Array The griffin classics - The Collected Works of Honore de Balzac

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THE HUMAN COMEDY
PREFACE
STUDIES OF MANNERS IN THE 19TH CENTURY
Scenes from Private Life
AT THE SIGN OF THE CAT AND RACKET
AT THE SIGN OF THE CAT AND RACKET
THE BALL AT SCEAUX
LETTERS OF TWO BRIDES
THE PURSE
THE PURSE
MODESTE MIGNON
A START IN LIFE
ALBERT SAVARUS
VENDETTA
A SECOND HOME
DOMESTIC PEACE
MADAME FIRMIANI
STUDY OF A WOMAN
THE IMAGINARY MISTRESS
A DAUGHTER OF EVE
THE MESSAGE
THE GRAND BRETECHE
LA GRENADIERE
THE DESERTED WOMAN
HONORINE
BEATRIX
GOBSECK
A WOMAN OF THIRTY
FATHER GORIOT
COLONEL CHABERT
THE ATHEIST'S MASS
THE COMMISSION IN LUNACY
THE MARRIAGE CONTRACT
ANOTHER STUDY OF WOMAN
Scenes from Provincial Life
URSULE MIROUET
EUGENIE GRANDET
The Celibates
PIERRETTE
THE VICAR OF TOURS
THE TWO BROTHERS
Parisians in the Country
THE ILLUSTRIOUS GAUDISSART
THE MUSE OF THE DEPARTMENT
The Jealousies of a Country Town
THE OLD MAID
THE COLLECTION OF ANTIQUITIES
Lost Illusions
TWO POETS
A DISTINGUISHED PROVINCIAL AT PARIS
EVE AND DAVID
Scenes from Parisian Life
The Thirteen
FERRAGUS
THE DUCHESSE DE LANGEAIS
THE GIRL WITH THE GOLDEN EYES
THE FIRM OF NUCINGEN
Scenes from a Courtesan's Life
ESTHER HAPPY: HOW A COURTESAN CAN LOVE
WHAT LOVE COSTS AN OLD MAN
THE END OF EVIL WAYS
VAUTRIN'S LAST AVATAR
SECRETS OF THE PRINCESSE DE CADIGNAN
FACINO CANE
SARRASINE
PIERRE GRASSOU
The Poor Relations
COUSIN BETTY
COUSIN PONS
A MAN OF BUSINESS
A PRINCE OF BOHEMIA
GAUDISSART II
BUREAUCRACY
UNCONSCIOUS COMEDIANS
THE LESSER BOURGEOISIE
The Seamy Side of History
MADAME DE LA CHANTERIE
THE INITIATE
Scenes from Political Life
Scenes from Military Life
Scenes from Country Life
PHILOSOPHICAL STUDIES
ANALYTICAL STUDIES

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“Dear Modeste,” he began, in a coaxing tone, “considering the terms on which we stand to each other, shall I displease you if I say that your replies to the Duc d’Herouville were very painful to a man in love, — above all, to a poet whose soul is feminine, nervous, full of the jealousies of true passion. I should make a poor diplomatist indeed if I had not perceived that your first coquetries, your little premeditated inconsistencies, were only assumed for the purpose of studying our characters — ”

Modeste raised her head with the rapid, intelligent, half-coquettish motion of a wild animal, in whom instinct produces such miracles of grace.

“ — and therefore when I returned home and thought them over, they never misled me. I only marvelled at a cleverness so in harmony with your character and your countenance. Do not be uneasy, I never doubted that your assumed duplicity covered an angelic candor. No, your mind, your education, have in no way lessened the precious innocence which we demand in a wife. You are indeed a wife for a poet, a diplomatist, a thinker, a man destined to endure the chances and changes of life; and my admiration is equalled only by the attachment I feel to you. I now entreat you — if yesterday you were not playing a little comedy when you accepted the love of a man whose vanity will change to pride if you accept him, one whose defects will become virtues under your divine influence — I entreat you do not excite a passion which, in him, amounts to vice. Jealousy is a noxious element in my soul, and you have revealed to me its strength; it is awful, it destroys everything — Oh! I do not mean the jealousy of an Othello,” he continued, noticing Modeste’s gesture. “No, no; my thoughts were of myself: I have been so indulged on that point. You know the affection to which I owe all the happiness I have ever enjoyed, — very little at the best” (he sadly shook his head). “Love is symbolized among all nations as a child, because it fancies the world belongs to it, and it cannot conceive otherwise. Well, Nature herself set the limit to that sentiment. It was still-born. A tender, maternal soul guessed and calmed the painful constriction of my heart, — for a woman who feels, who knows, that she is past the joys of love becomes angelic in her treatment of others. The duchess has never made me suffer in my sensibilities. For ten years not a word, not a look, that could wound me! I attach more value to words, to thoughts, to looks, than ordinary men. If a look is to me a treasure beyond all price, the slightest doubt is deadly poison; it acts instantaneously, my love dies. I believe — contrary to the mass of men, who delight in trembling, hoping, expecting — that love can only exist in perfect, infantile, and infinite security. The exquisite purgatory, where women delight to send us by their coquetry, is a base happiness to which I will not submit: to me, love is either heaven or hell. If it is hell, I will have none of it. I feel an affinity with the azure skies of Paradise within my soul. I can give myself without reserve, without secrets, doubts or deceptions, in the life to come; and I demand reciprocity. Perhaps I offend you by these doubts. Remember, however, that I am only talking of myself — ”

