Array The griffin classics - The Collected Works of Honore de Balzac

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THE HUMAN COMEDY
PREFACE
STUDIES OF MANNERS IN THE 19TH CENTURY
Scenes from Private Life
AT THE SIGN OF THE CAT AND RACKET
AT THE SIGN OF THE CAT AND RACKET
THE BALL AT SCEAUX
LETTERS OF TWO BRIDES
THE PURSE
THE PURSE
MODESTE MIGNON
A START IN LIFE
ALBERT SAVARUS
VENDETTA
A SECOND HOME
DOMESTIC PEACE
MADAME FIRMIANI
STUDY OF A WOMAN
THE IMAGINARY MISTRESS
A DAUGHTER OF EVE
THE MESSAGE
THE GRAND BRETECHE
LA GRENADIERE
THE DESERTED WOMAN
HONORINE
BEATRIX
GOBSECK
A WOMAN OF THIRTY
FATHER GORIOT
COLONEL CHABERT
THE ATHEIST'S MASS
THE COMMISSION IN LUNACY
THE MARRIAGE CONTRACT
ANOTHER STUDY OF WOMAN
Scenes from Provincial Life
URSULE MIROUET
EUGENIE GRANDET
The Celibates
PIERRETTE
THE VICAR OF TOURS
THE TWO BROTHERS
Parisians in the Country
THE ILLUSTRIOUS GAUDISSART
THE MUSE OF THE DEPARTMENT
The Jealousies of a Country Town
THE OLD MAID
THE COLLECTION OF ANTIQUITIES
Lost Illusions
TWO POETS
A DISTINGUISHED PROVINCIAL AT PARIS
EVE AND DAVID
Scenes from Parisian Life
The Thirteen
FERRAGUS
THE DUCHESSE DE LANGEAIS
THE GIRL WITH THE GOLDEN EYES
THE FIRM OF NUCINGEN
Scenes from a Courtesan's Life
ESTHER HAPPY: HOW A COURTESAN CAN LOVE
WHAT LOVE COSTS AN OLD MAN
THE END OF EVIL WAYS
VAUTRIN'S LAST AVATAR
SECRETS OF THE PRINCESSE DE CADIGNAN
FACINO CANE
SARRASINE
PIERRE GRASSOU
The Poor Relations
COUSIN BETTY
COUSIN PONS
A MAN OF BUSINESS
A PRINCE OF BOHEMIA
GAUDISSART II
BUREAUCRACY
UNCONSCIOUS COMEDIANS
THE LESSER BOURGEOISIE
The Seamy Side of History
MADAME DE LA CHANTERIE
THE INITIATE
Scenes from Political Life
Scenes from Military Life
Scenes from Country Life
PHILOSOPHICAL STUDIES
ANALYTICAL STUDIES

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“Well! and isn’t he worth more than that spiteful and gloomy secretary in whom you take such an interest?” she retorted, assuming, at the mere thought of Ernest, the haughty manner whose secret belongs exclusively to young girls, — as if their virginity lent them wings to fly to heaven. “Pray, would your little La Briere accept me without a fortune?” she said, after a pause.

“Ask your father,” replied Butscha, who walked a few steps from the house, to get Modeste at a safe distance from the windows. “Listen to me, mademoiselle. You know that he who speaks to you is ready to give not only his life but his honor for you, at any moment, and at all times. Therefore you may believe in him; you can confide to him that which you may not, perhaps, be willing to say to your father. Tell me, has that sublime Canalis been making you the disinterested offer that you now fling as a reproach at poor Ernest?”

“Yes.”

“Do you believe it?”

“That question, my manikin,” she replied, giving him one of the ten or a dozen nicknames she had invented for him, “strikes me as undervaluing the strength of my self-love.”

“Ah, you are laughing, my dear Mademoiselle Modeste; then there’s no danger: I hope you are only making a fool of him.”

“Pray what would you think of me, Monsieur Butscha, if I allowed myself to make fun of those who do me the honor to wish to marry me? You ought to know, master Jean, that even if a girl affects to despise the most despicable attentions, she is flattered by them.”

“Then I flatter you?” said the young man, looking up at her with a face that was illuminated like a city for a festival.

“You?” she said; “you give me the most precious of all friendships, — a feeling as disinterested as that of a mother for her child. Compare yourself to no one; for even my father is obliged to be devoted to me.” She paused. “I cannot say that I love you, in the sense which men give to that word, but what I do give you is eternal and can know no change.”

“Then,” said Butscha, stooping to pick up a pebble that he might kiss the hem of her garment, “suffer me to watch over you as a dragon guards a treasure. The poet was covering you just now with the lace-work of his precious phrases, the tinsel of his promises; he chanted his love on the best strings of his lyre, I know he did. If, as soon as this noble lover finds out how small your fortune is, he makes a sudden change in his behavior, and is cold and embarrassed, will you still marry him? shall you still esteem him?”

