Doris Lessing - Play With a Tiger and Other Plays

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Three acclaimed works for the stage by Doris Lessing, winner of the Nobel Prize for LiteratureWritten from 1950s to the 1970s, the three plays collected here reflect the social and political concerns of the times, and are rich with Doris Lessing’s characteristic passion and incisiveness.‘Play With a Tiger’ follows the fortunes of Anna and Dave, representatives of the emerging post-war classless society, and their attempts to find a blueprint for living. ‘The Singing Door’, written for children, is a highly experimental play, a clever and witty allegorical study of power games. ‘Each His Own Wilderness’ tells the story of Myra, who has fought all her life for the socialist ideal, and who must now come to terms with the fact that despite her best efforts, her son is indifferent to her politics.

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TOM: Well, now you’ve gained your little need of sympathy from Anna, perhaps I may be permitted to say a word or two?

HARRY: No. You two should just kiss and say goodbye and stop tormenting each other.

TOM: Anna I know that what goes on in the street is a hundred times more interesting than I am, but …

HARRY: Of course it is, she’s waiting for Dave.

ANNA: I’m not waiting for Dave.

[ She comes away from the window. Sits on the bed, her head in her hands. ]

TOM: I want to talk to Anna.

MARY [ from downstairs ]: Puss, puss, puss, puss.

TOM [ mocking her ]: Puss, puss, puss, puss.

HARRY: Mary should get married. Anna, you should make Mary get married before it’s too late.

TOM: Before it’s too late!

ANNA: Mary could marry if she wanted.

TOM [ derisively ]: Then why doesn’t she?

ANNA: Strange as it might seem to you, she doesn’t want to get married just for the sake of getting married.

HARRY: Yes, but that’s all very well, Anna. It’s all right for you – you’re such a self-contained little thing. But not for Mary. You should get her married regardless to the first clot who comes along.

ANNA: I – self-contained!

TOM: Yes, it’s true – self-contained!

MARY [ from downstairs ]: Pussy, pussy, yes come here, puss, puss, puss, puss.

TOM [ to HARRY]: She’s getting worse. [ as ANNA stiffens up ] Yes, all right, Anna, but it’s true. [ to HARRY] She’s man-crazy …

HARRY: Oh you silly ass.

TOM: Well she is. She’s crazy for a man, wide open, if you so much as smile at her, she responds. And Anna says she doesn’t want to marry. Who are you fooling, Anna?

ANNA [ sweetly ]: Perhaps she prefers to be sex-starved than to marry an idiot. Which is more than can be said about most men.

HARRY: Now Anna, don’t start, Anna, Tom’s a nice man, but he’s pompous. [ to TOM] You’re a pompous ass, admit it, Tom.

TOM: All I said was, Mary’s man-crazy.

ANNA [ on the warpath ]: Do you know how Tom was living before he started with me?

HARRY: Yes, of course. Anna, don’t make speeches at us!

TOM: Well, how was I living before I started with you?

HARRY: Oh, my God.

ANNA: What is known as a bachelor’s life – Tom’s own nice inimitable version of it. He sat in his nice little flat, and round about ten at night, if he felt woman-crazy enough, he rang up one of three girls, all of whom were in love with him.

HARRY: Christ knows why.

ANNA: Imagine it, the telephone call at bedtime – are you free tonight, Elspeth, Penelope, Jessica? One of them came over, a drink or a cup of coffee, a couple of hours of bed, and then a radio-taxi home.

HARRY: Anna!

ANNA: Oh from time to time he explained to them that they mustn’t think his kind attentions to them meant anything.

HARRY: Anna, you’re a bore when you get like this.

TOM: Yes, you are.

ANNA: Then don’t call Mary names.

[MARY comes in. ]

MARY [ suspicious ]: You were talking about me?

ANNA: No, about me.

MARY: Oh I thought it was about me. [ to ANNA] There’s a girl wants to see you. She says it’s important. She wouldn’t give her name.

ANNA [ she is thinking ]: I see.

