Array The griffin classics - The Collected Works of Honore de Balzac

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THE HUMAN COMEDY
PREFACE
STUDIES OF MANNERS IN THE 19TH CENTURY
Scenes from Private Life
AT THE SIGN OF THE CAT AND RACKET
AT THE SIGN OF THE CAT AND RACKET
THE BALL AT SCEAUX
LETTERS OF TWO BRIDES
THE PURSE
THE PURSE
MODESTE MIGNON
A START IN LIFE
ALBERT SAVARUS
VENDETTA
A SECOND HOME
DOMESTIC PEACE
MADAME FIRMIANI
STUDY OF A WOMAN
THE IMAGINARY MISTRESS
A DAUGHTER OF EVE
THE MESSAGE
THE GRAND BRETECHE
LA GRENADIERE
THE DESERTED WOMAN
HONORINE
BEATRIX
GOBSECK
A WOMAN OF THIRTY
FATHER GORIOT
COLONEL CHABERT
THE ATHEIST'S MASS
THE COMMISSION IN LUNACY
THE MARRIAGE CONTRACT
ANOTHER STUDY OF WOMAN
Scenes from Provincial Life
URSULE MIROUET
EUGENIE GRANDET
The Celibates
PIERRETTE
THE VICAR OF TOURS
THE TWO BROTHERS
Parisians in the Country
THE ILLUSTRIOUS GAUDISSART
THE MUSE OF THE DEPARTMENT
The Jealousies of a Country Town
THE OLD MAID
THE COLLECTION OF ANTIQUITIES
Lost Illusions
TWO POETS
A DISTINGUISHED PROVINCIAL AT PARIS
EVE AND DAVID
Scenes from Parisian Life
The Thirteen
FERRAGUS
THE DUCHESSE DE LANGEAIS
THE GIRL WITH THE GOLDEN EYES
THE FIRM OF NUCINGEN
Scenes from a Courtesan's Life
ESTHER HAPPY: HOW A COURTESAN CAN LOVE
WHAT LOVE COSTS AN OLD MAN
THE END OF EVIL WAYS
VAUTRIN'S LAST AVATAR
SECRETS OF THE PRINCESSE DE CADIGNAN
FACINO CANE
SARRASINE
PIERRE GRASSOU
The Poor Relations
COUSIN BETTY
COUSIN PONS
A MAN OF BUSINESS
A PRINCE OF BOHEMIA
GAUDISSART II
BUREAUCRACY
UNCONSCIOUS COMEDIANS
THE LESSER BOURGEOISIE
The Seamy Side of History
MADAME DE LA CHANTERIE
THE INITIATE
Scenes from Political Life
Scenes from Military Life
Scenes from Country Life
PHILOSOPHICAL STUDIES
ANALYTICAL STUDIES

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“ — not counting those she really possesses,” said the colonel, smiling, —

“ — I should gladly make her my wife, and I believe I could render her happy. The question of money is of the utmost importance to my future, which hangs to-day in the balance. All young girls expect to be loved whether or no — fortune or no fortune. But you are not the man to marry your dear Modeste without a ‘dot,’ and my situation does not allow me to make a marriage of what is called love unless with a woman who has a fortune at least equal to mine. I have, from my emoluments and sinecures, from the Academy and from my works, about thirty thousand francs a year, a large income for a bachelor. If my wife brought me as much more, I should still be in about the same condition that I am now. Shall you give Mademoiselle a million?”

“Ah, monsieur, we have not reached that point as yet,” said the colonel, Jesuitically.

“Then suppose,” said Canalis, quickly, “that we go no further; we will let the matter drop. You shall have no cause to complain of me, Monsieur le comte; the world shall consider me among the unfortunate suitors of your charming daughter. Give me your word of honor to say nothing on the subject to any one, not even to Mademoiselle Modeste, because,” he added, throwing a word of promise to the ear, “my circumstances may so change that I can ask you for her without ‘dot.’”

“I promise you that,” said the colonel. “You know, monsieur, with what assurance the public, both in Paris and the provinces, talk of fortunes that they make and unmake. People exaggerate both happiness and unhappiness; we are never so fortunate nor so unfortunate as people say we are. There is nothing sure and certain in business except investments in land. I am awaiting the accounts of my agents with very great impatience. The sale of my merchandise and my ship, and the settlement of my affairs in China, are not yet concluded; and I cannot know the full amount of my fortune for at least six months. I did, however, say to Monsieur de La Briere in Paris that I would guarantee a ‘dot’ of two hundred thousand francs in ready money. I wish to entail my estates, and enable my grandchildren to inherit my arms and title.”