“He would be another Francisque Althor,” she said, with a gesture of bitter disgust.

“Let me have the pleasure of producing that change of scene,” said Butscha. “Not only shall it be sudden, but I believe I can change it back and make your poet as loving as before, — nay, it is possible to make him blow alternately hot and cold upon your heart, just as gracefully as he has talked on both sides of an argument in one evening without ever finding it out.”

“If you are right,” she said, “who can be trusted?”

“One who truly loves you.”

“The little duke?”

Butscha looked at Modeste. The pair walked some distance in silence; the girl was impenetrable and not an eyelash quivered.

“Mademoiselle, permit me to be the exponent of the thoughts that are lying at the bottom of your heart like sea-mosses under the waves, and which you do not choose to gather up.”

“Eh!” said Modeste, “so my intimate friend and counsellor thinks himself a mirror, does he?”

“No, an echo,” he answered, with a gesture of sublime humility. “The duke loves you, but he loves you too much. If I, a dwarf, have understood the infinite delicacy of your heart, it would be repugnant to you to be worshipped like a saint in her shrine. You are eminently a woman; you neither want a man perpetually at your feet of whom you are eternally sure, nor a selfish egoist like Canalis, who will always prefer himself to you. Why? ah, that I don’t know. But I will make myself a woman, an old woman, and find out the meaning of the plan which I have read in your eyes, and which perhaps is in the heart of every girl. Nevertheless, in your great soul you feel the need of worshipping. When a man is at your knees, you cannot put yourself at his. You can’t advance in that way, as Voltaire might say. The little duke has too many genuflections in his moral being and the poet has too few, — indeed, I might say, none at all. Ha, I have guessed the mischief in your smiles when you talk to the grand equerry, and when he talks to you and you answer him. You would never be unhappy with the duke, and everybody will approve your choice, if you do choose him; but you will never love him. The ice of egotism, and the burning heat of ecstasy both produce indifference in the heart of every woman. It is evident to my mind that no such perpetual worship will give you the infinite delights which you are dreaming of in marriage, — in some marriage where obedience will be your pride, where noble little sacrifices can be made and hidden, where the heart is full of anxieties without a cause, and successes are awaited with eager hope, where each new chance for magnanimity is hailed with joy, where souls are comprehended to their inmost recesses, and where the woman protects with her love the man who protects her.”

“You are a sorcerer!” exclaimed Modeste.

“Neither will you find that sweet equality of feeling, that continual sharing of each other’s life, that certainty of pleasing which makes marriage tolerable, if you take Canalis, — a man who thinks of himself only, whose ‘I’ is the one string to his lute, whose mind is so fixed on himself that he has hitherto taken no notice of your father or the duke, — a man of second-rate ambitions, to whom your dignity and your devotion will matter nothing, who will make you a mere appendage to his household, and who already insults you by his indifference to your behavior; yes, if you permitted yourself to go so far as to box your mother’s ears Canalis would shut his eyes to it, and deny your crime even to himself, because he thirsts for your money. And so, mademoiselle, when I spoke of the man who truly loves you I was not thinking of the great poet who is nothing but a little comedian, nor of the duke, who might be a good marriage for you, but never a husband — ”

“Butscha, my heart is a blank page on which you are yourself writing all that you read there,” cried Modeste, interrupting him. “You are carried away by your provincial hatred for everything that obliges you to look higher than your own head. You can’t forgive a poet for being a statesman, for possessing the gift of speech, for having a noble future before him, — and you calumniate his intentions.”

“His! — mademoiselle, he will turn his back upon you with the baseness of an Althor.”

“Make him play that pretty little comedy, and — ”

“That I will! he shall play it through and through within three days, — on Wednesday, — recollect, Wednesday! Until then, mademoiselle, amuse yourself by listening to the little tunes of the lyre, so that the discords and the false notes may come out all the more distinctly.”

Modeste ran gaily back to the salon, where La Briere, who was sitting by the window, where he had doubtless been watching his idol, rose to his feet as if a groom of the chambers had suddenly announced, “The Queen.” It was a movement of spontaneous respect, full of that living eloquence that lies in gesture even more than in speech. Spoken love cannot compare with acts of love; and every young girl of twenty has the wisdom of fifty in applying the axiom. In it lies the great secret of attraction. Instead of looking Modeste in the face, as Canalis who paid her public homage would have done, the neglected lover followed her with a furtive look between his eyelids, humble after the manner of Butscha, and almost timid. The young heiress observed it, as she took her place by Canalis, to whose game she proceeded to pay attention. During a conversation which ensued, La Briere heard Modeste say to her father that she should ride out for the first time on the following Wednesday; and she also reminded him that she had no whip in keeping with her new equipments. The young man flung a lightning glance at the dwarf, and a few minutes later the two were pacing the terrace.

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