To my readers, for a dazzle-bright debut year.
Heart-thanks for crewing up with me and Mouse!
May the sea-gods always swim close to you.
First published in Great Britain 2018
by Egmont UK Limited
The Yellow Building, 1 Nicholas Road, London W11 4AN
Text copyright © Sarah Driver 2018
Illustrations copyright © Ray Tierney 2018
Map illustration copyright © Joe McLaren 2018
Additional illustrations first published in 2017 in the titles The Huntress: Sea and
The Huntress: Sky written by Sarah Driver and published by
Egmont UK Limited, The Yellow Building, 1 Nicholas Road, London, W11 4AN.
Additional illustrations copyright © Joe McLaren 2017
Additional interior illustrations by Janene Spencer.
All rights reserved.
The moral rights of Sarah Driver, Ray Tierney and Joe McLaren have been asserted.
First e-book edition 2018
ISBN 978140584691
Ebook ISBN 9781780317656
www.egmont.co.uk
A CIP catalogue record for this title is available from the British Library
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Cover
Title Page
Dedication and Copyright
Trianukka
The Spidermaster’s Lair
Epigraph
Excerpt from The Sharkskin Scripts, Volume I: The Great Trianukkan Tribes
PART 1: The Hunted Child
1 The Withering
2 The Scarred Girl
3 The Sneaking
4 Blood on the Stones
5 Trouble’s Hook
6 Visitations
7 The Summons
8 Our Own Sneaking
9 Wandering Warriors
10 One Condition
PART 2: The Moonlands
11 The Inn Between
12 Diggers-tip Cold
13 Disbelievably Wretched Slackwit
14 Lucky Find
15 Bloodcakes
16 By Tooth, by Nail
17 Burial
18 You with the Fire
19 Forest of Nightfall
20 Sneaky Trees
21 True Mystiks
PART 3: The Beasts are Coming
22 Nightfall
23 Akhund Olm
24 The College of Medsin
25 Webs and Smog
26 Beckoning the Spirits Out
27 Rough as a Clam
28 Gather the Ghosts
29 The Shadow of Spiders
30 Back from the Brink
31 Realm of Fog and Pearls
32 Don’t You Remember?
33 The Belly for the Work
34 Breaking the Chains
35 Not Too Clever
36 Wherever We Rest Our Bones
37 Brew an Uprising
38 Battle
39 False Crown
40 The Crown
41 Frozen Breath
42 My Daughter
43 Thaw
44 Sea, Sky, Land
45 A Crowning
46 Sea Voyages, for the Living and the Dead
47 Hunter’s Moon
Epilogue
Acknowledgements
Full fathom five thy father lies;
Of his bones are coral made;
Those are pearls that were his eyes:
Nothing of him that doth fade,
But doth suffer a sea-change
Into something rich and strange
– William Shakespeare , The Tempest
Excerpt from The Sharkskin Scripts, Volume I: The Great Trianukkan Tribes
Dating back three thousand years, this ancient manuscript now resides in the Skybrary high in the Iceberg Forest of the Wildersea, under the care of the Skybrarian and his apprentice, a young Wilderwitch boy named Yapok.
We, the gathered Sea-Tribe captains, scratch these runes into skin with ink, tears and blood-truth.
In troubled times, dark forces rise. This is known. Long ago, the land of Trianukka was ravaged by unending war. In this dark time of blood and iron, a great evil rooted into our world. The evil grew, then spread. It bled into the minds of many, becoming a movement known as the
We must never forget the darkness wielded by this movement. We must make sure it never befalls our world again.
This dawn, at a ceremony on the highest peak, the Kings of Sea, Sky and Land have set three Storm-Opals in a golden crown, weaving the Tribes together in peace. Each sacred stone has been instilled with a sliver of the elements: a foam of sea, a fragment of sky and a fracture of earth. The jewels are to be guarded by a king of the giants. It is foretold that if the Opals are ever separated, evil will rise once more, and the land will be torn apart.
Hackles. Ancient stronghold of the Sky-Tribe of the draggle-riders. One full moon’s turn after a Fangtooth hunted me through the snow.
Stark eyes glint all around me, peering from the depths of fur hoods. I sniff the air. Fear-stink. Everywhere . The long-hall is packed with scarred and bandaged folk. Outsiders seeking refuge in this Sky realm of thick grey walls. Their murmurs clot together and rise into the air, crowding it with questions. Some are Sea-Tribe, and looking at them makes me wonder about my ship, and the rest of my own crew.
I’m huddled on a bench, ice-bitten and swamped in a heavy cloak of goatskin, listening to storms pummel the mountain fortress with daggers of ice.
I try to stop the fright in the air from seeping through my skin. But the walls are smeared with silver streaks that tighten my belly into knots. Moonsprites are dying, cos no moonlight can pierce the frozen clouds.
‘You alright, Little-Bones?’ Da whispers. He’s sitting next to me, grey-skinned and pretending he’s got no pain. He still ent recovered proper from being kept a prisoner of the mystiks. With food grown scarce, the flesh is slow to gather on his bones, and his jaws grip his teeth too tight. ‘You don’t have to be here for this, you know.’
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