Array The griffin classics - The Collected Works of Honore de Balzac

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THE HUMAN COMEDY
PREFACE
STUDIES OF MANNERS IN THE 19TH CENTURY
Scenes from Private Life
AT THE SIGN OF THE CAT AND RACKET
AT THE SIGN OF THE CAT AND RACKET
THE BALL AT SCEAUX
LETTERS OF TWO BRIDES
THE PURSE
THE PURSE
MODESTE MIGNON
A START IN LIFE
ALBERT SAVARUS
VENDETTA
A SECOND HOME
DOMESTIC PEACE
MADAME FIRMIANI
STUDY OF A WOMAN
THE IMAGINARY MISTRESS
A DAUGHTER OF EVE
THE MESSAGE
THE GRAND BRETECHE
LA GRENADIERE
THE DESERTED WOMAN
HONORINE
BEATRIX
GOBSECK
A WOMAN OF THIRTY
FATHER GORIOT
COLONEL CHABERT
THE ATHEIST'S MASS
THE COMMISSION IN LUNACY
THE MARRIAGE CONTRACT
ANOTHER STUDY OF WOMAN
Scenes from Provincial Life
URSULE MIROUET
EUGENIE GRANDET
The Celibates
PIERRETTE
THE VICAR OF TOURS
THE TWO BROTHERS
Parisians in the Country
THE ILLUSTRIOUS GAUDISSART
THE MUSE OF THE DEPARTMENT
The Jealousies of a Country Town
THE OLD MAID
THE COLLECTION OF ANTIQUITIES
Lost Illusions
TWO POETS
A DISTINGUISHED PROVINCIAL AT PARIS
EVE AND DAVID
Scenes from Parisian Life
The Thirteen
FERRAGUS
THE DUCHESSE DE LANGEAIS
THE GIRL WITH THE GOLDEN EYES
THE FIRM OF NUCINGEN
Scenes from a Courtesan's Life
ESTHER HAPPY: HOW A COURTESAN CAN LOVE
WHAT LOVE COSTS AN OLD MAN
THE END OF EVIL WAYS
VAUTRIN'S LAST AVATAR
SECRETS OF THE PRINCESSE DE CADIGNAN
FACINO CANE
SARRASINE
PIERRE GRASSOU
The Poor Relations
COUSIN BETTY
COUSIN PONS
A MAN OF BUSINESS
A PRINCE OF BOHEMIA
GAUDISSART II
BUREAUCRACY
UNCONSCIOUS COMEDIANS
THE LESSER BOURGEOISIE
The Seamy Side of History
MADAME DE LA CHANTERIE
THE INITIATE
Scenes from Political Life
Scenes from Military Life
Scenes from Country Life
PHILOSOPHICAL STUDIES
ANALYTICAL STUDIES

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“It is nine o’clock,” cried Ernest. “I shall start for Paris at full gallop; I can get there to-morrow morning by ten. My dear Butscha, from you she will accept anything, for she is attached to you; let me give her a riding-whip in your name. If you will do me this immense kindness, you shall have not only my friendship but my devotion.”

“Ah, you are very happy,” said Butscha, ruefully; “you have money, you!”

“Tell Canalis not to expect me, and that he must find some pretext to account for my absence.”

An hour later Ernest had ridden out of Havre. He reached Paris in twelve hours, where his first act was to secure a place in the mail-coach for Havre on the following evening. Then he went to three of the chief jewellers in Paris and compared all the whip-handles that they could offer; he was in search of some artistic treasure that was regally superb. He found one at last, made by Stidmann for a Russian, who was unable to pay for it when finished, — a fox-head in gold, with a ruby of exorbitant value; all his savings went into the purchase, the cost of which was seven thousand francs. Ernest gave a drawing of the arms of La Bastie, and allowed the shop-people twenty hours to engrave them. The handle, a masterpiece of delicate workmanship, was fitted to an india-rubber whip and put into a morocco case lined with velvet, on which two M.’s interlaced were stamped in gold.

La Briere got back to Havre by the mail-coach Wednesday morning in time to breakfast with Canalis. The poet had concealed his secretary’s absence by declaring that he was busy with some work sent from Paris. Butscha, who met La Briere at the coach-door, took the box containing the precious work of art to Francoise Cochet, with instructions to place it on Modeste’s dressing-table.

“Of course you will accompany Mademoiselle Modeste on her ride to-day?” said Butscha, who went to Canalis’s house to let La Briere know by a wink that the whip had gone to its destination.

“I?” answered Ernest; “no, I am going to bed.”

“Bah!” exclaimed Canalis, looking at him. “I don’t know what to make of you.”

Breakfast was then served, and the poet naturally invited their visitor to stay and take it. Butscha complied, having seen in the expression of the valet’s face the success of a trick in which we shall see the first fruits of his promise to Modeste.

“Monsieur is very right to detain the clerk of Monsieur Latournelle,” whispered Germain in his master’s ear.

