. The boycott had wrecked it, and Harry was trying to sell the debris. He was going to buy him a walnut ranch; it would be harder to boycott walnuts, you couldn’t tell the “red” ones from the “white”!

And then Dan Irving, whose labor college was in almost as bad a way. The orgy of arrests had frightened the old line labor leaders completely off. The college was still going, but it was in debt, and the head of it hadn’t had any salary for several months. Bunny wrote a check for two hundred dollars, and went away debating the question that never would be settled—to what extent had he a right to plunder his father for the benefit of his father’s enemies?

From Dan Irving he learned that Paul had got out of jail, and was in Angel City, together with Ruth. It was a dirty deal the oil workers had got, said Dan; the operators had made one last use of the oil board, to trick the men into a complete surrender. They had promised the oil board there would be no discrimination against union men, but they had never had the least intention of keeping this promise. They had kept all the strike-breakers at work, and taken back just enough of the strikers to make up their needs. All the active union fellows were begging jobs, and the oil industry was a slave-yard of the “open shop.”

Bunny went at once to call on Paul and Ruth at the address which Dan Irving gave him. It was a mean and dingy lodging-house, in a part of the city given up to Mexicans and Chinese. An old woman sent him up to the second floor, and told him which door to knock on, but he got no response. He came back later, and found that Ruth had just got in. They were crowded into one little room, with a gas plate and a sink in an unventilated alcove, and another alcove with a curtain before it, and a cot on which Paul slept. Ruth was ashamed to have Bunny see them in such a place, but explained that it wouldn’t be long, just till Paul got a job; he was out looking for one now. She herself had got work in a department store, and as soon as they could get ahead, she was going to study trained nursing. She looked pale and worn, but smiled bravely; she didn’t really mind anything, so long as Paul was out of jail.