“ — a good deal, but never too much,” said Modeste, offended in every hole and corner of her pride by this discourse, in which the Duchesse de Chaulieu served as a dagger. “I am so accustomed to admire you, my dear poet.”

“Well, then, can you promise me the same canine fidelity which I offer to you? Is it not beautiful? Is it not just what you have longed for?”

“But why, dear poet, do you not marry a deaf-mute, and one who is also something of an idiot? I ask nothing better than to please my husband. But you threaten to take away from a girl the very happiness you so kindly arrange for her; you are tearing away every gesture, every word, every look; you cut the wings of your bird, and then expect it to hover about you. I know poets are accused of inconsistency — oh! very unjustly,” she added, as Canalis made a gesture of denial; “that alleged defect which comes from the brilliant activity of their minds which commonplace people cannot take into account. I do not believe, however, that a man of genius can invent such irreconcilable conditions and call his invention life. You are requiring the impossible solely for the pleasure of putting me in the wrong, — like the enchanters in fairy-tales, who set tasks to persecuted young girls whom the good fairies come and deliver.”

“In this case the good fairy would be true love,” said Canalis in a curt tone, aware that his elaborate excuse for a rupture was seen through by the keen and delicate mind which Butscha had piloted so well.

“My dear poet, you remind me of those fathers who inquire into a girl’s ‘dot’ before they are willing to name that of their son. You are quarrelling with me without knowing whether you have the slightest right to do so. Love is not gained by such dry arguments as yours. The poor duke on the contrary abandons himself to it like my Uncle Toby; with this difference, that I am not the Widow Wadman, — though widow indeed of many illusions as to poetry at the present moment. Ah, yes, we young girls will not believe in anything that disturbs our world of fancy! I was warned of all this beforehand. My dear poet, you are attempting to get up a quarrel which is unworthy of you. I no longer recognize the Melchior of yesterday.”

“Because Melchior has discovered a spirit of ambition in you which — ”

Modeste looked at him from head to foot with an imperial eye.

“But I shall be peer of France and ambassador as well as he,” added Canalis.

“Do you take me for a bourgeois,” she said, beginning to mount the steps of the portico; but she instantly turned back and added, “That is less impertinent than to take me for a fool. The change in your conduct comes from certain silly rumors which you have heard in Havre, and which my maid Francoise has repeated to me.”

“Ah, Modeste, how can you think it?” said Canalis, striking a dramatic attitude. “Do you think me capable of marrying you only for your money?”

“If I do you that wrong after your edifying remarks on the banks of the Seine can you easily undeceive me,” she said, annihilating him with her scorn.

“Ah!” thought the poet, as he followed her into the house, “if you think, my little girl, that I’m to be caught in that net, you take me to be younger than I am. Dear, dear, what a fuss about an artful little thing whose esteem I value about as much as that of the king of Borneo. But she has given me a good reason for the rupture by accusing me of such unworthy sentiments. Isn’t she sly? La Briere will get a burden on his back — idiot that he is! And five years hence it will be a good joke to see them together.”

The coldness which this altercation produced between Modeste and Canalis was visible to all eyes that evening. The poet went off early, on the ground of La Briere’s illness, leaving the field to the grand equerry. About eleven o’clock Butscha, who had come to walk home with Madame Latournelle, whispered in Modeste’s ear, “Was I right?”

“Alas, yes,” she said.

“But I hope you have left the door half open, so that he can come back; we agreed upon that, you know.”

“Anger got the better of me,” said Modeste. “Such meanness sent the blood to my head and I told him what I thought of him.”

“Well, so much the better. When you are both so angry that you can’t speak civilly to each other I engage to make him desperately in love and so pressing that you will be deceived yourself.”

“Come, come, Butscha; he is a great poet; he is a gentleman; he is a man of intellect.”

“Your father’s eight millions are more to him than all that.”

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