MARY: But she’s an American girl. It’s the wrong time of the year – summer’s for Americans.

ANNA: An American girl.

MARY: One of those nice bright neat clean American girls, how they do it, I don’t know, all I know is that you can tell from a hundred yards off they’d rather be seen dead than with their legs or their armpits unshaved, ever so antiseptic, she looked rather sweet really.

HARRY: Tell her to go away and we’ll all wait for you. Come on, Tom.

TOM: I’m staying.

HARRY: Come on, Mary, give me a nice cup of coffee.

MARY: It’s a long time since you and I had a good gossip.

[HARRY and MARY go out, arm in arm. ]

TOM: Well, who is she?

ANNA: I don’t know.

TOM: I don’t believe you.

ANNA: You never do.

[MARY’S voice, and the voice of an American girl, outside on the stairs. ]

[JANET STEVENS comes in. She is a neat attractive girl of about 22. She is desperately anxious and trying to hide it. ]

JANET: Are you Anna Freeman?

ANNA: Yes. And this is Tom Lattimer.

JANET: I am Janet Stevens. [ she has expected ANNA to know the name ] Janet Stevens.

ANNA: How do you do?

JANET: Janet Stevens from Philadelphia. [as ANNA still does not react ] I hope you will excuse me for calling on you like this.

ANNA: Not at all.

[JANET looks at TOM. ANNA looks at TOM. TOM goes to the window, turns his back. ]

JANET [ still disbelieving ANNA]: I thought you would know my name.

ANNA: No.

TOM: But she has been expecting you all afternoon.

JANET [ at sea ]: All afternoon?

ANNA [ angry ]: No, it’s not true.

JANET: I don’t understand, you were expecting me this afternoon?

ANNA: No. But may I ask, how you know me?

JANET: Well, we have a friend in common. Dave Miller.

TOM [ turning, furious ]: You could have said so, couldn’t you, Anna?

ANNA: But I didn’t know.

TOM: You didn’t know. Well I’m going. You’ve behaved disgracefully.

ANNA: Very likely. However just regard me as an unfortunate lapse from the straight and narrow on your journey to respectability.

[TOM goes out, slamming the door. ]

ANNA [ politely ]: That was my – fiancé.

JANET: Oh, Dave didn’t say you were engaged.

ANNA: He didn’t know. And besides, I’m not ‘engaged’ any longer.

[ A silence. ANNA looks with enquiry at JANET, who tries to speak and fails. ]

ANNA: Please sit down, Miss Stevens.

[JANET looks around for somewhere to sit, sits on a chair, smiles socially. Being a well brought up young lady, and in a situation she does not understand, she is using her good manners as a last-ditch defence against breaking down. ]

[ANNA looks at her, waiting. ]

JANET: It’s this way, you see Dave and I … [ At ANNA’S ironical look she stops. ] … What a pretty room, I do so love these old English houses, they have such …

[ANNA looks at her: do get a move on. ]

JANET: My father gave me a vacation in Europe for passing my college examinations. Yes, even when I was a little girl he used to promise me – if you do well at college I’ll give you a vacation in Europe. Well, I’ve seen France and Italy now, but I really feel most at home in England than anywhere. I do love England. Of course our family was English, way back of course, and I feel that roots are important, don’t you?

ANNA: Miss Stevens, what did you come to see me for?

JANET: Dave always says he thinks women should have careers. I suppose that’s why he admires you so much. Though of course, you do wear well. But I say to him, Dave, if you work at marriage then it is a career … sometimes he makes fun because I took domestic science and home care and child care as my subjects in college, but I say to him, Dave marriage is important, Dave, I believe that marriage and the family are the most rewarding career a woman can have, that’s why I took home care as my first subject because I believe a healthy and well-adjusted marriage is the basis for a healthy nation.

ANNA: You’re making me feel deficient in patriotism.

JANET: Oh, Dave said that too … [ she almost breaks down, pulls herself together: fiercely ] You’re patronizing me. I don’t think you should patronize me.

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