Array The griffin classics - The Collected Works of Honore de Balzac

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THE HUMAN COMEDY
PREFACE
STUDIES OF MANNERS IN THE 19TH CENTURY
Scenes from Private Life
AT THE SIGN OF THE CAT AND RACKET
AT THE SIGN OF THE CAT AND RACKET
THE BALL AT SCEAUX
LETTERS OF TWO BRIDES
THE PURSE
THE PURSE
MODESTE MIGNON
A START IN LIFE
ALBERT SAVARUS
VENDETTA
A SECOND HOME
DOMESTIC PEACE
MADAME FIRMIANI
STUDY OF A WOMAN
THE IMAGINARY MISTRESS
A DAUGHTER OF EVE
THE MESSAGE
THE GRAND BRETECHE
LA GRENADIERE
THE DESERTED WOMAN
HONORINE
BEATRIX
GOBSECK
A WOMAN OF THIRTY
FATHER GORIOT
COLONEL CHABERT
THE ATHEIST'S MASS
THE COMMISSION IN LUNACY
THE MARRIAGE CONTRACT
ANOTHER STUDY OF WOMAN
Scenes from Provincial Life
URSULE MIROUET
EUGENIE GRANDET
The Celibates
PIERRETTE
THE VICAR OF TOURS
THE TWO BROTHERS
Parisians in the Country
THE ILLUSTRIOUS GAUDISSART
THE MUSE OF THE DEPARTMENT
The Jealousies of a Country Town
THE OLD MAID
THE COLLECTION OF ANTIQUITIES
Lost Illusions
TWO POETS
A DISTINGUISHED PROVINCIAL AT PARIS
EVE AND DAVID
Scenes from Parisian Life
The Thirteen
FERRAGUS
THE DUCHESSE DE LANGEAIS
THE GIRL WITH THE GOLDEN EYES
THE FIRM OF NUCINGEN
Scenes from a Courtesan's Life
ESTHER HAPPY: HOW A COURTESAN CAN LOVE
WHAT LOVE COSTS AN OLD MAN
THE END OF EVIL WAYS
VAUTRIN'S LAST AVATAR
SECRETS OF THE PRINCESSE DE CADIGNAN
FACINO CANE
SARRASINE
PIERRE GRASSOU
The Poor Relations
COUSIN BETTY
COUSIN PONS
A MAN OF BUSINESS
A PRINCE OF BOHEMIA
GAUDISSART II
BUREAUCRACY
UNCONSCIOUS COMEDIANS
THE LESSER BOURGEOISIE
The Seamy Side of History
MADAME DE LA CHANTERIE
THE INITIATE
Scenes from Political Life
Scenes from Military Life
Scenes from Country Life
PHILOSOPHICAL STUDIES
ANALYTICAL STUDIES

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“How came you to tell me she had six millions?” said Canalis to La Briere, in a low voice.

“My friend,” said Ernest, “I do assure you that I was bound to silence by an oath; perhaps, even now, I ought not to say as much as that.”

“Bound! to whom?”

“To Monsieur Mignon.”

“Ernest! you who know how essential fortune is to me — ”

Butscha snored.

“ — who know my situation, and all that I shall lose in the Duchesse de Chaulieu, by this attempt at marrying, YOU could coldly let me plunge into such a thing as this?” exclaimed Canalis, turning pale. “It was a question of friendship; and ours was a compact entered into long before you ever saw that crafty Mignon.”

“My dear fellow,” said Ernest, “I love Modeste too well to — ”

“Fool! then take her,” cried the poet, “and break your oath.”

“Will you promise me on your word of honor to forget what I now tell you, and to behave to me as though this confidence had never been made, whatever happens?”

“I’ll swear that, by my mother’s memory.”

“Well then,” said La Briere, “Monsieur Mignon told me in Paris that he was very far from having the colossal fortune which the Mongenods told me about and which I mentioned to you. The colonel intends to give two hundred thousand francs to his daughter. And now, Melchior, I ask you, was the father really distrustful of us, as you thought; or was he sincere? It is not for me to answer those questions. If Modeste without a fortune deigns to choose me, she will be my wife.”

“A blue-stocking! educated till she is a terror! a girl who has read everything, who knows everything, — in theory,” cried Canalis, hastily, noticing La Briere’s gesture, “a spoiled child, brought up in luxury in her childhood, and weaned of it for five years. Ah! my poor friend, take care what you are about.”

“Ode and Code,” said Butscha, waking up, “you do the ode and I the code; there’s only a C’s difference between us. Well, now, code comes from ‘coda,’ a tail, — mark that word! See here! a bit of good advice is worth your wine and your cream of tea. Father Mignon — he’s cream, too; the cream of honest men — he is going with his daughter on this riding party; do you go up frankly and talk ‘dot’ to him. He’ll answer plainly, and you’ll get at the truth, just as surely as I’m drunk, and you’re a great poet, — but no matter for that; we are to leave Havre together, that’s settled, isn’t it? I’m to be your secretary in place of that little fellow who sits there grinning at me and thinking I’m drunk. Come, let’s go, and leave him to marry the girl.”

