GEORGE SHAW - Collected Works

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This Collected Works contains:
An Unsocial Socialist
Androcles and the Lion
Annajanska, the Bolshevik Empress
Arms and the Man
Augustus Does His Bit: A True-to-Life Farce
Back to Methuselah: A Metabiological Pentateuch
Caesar and Cleopatra
Candida
Candida: Ein Mysterium in drei Akten
Captain Brassbound's Conversion
Cashel Byron's Profession
Fanny's First Play
Getting Married
Great Catherine (Whom Glory Still Adores)
Heartbreak House
How He Lied to Her Husband
John Bull's Other Island
Major Barbara
Man and Superman: A Comedy and a Philosophy
Maxims for Revolutionists
Misalliance
Mrs. Warren's Profession
O'Flaherty V.C.: A Recruiting Pamphlet
On the Prospects of Christianity / Bernard Shaw's Preface to Androcles and the Lion
Overruled
Preface to Major Barbara: First Aid to Critics
Press Cuttings
Pygmalion
Revolutionist's Handbook and Pocket Companion
The Admirable Bashville; Or, Constancy Unrewarded / Being the Novel of Cashel Byron's Profession Done into a Stage Play in Three Acts and in Blank Verse, with a Note on Modern Prize Fighting
The Dark Lady of the Sonnets
The Devil's Disciple
The Doctor's Dilemma
The Doctor's Dilemma: Preface on Doctors
The Impossibilities of Anarchism
The Inca of Perusalem: An Almost Historical Comedietta
The Irrational Knot / Being the Second Novel of His Nonage
The Man of Destiny
The Miraculous Revenge
The Perfect Wagnerite: A Commentary on the Niblung's Ring
The Philanderer
The Shewing-up of Blanco Posnet
Treatise on Parents and Children
You Never Can Tell
George Bernard Shaw was an Irish playwright, critic, polemicist and political activist. His influence on Western theatre, culture and politics extended from the 1880s to his death and beyond. He wrote more than sixty plays, including major works such as Man and Superman (1902) and Pygmalion (1912). With a range incorporating both contemporary satire and historical allegory, Shaw became the leading dramatist of his generation, and in 1925 was awarded the Nobel Prize in Literature.

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ZOO. What is the use of prolonging the agony? You would perish slowly in our presence, no matter what we did to preserve you. You were almost dead when I took charge of you today, merely because you had talked for a few minutes to a secondary. Besides, we have our own experience to go upon. Have you never heard that our children occasionally revert to the ancestral type, and are born shortlived?

THE ELDERLY GENTLEMAN [ eagerly ] Never. I hope you will not be offended if I say that it would be a great comfort to me if I could be placed in charge of one of those normal individuals.

ZOO. Abnormal, you mean. What you ask is impossible: we weed them all out.

THE ELDERLY GENTLEMAN. When you say that you weed them out, you send a cold shiver down my spine. I hope you don't mean that you—that you—that you assist Nature in any way?

ZOO. Why not? Have you not heard the saying of the Chinese sage Dee Ning, that a good garden needs weeding? But it is not necessary for us to interfere. We are naturally rather particular as to the conditions on which we consent to live. One does not mind the accidental loss of an arm or a leg or an eye: after all, no one with two legs is unhappy because he has not three; so why should a man with one be unhappy because he has not two? But infirmities of mind and temper are quite another matter. If one of us has no self-control, or is too weak to bear the strain of our truthful life without wincing, or is tormented by depraved appetites and superstitions, or is unable to keep free from pain and depression, he naturally becomes discouraged, and refuses to live.

THE ELDERLY GENTLEMAN. Good Lord! Cuts his throat, do you mean?

ZOO. No: why should he cut his throat? He simply dies. He wants to. He is out of countenance, as we call it.

THE ELDERLY GENTLEMAN. Well!!! But suppose he is depraved enough not to want to die, and to settle the difficulty by killing all the rest of you?

ZOO. Oh, he is one of the thoroughly degenerate shortlivers whom we occasionally produce. He emigrates.

THE ELDERLY GENTLEMAN. And what becomes of him then?

ZOO. You shortlived people always think very highly of him. You accept him as what you call a great man.

THE ELDERLY GENTLEMAN. You astonish me; and yet I must admit that what you tell me accounts for a great deal of the little I know of the private life of our great men. We must be very convenient to you as a dumping place for your failures.

ZOO. I admit that.

THE ELDERLY GENTLEMAN. Good. Then if you carry out your plan of colonization, and leave no shortlived countries in the world, what will you do with your undesirables?

ZOO. Kill them. Our tertiaries are not at all squeamish about killing.

