GEORGE SHAW - Collected Works

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This Collected Works contains:
An Unsocial Socialist
Androcles and the Lion
Annajanska, the Bolshevik Empress
Arms and the Man
Augustus Does His Bit: A True-to-Life Farce
Back to Methuselah: A Metabiological Pentateuch
Caesar and Cleopatra
Candida
Candida: Ein Mysterium in drei Akten
Captain Brassbound's Conversion
Cashel Byron's Profession
Fanny's First Play
Getting Married
Great Catherine (Whom Glory Still Adores)
Heartbreak House
How He Lied to Her Husband
John Bull's Other Island
Major Barbara
Man and Superman: A Comedy and a Philosophy
Maxims for Revolutionists
Misalliance
Mrs. Warren's Profession
O'Flaherty V.C.: A Recruiting Pamphlet
On the Prospects of Christianity / Bernard Shaw's Preface to Androcles and the Lion
Overruled
Preface to Major Barbara: First Aid to Critics
Press Cuttings
Pygmalion
Revolutionist's Handbook and Pocket Companion
The Admirable Bashville; Or, Constancy Unrewarded / Being the Novel of Cashel Byron's Profession Done into a Stage Play in Three Acts and in Blank Verse, with a Note on Modern Prize Fighting
The Dark Lady of the Sonnets
The Devil's Disciple
The Doctor's Dilemma
The Doctor's Dilemma: Preface on Doctors
The Impossibilities of Anarchism
The Inca of Perusalem: An Almost Historical Comedietta
The Irrational Knot / Being the Second Novel of His Nonage
The Man of Destiny
The Miraculous Revenge
The Perfect Wagnerite: A Commentary on the Niblung's Ring
The Philanderer
The Shewing-up of Blanco Posnet
Treatise on Parents and Children
You Never Can Tell
George Bernard Shaw was an Irish playwright, critic, polemicist and political activist. His influence on Western theatre, culture and politics extended from the 1880s to his death and beyond. He wrote more than sixty plays, including major works such as Man and Superman (1902) and Pygmalion (1912). With a range incorporating both contemporary satire and historical allegory, Shaw became the leading dramatist of his generation, and in 1925 was awarded the Nobel Prize in Literature.

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LAVINIA. You need not fear him if he is a Christian, Captain.

THE CAPTAIN (coldly) I shall not fear him in any case, Lavinia.

LAVINIA (her eyes dancing) How brave of you, Captain!

THE CAPTAIN. You are right: it was silly thing to say. (In a lower tone, humane and urgent) Lavinia: do Christians know how to love?

LAVINIA (composedly) Yes, Captain: they love even their enemies.

THE CAPTAIN. Is that easy?

LAVINIA. Very easy, Captain, when their enemies are as handsome as you.

THE CAPTAIN. Lavinia: you are laughing at me.

LAVINIA. At you, Captain! Impossible.

THE CAPTAIN. Then you are flirting with me, which is worse. Don't be foolish.

LAVINIA. But such a very handsome captain.

THE CAPTAIN. Incorrigible! (Urgently) Listen to me. The men in that audience tomorrow will be the vilest of voluptuaries: men in whom the only passion excited by a beautiful woman is a lust to see her tortured and torn shrieking limb from limb. It is a crime to dignify that passion. It is offering yourself for violation by the whole rabble of the streets and the riff-raff of the court at the same time. Why will you not choose rather a kindly love and an honorable alliance?

LAVINIA. They cannot violate my soul. I alone can do that by sacrificing to false gods.

THE CAPTAIN. Sacrifice then to the true God. What does his name matter? We call him Jupiter. The Greeks call him Zeus. Call him what you will as you drop the incense on the altar flame: He will understand.

LAVINIA. No. I couldn't. That is the strange thing, Captain, that a little pinch of incense should make all that difference. Religion is such a great thing that when I meet really religious people we are friends at once, no matter what name we give to the divine will that made us and moves us. Oh, do you think that I, a woman, would quarrel with you for sacrificing to a woman god like Diana, if Diana meant to you what Christ means to me? No: we should kneel side by side before her altar like two children. But when men who believe neither in my god nor in their own—men who do not know the meaning of the word religion—when these men drag me to the foot of an iron statue that has become the symbol of the terror and darkness through which they walk, of their cruelty and greed, of their hatred of God and their oppression of man—when they ask me to pledge my soul before the people that this hideous idol is God, and that all this wickedness and falsehood is divine truth, I cannot do it, not if they could put a thousand cruel deaths on me. I tell you, it is physically impossible. Listen, Captain: did you ever try to catch a mouse in your hand? Once there was a dear little mouse that used to come out and play on my table as I was reading. I wanted to take him in my hand and caress him; and sometimes he got among my books so that he could not escape me when I stretched out my hand. And I did stretch out my hand; but it always came back in spite of me. I was not afraid of him in my heart; but my hand refused: it is not in the nature of my hand to touch a mouse. Well, Captain, if I took a pinch of incense in my hand and stretched it out over the altar fire, my hand would come back. My body would be true to my faith even if you could corrupt my mind. And all the time I should believe more in Diana than my persecutors have ever believed in anything. Can you understand that?