Canalis did not listen to this statement after the opening sentence. The four riders, having now reached a wider road, went abreast and soon reached a stretch of table-land, from which the eye took in on one side the rich valley of the Seine toward Rouen, and on the other an horizon bounded only by the sea.

“Butscha was right, God is the greatest of all landscape painters,” said Canalis, contemplating the view, which is unique among the many fine scenes that have made the shores of the Seine so justly celebrated.

“Above all do we feel that, my dear baron,” said the duke, “on hunting-days, when nature has a voice, and a lively tumult breaks the silence; at such times the landscape, changing rapidly as we ride through it, seems really sublime.”

“The sun is the inexhaustible palette,” said Modeste, looking at the poet in a species of bewilderment.

A remark that she presently made on his absence of mind gave him an opportunity of saying that he was just then absorbed in his own thoughts, — an excuse that authors have more reason for giving than other men.

“Are we really made happy by carrying our lives into the midst of the world, and swelling them with all sorts of fictitious wants and over-excited vanities?” said Modeste, moved by the aspect of the fertile and billowy country to long for a philosophically tranquil life.

“That is a bucolic, mademoiselle, which is only written on tablets of gold,” said the poet.

“And sometimes under garret-roofs,” remarked the colonel.

Modeste threw a piercing glance at Canalis, which he was unable to sustain; she was conscious of a ringing in her ears, darkness seemed to spread before her, and then she suddenly exclaimed in icy tones: —

“Ah! it is Wednesday!”

“I do not say this to flatter your passing caprice, mademoiselle,” said the duke, to whom the little scene, so tragical for Modeste, had left time for thought; “but I declare I am so profoundly disgusted with the world and the Court and Paris that had I a Duchesse d’Herouville, gifted with the wit and graces of mademoiselle, I would gladly bind myself to live like a philosopher at my chateau, doing good around me, draining my marshes, educating my children — ”

“That, Monsieur le duc, will be set to the account of your great goodness,” said Modeste, letting her eyes rest steadily on the noble gentleman. “You flatter me in not thinking me frivolous, and in believing that I have enough resources within myself to be able to live in solitude. It is perhaps my lot,” she added, glancing at Canalis, with an expression of pity.

“It is the lot of all insignificant fortunes,” said the poet. “Paris demands Babylonian splendor. Sometimes I ask myself how I have ever managed to keep it up.”

“The king does that for both of us,” said the duke, candidly; “we live on his Majesty’s bounty. If my family had not been allowed, after the death of Monsieur le Grand, as they call Cinq-Mars, to keep his office among us, we should have been obliged to sell Herouville to the Black Brethren. Ah, believe me, mademoiselle, it is a bitter humiliation to me to have to think of money in marrying.”

The simple honesty of this confession came from his heart, and the regret was so sincere that it touched Modeste.

“In these days,” said the poet, “no man in France, Monsieur le duc, is rich enough to marry a woman for herself, her personal worth, her grace, or her beauty — ”

The colonel looked at Canalis with a curious eye, after first watching Modeste, whose face no longer expressed the slightest astonishment.

“For persons of high honor,” he said slowly, “it is a noble employment of wealth to repair the ravages of time and destiny, and restore the old historic families.”

“Yes, papa,” said Modeste, gravely.

The colonel invited the duke and Canalis to dine with him sociably in their riding-dress, promising them to make no change himself. When Modeste went to her room to make her toilette, she looked at the jewelled whip she had disdained in the morning.

“What workmanship they put into such things nowadays!” she said to Francoise Cochet, who had become her waiting-maid.

“That poor young man, mademoiselle, who has got a fever — ”

“Who told you that?”

“Monsieur Butscha. He came here this afternoon and asked me to say to you that he hoped you would notice he had kept his word on the appointed day.”

Modeste came down into the salon dressed with royal simplicity.

“My dear father,” she said aloud, taking the colonel by the arm, “please go and ask after Monsieur de La Briere’s health, and take him back his present. You can say that my small means, as well as my natural tastes, forbid my wearing ornaments which are only fit for queens or courtesans. Besides, I can only accept gifts from a bridegroom. Beg him to keep the whip until you know whether you are rich enough to buy it back.”

“My little girl has plenty of good sense,” said the colonel, kissing his daughter on the forehead.

Canalis took advantage of a conversation which began between the duke and Madame Mignon to escape to the terrace, where Modeste joined him, influenced by curiosity, though the poet believed her desire to become Madame de Canalis had brought her there. Rather alarmed at the indecency with which he had just executed what soldiers call a “volte-face,” and which, according to the laws of ambition, every man in his position would have executed quite as brutally, he now endeavored, as the unfortunate Modeste approached him, to find plausible excuses for his conduct.

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