THE ELDERLY GENTLEMAN. Gracious Powers!

ZOO [ glancing up at the sun ] Come. It is just sixteen o'clock; and you have to join your party at half-past in the temple in Galway.

THE ELDERLY GENTLEMAN [ rising ] Galway! Shall I at last be able to boast of having seen that magnificent city?

ZOO. You will be disappointed: we have no cities. There is a temple of the oracle: that is all.

THE ELDERLY GENTLEMAN. Alas! and I came here to fulfil two long-cherished dreams. One was to see Galway. It has been said, 'See Galway and die.' The other was to contemplate the ruins of London.

ZOO. Ruins! We do not tolerate ruins. Was London a place of any importance?

THE ELDERLY GENTLEMAN [ amazed ] What! London! It was the mightiest city of antiquity. [ Rhetorically ] Situate just where the Dover Road crosses the Thames, it—

ZOO [ curtly interrupting ] There is nothing there now. Why should anybody pitch on such a spot to live? The nearest houses are at a place called Strand-on-the-Green: it is very old. Come. We shall go across the water. [ She goes down the steps ].

THE ELDERLY GENTLEMAN. Sic transit gloria mundi!

ZOO [ from below ] What did you say?

THE ELDERLY GENTLEMAN [ despairingly ] Nothing. You would not understand. [ He goes down the steps ].

ACT II

A courtyard before the columned portico of a temple. The temple door is in the middle of the portico. A veiled and robed woman of majestic carriage passes along behind the columns towards the entrance. From the opposite direction a man of compact figure, clean-shaven, saturnine, and self-centred: in short, very like Napoleon I, and wearing a military uniform of Napoleonic cut, marches with measured steps; places his hand in his lapel in the traditional manner; and fixes the woman with his eye. She stops, her attitude expressing haughty amazement at his audacity. He is on her right: she on his left.

NAPOLEON [ impressively ] I am the Man of Destiny.

THE VEILED WOMAN [ unimpressed ] How did you get in here?

NAPOLEON. I walked in. I go on until I am stopped. I never am stopped. I tell you I am the Man of Destiny.

THE VEILED WOMAN. You will be a man of very short destiny if you wander about here without one of our children to guide you. I suppose you belong to the Baghdad envoy.

NAPOLEON. I came with him; but I do not belong to him. I belong to myself. Direct me to the oracle if you can. If not, do not waste my time.

THE VEILED WOMAN. Your time, poor creature, is short. I will not waste it. Your envoy and his party will be here presently. The consultation of the oracle is arranged for them, and will take place according to the prescribed ritual. You can wait here until they come [ she turns to go into the temple ].

NAPOLEON. I never wait. [ She stops ]. The prescribed ritual is, I believe, the classical one of the pythoness on her tripod, the intoxicating fumes arising from the abyss, the convulsions of the priestess as she delivers the message of the God, and so on. That sort of thing does not impose on me: I use it myself to impose on simpletons. I believe that what is, is. I know that what is not, is not. The antics of a woman sitting on a tripod and pretending to be drunk do not interest me. Her words are put into her mouth, not by a god, but by a man three hundred years old, who has had the capacity to profit by his experience. I wish to speak to that man face to face, without mummery or imposture.

THE VEILED WOMAN. You seem to be an unusually sensible person. But there is no old man. I am the oracle on duty today. I am on my way to take my place on the tripod, and go through the usual mummery, as you rightly call it, to impress your friend the envoy. As you are superior to that kind of thing, you may consult me now. [ She leads the way into the middle of the courtyard ]. What do you want to know?

NAPOLEON [ following her ] Madam: I have not come all this way to discuss matters of State with a woman. I must ask you to direct me to one of your oldest and ablest men.

THE ORACLE. None of our oldest and ablest men or women would dream of wasting their time on you. You would die of discouragement in their presence in less than three hours.

NAPOLEON. You can keep this idle fable of discouragement for people credulous enough to be intimidated by it, madam. I do not believe in metaphysical forces.

THE ORACLE. No one asks you to. A field is something physical, is it not. Well, I have a field.

NAPOLEON. I have several million fields. I am Emperor of Turania.

THE ORACLE. You do not understand. I am not speaking of an agricultural field. Do you not know that every mass of matter in motion carries with it an invisible gravitational field, every magnet an invisible magnetic field, and every living organism a mesmeric field? Even you have a perceptible mesmeric field. Feeble as it is, it is the strongest I have yet observed in a shortliver.

NAPOLEON. By no means feeble, madam. I understand you now; and I may tell you that the strongest characters blench in my presence, and submit to my domination. But I do not call that a physical force.

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