GEORGE SHAW - Collected Works

ANDROCLES. Yes, my dear: I know you do.

MEGAERA. Then why don't you treat me properly and be a good husband to me?

ANDROCLES. What can I do, my dear?

MEGAERA. What can you do! You can return to your duty, and come back to your home and your friends, and sacrifice to the gods as all respectable people do, instead of having us hunted out of house and home for being dirty, disreputable, blaspheming atheists.

ANDROCLES. I'm not an atheist, dear: I am a Christian.

MEGAERA. Well, isn't that the same thing, only ten times worse? Everybody knows that the Christians are the very lowest of the low.

ANDROCLES. Just like us, dear.

MEGAERA. Speak for yourself. Don't you dare to compare me to common people. My father owned his own public-house; and sorrowful was the day for me when you first came drinking in our bar.

ANDROCLES. I confess I was addicted to it, dear. But I gave it up when I became a Christian.

MEGAERA. You'd much better have remained a drunkard. I can forgive a man being addicted to drink: its only natural; and I don't deny I like a drop myself sometimes. What I can't stand is your being addicted to Christianity. And what's worse again, your being addicted to animals. How is any woman to keep her house clean when you bring in every stray cat and lost cur and lame duck in the whole countryside? You took the bread out of my mouth to feed them: you know you did: don't attempt to deny it.

ANDROCLES. Only when they were hungry and you were getting too stout, dearie.

MEGAERA. Yes, insult me, do. (Rising) Oh! I won't bear it another moment. You used to sit and talk to those dumb brute beasts for hours, when you hadn't a word for me.

ANDROCLES. They never answered back, darling. (He rises and again shoulders the bundle).

MEGAERA. Well, if you're fonder of animals than of your own wife, you can live with them here in the jungle. I've had enough of them and enough of you. I'm going back. I'm going home.

ANDROCLES (barring the way back) No, dearie: don't take on like that. We can't go back. We've sold everything: we should starve; and I should be sent to Rome and thrown to the lions—

MEGAERA. Serve you right! I wish the lions joy of you. (Screaming) Are you going to get out of my way and let me go home?

ANDROCLES. No, dear—

MEGAERA. Then I'll make my way through the forest; and when I'm eaten by the wild beasts you'll know what a wife you've lost. (She dashes into the jungle and nearly falls over the sleeping lion). Oh! Oh! Andy! Andy! (She totters back and collapses into the arms of Androcles, who, crushed by her weight, falls on his bundle).

ANDROCLES (extracting himself from beneath her and slapping her hands in great anxiety) What is it, my precious, my pet? What's the matter? (He raises her head. Speechless with terror, she points in the direction of the sleeping lion. He steals cautiously towards the spot indicated by Megaera. She rises with an effort and totters after him).

MEGAERA. No, Andy: you'll be killed. Come back.

The lion utters a long snoring sigh. Androcles sees the lion and recoils fainting into the arms of Megaera, who falls back on the bundle. They roll apart and lie staring in terror at one another. The lion is heard groaning heavily in the jungle.

ANDROCLES (whispering) Did you see? A lion.

MEGAERA (despairing) The gods have sent him to punish us because you're a Christian. Take me away, Andy. Save me.

ANDROCLES (rising) Meggy: there's one chance for you. It'll take him pretty nigh twenty minutes to eat me (I'm rather stringy and tough) and you can escape in less time than that.

MEGAERA. Oh, don't talk about eating. (The lion rises with a great groan and limps towards them). Oh! (She faints).

ANDROCLES (quaking, but keeping between the lion and Megaera) Don't you come near my wife, do you hear? (The lion groans. Androcles can hardly stand for trembling). Meggy: run. Run for your life. If I take my eye off him, its all up. (The lion holds up his wounded paw and flaps it piteously before Androcles). Oh, he's lame, poor old chap! He's got a thorn in his paw. A frightfully big thorn. (Full of sympathy) Oh, poor old man! Did um get an awful thorn into um's tootsums wootsums? Has it made um too sick to eat a nice little Christian man for um's breakfast? Oh, a nice little Christian man will get um's thorn out for um; and then um shall eat the nice Christian man and the nice Christian man's nice big tender wifey pifey. (The lion responds by moans of self-pity). Yes, yes, yes, yes, yes. Now, now (taking the paw in his hand) um is not to bite and not to scratch, not even if it hurts a very, very little. Now make velvet paws. That's right. (He pulls gingerly at the thorn. The lion, with an angry yell of pain, jerks back his paw so abruptly that Androcles is thrown on his back). Steadeee! Oh, did the nasty cruel little Christian man hurt the sore paw? (The lion moans assentingly but apologetically). Well, one more little pull and it will be all over. Just one little, little, leetle pull; and then um will live happily ever after. (He gives the thorn another pull. The lion roars and snaps his jaws with a terrifying clash). Oh, mustn't frighten um's good kind doctor, um's affectionate nursey. That didn't hurt at all: not a bit. Just one more. Just to show how the brave big lion can bear pain, not like the little crybaby Christian man. Oopsh! (The thorn comes out. The lion yells with pain, and shakes his paw wildly). That's it! (Holding up the thorn). Now it's out. Now lick um's paw to take away the nasty inflammation. See? (He licks his own hand. The lion nods intelligently and licks his paw industriously). Clever little liony-piony! Understands um's dear old friend Andy Wandy. (The lion licks his face). Yes, kissums Andy Wandy. (The lion, wagging his tail violently, rises on his hind legs and embraces Androcles, who makes a wry face and cries) Velvet paws! Velvet paws! (The lion draws in his claws). That's right. (He embraces the lion, who finally takes the end of his tail in one paw, places that tight around Androcles' waist, resting it on his hip. Androcles takes the other paw in his hand, stretches out his arm, and the two waltz rapturously round and round and finally away through the jungle).

MEGAERA (who has revived during the waltz) Oh, you coward, you haven't danced with me for years; and now you go off dancing with a great brute beast that you haven't known for ten minutes and that wants to eat your own wife. Coward! Coward! Coward! (She rushes off after them into the jungle).

Evening. The end of three converging roads to Rome. Three triumphal arches span them where they debouch on a square at the gate of the city. Looking north through the arches one can see the campagna threaded by the three long dusty tracks. On the east and west sides of the square are long stone benches. An old beggar sits on the east side of the square, his bowl at his feet. Through the eastern arch a squad of Roman soldiers tramps along escorting a batch of Christian prisoners of both sexes and all ages, among them one Lavinia, a goodlooking resolute young woman, apparently of higher social standing than her fellow-prisoners. A centurion, carrying his vinewood cudgel, trudges alongside the squad, on its right, in command of it. All are tired and dusty; but the soldiers are dogged and indifferent, the Christians light-hearted and determined to treat their hardships as a joke and encourage one another.

A bugle is heard far behind on the road, where the rest of the cohort is following.

CENTURION (stopping) Halt! Orders from the Captain. (They halt and wait). Now then, you Christians, none of your larks. The captain's coming. Mind you behave yourselves. No singing. Look respectful. Look serious, if you're capable of it. See that big building over there? That's the Coliseum. That's where you'll be thrown to the lions or set to fight the gladiators presently. Think of that; and it'll help you to behave properly before the captain. (The Captain arrives). Attention! Salute! (The soldiers salute).