THE CAPTAIN (simply) Yes: I understand that. But my hand would not come back. The hand that holds the sword has been trained not to come back from anything but victory.

LAVINIA. Not even from death?

THE CAPTAIN. Least of all from death.

LAVINIA. Then I must not come back either. A woman has to be braver than a soldier.

THE CAPTAIN. Prouder, you mean.

LAVINIA (startled) Prouder! You call our courage pride!

THE CAPTAIN. There is no such thing as courage: there is only pride. You Christians are the proudest devils on earth.

LAVINIA (hurt) Pray God then my pride may never become a false pride. (She turns away as if she did not wish to continue the conversation, but softens and says to him with a smile) Thank you for trying to save me from death.

THE CAPTAIN. I knew it was no use; but one tries in spite of one's knowledge.

LAVINIA. Something stirs, even in the iron breast of a Roman soldier!

THE CAPTAIN. It will soon be iron again. I have seen many women die, and forgotten them in a week.

LAVINIA. Remember me for a fortnight, handsome Captain. I shall be watching you, perhaps.

THE CAPTAIN. From the skies? Do not deceive yourself, Lavinia. There is no future for you beyond the grave.

LAVINIA. What does that matter? Do you think I am only running away from the terrors of life into the comfort of heaven? If there were no future, or if the future were one of torment, I should have to go just the same. The hand of God is upon me.

THE CAPTAIN. Yes: when all is said, we are both patricians, Lavinia, and must die for our beliefs. Farewell. (He offers her his hand. She takes it and presses it. He walks away, trim and calm. She looks after him for a moment, and cries a little as he disappears through the eastern arch. A trumpet-call is heard from the road through the western arch).

CENTURION (waking up and rising) Cohort of the tenth with prisoners. Two file out with me to receive them. (He goes out through the western arch, followed by four soldiers in two files).

Lentulus and Metellus come into the square from the west side with a little retinue of servants. Both are young courtiers, dressed in the extremity of fashion. Lentulus is slender, fair-haired, epicene. Metellus is manly, compactly built, olive skinned, not a talker.

LENTULUS. Christians, by Jove! Let's chaff them.

METELLUS. Awful brutes. If you knew as much about them as I do you wouldn't want to chaff them. Leave them to the lions.

LENTULUS (indicating Lavinia, who is still looking towards the arches after the captain). That woman's got a figure. (He walks past her, staring at her invitingly, but she is preoccupied and is not conscious of him). Do you turn the other cheek when they kiss you?

LAVINIA (starting) What?

LENTULus. Do you turn the other cheek when they kiss you, fascinating Christian?

LAVINIA. Don't be foolish. (To Metellus, who has remained on her right, so that she is between them) Please don't let your friend behave like a cad before the soldiers. How are they to respect and obey patricians if they see them behaving like street boys? (Sharply to Lentulus) Pull yourself together, man. Hold your head up. Keep the corners of your mouth firm; and treat me respectfully. What do you take me for?

LENTULUS (irresolutely) Look here, you know: I—you—I—

LAVINIA. Stuff! Go about your business. (She turns decisively away and sits down with her comrades, leaving him disconcerted).

METELLUS. You didn't get much out of that. I told you they were brutes.

LENTULUS. Plucky little filly! I suppose she thinks I care. (With an air of indifference he strolls with Metellus to the east side of the square, where they stand watching the return of the Centurion through the western arch with his men, escorting three prisoners: Ferrovius, Androcles, and Spintho. Ferrovius is a powerful, choleric man in the prime of life, with large nostrils, staring eyes, and a thick neck: a man whose sensibilities are keen and violent to the verge of madness. Spintho is a debauchee, the wreck of a good-looking man gone hopelessly to the bad. Androcles is overwhelmed with grief, and is restraining his tears with great difficulty).

THE CENTURION (to Lavinia) Here are some pals for you. This little bit is Ferrovius that you talk so much about. (Ferrovius turns on him threateningly. The Centurion holds up his left forefinger in admonition). Now remember that you're a Christian, and that you've got to return good for evil. (Ferrovius controls himself convulsively; moves away from temptation to the east side near Lentulus; clasps his hands in silent prayer; and throws himself on his knees). That's the way to manage them, eh! This fine fellow (indicating Androcles, who comes to his left, and makes Lavinia a heartbroken salutation) is a sorcerer. A Greek tailor, he is. A real sorcerer, too: no mistake about it. The tenth marches with a leopard at the head of the column. He made a pet of the leopard; and now he's crying at being parted from it. (Androcles sniffs lamentably). Ain't you, old chap? Well, cheer up, we march with a Billy goat (Androcles brightens up) that's killed two leopards and ate a turkey-cock. You can have him for a pet if you like. (Androcles, quite consoled, goes past the Centurion to Lavinia, and sits down contentedly on the ground on her left). This dirty dog (collaring Spintho) is a real Christian. He mobs the temples, he does (at each accusation he gives the neck of Spintho's tunic a twist); he goes smashing things mad drunk, he does; he steals the gold vessels, he does; he assaults the priestesses, he does pah! (He flings Spintho into the middle of the group of prisoners). You're the sort that makes duty a pleasure, you are.

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