Canalis and Germain went into the salon on a sign that passed between them.

“I went out this morning to see the men fish, monsieur,” said the valet, — ”an excursion proposed to me by the captain of a smack, whose acquaintance I have made.”

Germain did not acknowledge that he had the bad taste to play billiards in a cafe, — a fact of which Butscha had taken advantage to surround him with friends of his own and manage him as he pleased.

“Well?” said Canalis, “to the point, — quick!”

“Monsieur le baron, I heard a conversation about Monsieur Mignon, which I encouraged as far as I could; for no one, of course, knew that I belong to you. Ah! monsieur, judging by the talk of the quays, you are running your head into a noose. The fortune of Mademoiselle de La Bastie is, like her name, modest. The vessel on which the father returned does not belong to him, but to rich China merchants to whom he renders an account. They even say things that are not at all flattering to Monsieur Mignon’s honor. Having heard that you and Monsieur le duc were rivals for Mademoiselle de La Bastie’s hand, I have taken the liberty to warn you; of the two, wouldn’t it be better that his lordship should gobble her? As I came home I walked round the quays, and into that theatre-hall where the merchants meet; I slipped boldly in and out among them. Seeing a well-dressed stranger, those worthy fellows began to talk to me of Havre, and I got them, little by little, to speak of Colonel Mignon. What they said only confirms the stories the fishermen told me; and I feel that I should fail in my duty if I keep silence. That is why I did not get home in time to dress monsieur this morning.”

“What am I to do?” cried Canalis, who remembered his proposals to Modeste the night before, and did not see how he could get out of them.

“Monsieur knows my attachment to him,” said Germain, perceiving that the poet was quite thrown off his balance; “he will not be surprised if I give him a word of advice. There is that clerk; try to get the truth out of him. Perhaps he’ll unbutton after a bottle or two of champagne, or at any rate a third. It would be strange indeed if monsieur, who will one day be ambassador, as Philoxene has heard Madame la duchesse say time and time again, couldn’t turn a little notary’s clerk inside out.”

CHAPTER XXIII. BUTSCHA DISTINGUISHES HIMSELF

At this instant Butscha, the hidden prompter of the fishing part, was requesting the secretary to say nothing about his trip to Paris, and not to interfere in any way with what he, Butscha, might do. The dwarf had already made use of an unfavorable feeling lately roused against Monsieur Mignon in Havre in consequence of his reserve and his determination to keep silence as to the amount of his fortune. The persons who were most bitter against him even declared calumniously that he had made over a large amount of property to Dumay to save it from the just demands of his associates in China. Butscha took advantage of this state of feeling. He asked the fishermen, who owed him many a good turn, to keep the secret and lend him their tongues. They served him well. The captain of the fishing-smack told Germain that one of his cousins, a sailor, had just returned from Marseilles, where he had been paid off from the brig in which Monsieur Mignon returned to France. The brig had been sold to the account of some other person than Monsieur Mignon, and the cargo was only worth three or four hundred thousand francs at the utmost.

“Germain,” said Canalis, as the valet was leaving the room, “serve champagne and claret. A member of the legal fraternity of Havre must carry away with him proper ideas of a poet’s hospitality. Besides, he has got a wit that is equal to Figaro’s,” added Canalis, laying his hand on the dwarf’s shoulder, “and we must make it foam and sparkle with champagne; you and I, Ernest, will not spare the bottle either. Faith, it is over two years since I’ve been drunk,” he added, looking at La Briere.

“Not drunk with wine, you mean,” said Butscha, looking keenly at him, “yes, I can believe that. You get drunk every day on yourself, you drink in so much praise. Ha, you are handsome, you are a poet, you are famous in your lifetime, you have the gift of an eloquence that is equal to your genius, and you please all women, — even my master’s wife. Admired by the finest sultana-valide that I ever saw in my life (and I never saw but her) you can, if you choose, marry Mademoiselle de La Bastie. Goodness! the mere inventory of your present advantages, not to speak of the future (a noble title, peerage, embassy!), is enough to make me drunk already, — like the men who bottle other men’s wine.”

“All such social distinctions,” said Canalis, “are of little use without the one thing that gives them value, — wealth. Here we can talk as men with men; fine sentiments only do in verse.”

“That depends on circumstances,” said the dwarf, with a knowing gesture.

“Ah! you writer of conveyances,” said the poet, smiling at the interruption, “you know as well as I do that ‘cottage’ rhymes with ‘pottage,’ — and who would like to live on that for the rest of his days?”

At table Butscha played the part of Trigaudin, in the “Maison en loterie,” in a way that alarmed Ernest, who did not know the waggery of a lawyer’s office, which is quite equal to that of an atelier. Butscha poured forth the scandalous gossip of Havre, the private history of fortune and boudoirs, and the crimes committed code in hand, which are called in Normandy, “getting out of a thing as best you can.” He spared no one; and his liveliness increased with the torrents of wine which poured down his throat like rain through a gutter.

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