Samuel Coleridge - The Rime of the Ancient Mariner and Other Poems

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HarperCollins is proud to present its incredible range of best-loved, essential classics.‘Instead of the cross, the AlbatrossAbout my neck was hung’When an albatross leads a stricken ship out of treacherous ice, a hapless mariner shoots the bird, arousing the wrath of spirits who pursue the ship. Haunted by Death, the crew begin to perish one by one, until only the cursed mariner remains to confront his guilt. As penance for his actions he is condemned to wander the earth, telling his tale to those he meets as a warning.The Rime of the Ancient Mariner is Samuel Taylor Coleridge’s longest major poem and marks the beginning of the romantic movement in British literature. This edition also includes many of Coleridge’s other works, including Kubla Khan, Christabel and a selection of the ‘conversation’ poems.

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With a short uneasy motion—

Backwards and forwards half her length

With a short uneasy motion.

Then like a pawing horse let go,

She made a sudden bound:

It flung the blood into my head,

And I fell down in a swound.

How long in that same fit I lay,

I have not to declare;

But ere my living life returned,

I heard and in my soul discerned

Two voices in the air.

The Polar Spirit’s fellow-dæmons, the invisible inhabitants of the element, take part in his wrong; and two of them relate, one to the other, that penance long and heavy for the ancient Mariner hath been accorded to the Polar Spirit, who returneth southward.

‘Is it he?’ quoth one, ‘Is this the man?

By him who died on cross,

With his cruel bow he laid full low

The harmless Albatross.

The spirit who bideth by himself

In the land of mist and snow,

He loved the bird that loved the man

Who shot him with his bow.’

The other was a softer voice,

As soft as honey-dew:

Quoth he, ‘The man hath penance done,

And penance more will do.’

PART VI

FIRST VOICE

‘But tell me, tell me! speak again,

Thy soft response renewing—

What makes that ship drive on so fast?

What is the ocean doing?’

SECOND VOICE

‘Still as a slave before his lord,

The ocean hath no blast;

His great bright eye most silently

Up to the Moon is cast—

If he may know which way to go;

For she guides him smooth or grim.

See, brother, see! how graciously

She looketh down on him.’

FIRST VOICE

‘But why drives on that ship so fast,

Without or wave or wind?’

The Mariner hath been cast into a trance; for the angelic power causeth the vessel to drive northward faster than human life could endure.

SECOND VOICE

‘The air is cut away before,

And closes from behind.

Fly, brother, fly! more high, more high!

Or we shall be belated:

For slow and slow that ship will go,

When the Mariner’s trance is abated.’

I woke, and we were sailing on

As in a gentle weather:

’Twas night, calm night, the moon was high;

The dead men stood together.

The supernatural motion is retarded; the Mariner awakes, and his penance begins anew.

All stood together on the deck,

For a charnel-dungeon fitter:

All fixed on me their stony eyes,

That in the Moon did glitter.

The pang, the curse, with which they died,

Had never passed away:

I could not draw my eyes from theirs,

Nor turn them up to pray.

And now this spell was snapt: once more

I viewed the ocean green,

And looked far forth, yet little saw

Of what had else been seen—

The curse is finally expiated.

Like one, that on a lonesome road

Doth walk in fear and dread,

And having once turned round walks on,

And turns no more his head;

Because he knows, a frightful fiend

Doth close behind him tread.

But soon there breathed a wind on me,

Nor sound nor motion made:

Its path was not upon the sea,

In ripple or in shade.

It raised my hair, it fanned my cheek

Like a meadow-gale of spring—

It mingled strangely with my fears,

Yet it felt like a welcoming.

Swiftly, swiftly flew the ship,

Yet she sailed softly too:

Sweetly, sweetly blew the breeze—

On me alone it blew.

Oh! dream of joy! is this indeed

The light-house top I see?

Is this the hill? is this the kirk?

Is this mine own countree?

And the ancient Mariner beholdeth his native country.

We drifted o’er the harbour-bar,

And I with sobs did pray—

O let me be awake, my God!

Or let me sleep alway.

The harbour-bay was clear as glass,

So smoothly it was strewn!

And on the bay the moonlight lay,

And the shadow of the Moon.

The rock shone bright, the kirk no less,

That stands above the rock:

The moonlight steeped in silentness

The steady weathercock.

And the bay was white with silent light,

Till rising from the same,

Full many shapes, that shadows were,

In crimson colours came.

The angelic spirits leave the dead bodies,

A little distance from the prow

Those crimson shadows were:

I turned my eyes upon the deck—

Oh, Christ! what saw I there!

And appear in their own forms of light.

Each corse lay flat, lifeless and flat,

And, by the holy rood!

A man all light, a seraph-man,

On every corse there stood.

This seraph-band, each waved his hand:

It was a heavenly sight!

They stood as signals to the land,

Each one a lovely light;

This seraph-band, each waved his hand,

No voice did they impart—

No voice; but oh! the silence sank

Like music on my heart.

But soon I heard the dash of oars,

I heard the Pilot’s cheer;

My head was turned perforce away,

And I saw a boat appear.

The Pilot and the Pilot’s boy,

I heard them coming fast:

Dear Lord in Heaven! it was a joy

The dead men could not blast.

I saw a third—I heard his voice:

It is the Hermit good!

He singeth loud his godly hymns

That he makes in the wood.

He’ll shrieve my soul, he’ll wash away

The Albatross’s blood.

PART VII

‘This Hermit good lives in that wood

Which slopes down to the sea.

How loudly his sweet voice he rears!

He loves to talk with marineres

That come from a far countree.

The Hermit of the Wood,

He kneels at morn, and noon, and eve—

He hath a cushion plump:

It is the moss that wholly hides

The rotted old oak-stump.

The skiff-boat neared: I heard them talk,

‘Why, this is strange, I trow!

Where are those lights so many and fair,

That signal made but now?’

‘Strange, by my faith!’ the Hermit said—

‘And they answered not our cheer!

The planks looked warped! and see those sails,

How thin they are and sere!

I never saw aught like to them,

Unless perchance it were

Approacheth the ship with wonder.

Brown skeletons of leaves that lag

My forest-brook along;

When the ivy-tod is heavy with snow,

And the owlet whoops to the wolf below,

That eats the she-wolf’s young.’

‘Dear Lord! it hath a fiendish look—

(The Pilot made reply)

I am a-feared’—‘Push on, push on!’

Said the Hermit cheerily.

The boat came closer to the ship,

But I nor spake nor stirred;

The boat came close beneath the ship,

And straight a sound was heard.

Under the water it rumbled on,

Still louder and more dread:

It reached the ship, it split the bay;

The ship went down like lead.

The ship suddenly sinketh.

Stunned by that loud and dreadful sound,

Which sky and ocean smote,

Like one that hath been seven days

drowned

My body lay afloat;

But swift as dreams, myself I found

Within the Pilot’s boat.

The ancient Mariner is saved in the Pilot’s boat.

Upon the whirl, where sank the ship,

The boat spun round and round;

And all was still, save that the hill

Was telling of the sound.

I moved my lips—the Pilot shrieked

And fell down in a fit;

The holy Hermit raised his eyes,

And prayed where he did sit.

I took the oars: the Pilot’s boy,

Who now doth crazy go,

Laughed loud and long, and all the while

His eyes went to and fro.

‘Ha! ha!’ quoth he, ‘full plain I see.

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