Canalis rose to leave the room to dress for the excursion.

“Hush, not a word, — he is going to commit suicide,” whispered Butscha, sober as a judge, to La Briere as he made the gesture of a street boy at Canalis’s back. “Adieu, my chief!” he shouted, in stentorian tones, “will you allow me to take a snooze in that kiosk down in the garden?”

“Make yourself at home,” answered the poet.

Butscha, pursued by the laughter of the three servants of the establishment, gained the kiosk by walking over the flower-beds and round the vases with the perverse grace of an insect describing its interminable zig-zags as it tries to get out of a closed window. When he had clambered into the kiosk, and the servants had retired, he sat down on a wooden bench and wallowed in the delights of his triumph. He had completely fooled a great man; he had not only torn off his mask, but he had made him untie the strings himself; and he laughed like an author over his own play, — that is to say, with a true sense of the immense value of his “vis comica.”

“Men are tops!” he cried, “you’ve only to find the twine to wind ‘em up with. But I’m like my fellows,” he added, presently. “I should faint away if any one came and said to me ‘Mademoiselle Modeste has been thrown from her horse, and has broken her leg.’”

CHAPTER XXIV. THE POET FEELS THAT HE IS LOVED TOO WELL

An hour later, Modeste, charmingly equipped in a bottle-green cassimere habit, a small hat with a green veil, buckskin gloves, and velvet boots which met the lace frills of her drawers, and mounted on an elegantly caparisoned little horse, was exhibiting to her father and the Duc d’Herouville the beautiful present she had just received; she was evidently delighted with an attention of a kind that particularly flatters women.

“Did it come from you, Monsieur le duc?” she said, holding the sparkling handle toward him. “There was a card with it, saying, ‘Guess if you can,’ and some asterisks. Francoise and Dumay credit Butscha with this charming surprise; but my dear Butscha is not rich enough to buy such rubies. And as for papa (to whom I said, as I remember, on Sunday evening, that I had no whip), he sent to Rouen for this one,” — pointing to a whip in her father’s hand, with a top like a cone of turquoise, a fashion then in vogue which has since become vulgar.

“I would give ten years of my old age, mademoiselle, to have the right to offer you that beautiful jewel,” said the duke, courteously.

“Ah, here comes the audacious giver!” cried Modeste, as Canalis rode up. “It is only a poet who knows where to find such choice things. Monsieur,” she said to Melchior, “my father will scold you, and say that you justify those who accuse you of extravagance.”

“Oh!” exclaimed Canalis, with apparent simplicity, “so that is why La Briere rode at full gallop from Havre to Paris?”

“Does your secretary take such liberties?” said Modeste, turning pale, and throwing the whip to Francoise with an impetuosity that expressed scorn. “Give me your whip, papa.”

“Poor Ernest, who lies there on his bed half-dead with fatigue!” said Canalis, overtaking the girl, who had already started at a gallop. “You are pitiless, mademoiselle. ‘I have’ (the poor fellow said to me) ‘only this one chance to remain in her memory.’”

“And should you think well of a woman who could take presents from half the parish?” said Modeste.

She was surprised to receive no answer to this inquiry, and attributed the poet’s inattention to the noise of the horse’s feet.

“How you delight in tormenting those who love you,” said the duke. “Your nobility of soul and your pride are so inconsistent with your faults that I begin to suspect you calumniate yourself, and do those naughty things on purpose.”

“Ah! have you only just found that out, Monsieur le duc?” she exclaimed, laughing. “You have the sagacity of a husband.”

They rode half a mile in silence. Modeste was a good deal astonished not to receive the fire of the poet’s eyes. The evening before, as she was pointing out to him an admirable effect of setting sunlight across the water, she had said, remarking his inattention, “Well, don’t you see it?” — to which he replied, “I can see only your hand”; but now his admiration for the beauties of nature seemed a little too intense to be natural.

“Does Monsieur de La Briere know how to ride?” she asked, for the purpose of teasing him.

“Not very well, but he gets along,” answered the poet, cold as Gobenheim before the colonel’s return.

At a cross-road, which Monsieur Mignon made them take through a lovely valley to reach a height overlooking the Seine, Canalis let Modeste and the duke pass him, and then reined up to join the colonel.

“Monsieur le comte,” he said, “you are an open-hearted soldier, and I know you will regard my frankness as a title to your esteem. When proposals of marriage, with all their brutal, — or, if you please, too civilized — discussions, are carried on by third parties, it is an injury to all. We are both gentlemen, and both discreet; and you, like myself, have passed beyond the age of surprises. Let us therefore speak as intimates. I will set you the example. I am twenty-nine years old, without landed estates, and full of ambition. Mademoiselle Modeste, as you must have perceived, pleases me extremely. Now, in spite of the little defects which your dear girl likes to assume — ”

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