GEORGE SHAW - Collected Works

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This Collected Works contains:
An Unsocial Socialist
Androcles and the Lion
Annajanska, the Bolshevik Empress
Arms and the Man
Augustus Does His Bit: A True-to-Life Farce
Back to Methuselah: A Metabiological Pentateuch
Caesar and Cleopatra
Candida
Candida: Ein Mysterium in drei Akten
Captain Brassbound's Conversion
Cashel Byron's Profession
Fanny's First Play
Getting Married
Great Catherine (Whom Glory Still Adores)
Heartbreak House
How He Lied to Her Husband
John Bull's Other Island
Major Barbara
Man and Superman: A Comedy and a Philosophy
Maxims for Revolutionists
Misalliance
Mrs. Warren's Profession
O'Flaherty V.C.: A Recruiting Pamphlet
On the Prospects of Christianity / Bernard Shaw's Preface to Androcles and the Lion
Overruled
Preface to Major Barbara: First Aid to Critics
Press Cuttings
Pygmalion
Revolutionist's Handbook and Pocket Companion
The Admirable Bashville; Or, Constancy Unrewarded / Being the Novel of Cashel Byron's Profession Done into a Stage Play in Three Acts and in Blank Verse, with a Note on Modern Prize Fighting
The Dark Lady of the Sonnets
The Devil's Disciple
The Doctor's Dilemma
The Doctor's Dilemma: Preface on Doctors
The Impossibilities of Anarchism
The Inca of Perusalem: An Almost Historical Comedietta
The Irrational Knot / Being the Second Novel of His Nonage
The Man of Destiny
The Miraculous Revenge
The Perfect Wagnerite: A Commentary on the Niblung's Ring
The Philanderer
The Shewing-up of Blanco Posnet
Treatise on Parents and Children
You Never Can Tell
George Bernard Shaw was an Irish playwright, critic, polemicist and political activist. His influence on Western theatre, culture and politics extended from the 1880s to his death and beyond. He wrote more than sixty plays, including major works such as Man and Superman (1902) and Pygmalion (1912). With a range incorporating both contemporary satire and historical allegory, Shaw became the leading dramatist of his generation, and in 1925 was awarded the Nobel Prize in Literature.

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THE ELDERLY GENTLEMAN. In short, such wisdom as your own.

ZOO. No, no, no, no. How often must I tell you that we are made wise not by the recollections of our past, but by the responsibilities of our future. I shall be more reckless when I am a tertiary than I am today. If you cannot understand that, at least you must admit that I have learnt from tertiaries. I have seen their work and lived under their institutions. Like all young things I rebelled against them; and in their hunger for new lights and new ideas they listened to me and encouraged me to rebel. But my ways did not work; and theirs did; and they were able to tell me why. They have no power over me except that power: they refuse all other power; and the consequence is that there are no limits to their power except the limits they set themselves. You are a child governed by children, who make so many mistakes and are so naughty that you are in continual rebellion against them; and as they can never convince you that they are right: they can govern you only by beating you, imprisoning you, torturing you, killing you if you disobey them without being strong enough to kill or torture them.

THE ELDERLY GENTLEMAN. That may be an unfortunate fact. I condemn it and deplore it. But our minds are greater than the facts. We know better. The greatest ancient teachers, followed by the galaxy of Christs who arose in the twentieth century, not to mention such comparatively modern spiritual leaders as Blitherinjam, Tosh, and Spiffkins, all taught that punishment and revenge, coercion and militarism, are mistakes, and that the golden rule—

ZOO. [ interrupting ] Yes, yes, yes, Daddy: we longlived people know that quite well. But did any of their disciples ever succeed in governing you for a single day on their Christ-like principles? It is not enough to know what is good: you must be able to do it. They couldn't do it because they did not live long enough to find out how to do it, or to outlive the childish passions that prevented them from really wanting to do it. You know very well that they could only keep order—such as it was—by the very coercion and militarism they were denouncing and deploring. They had actually to kill one another for preaching their own gospel, or be killed themselves.

THE ELDERLY GENTLEMAN. The blood of the martyrs, madam, is the seed of the Church.

ZOO. More images, Daddy! The blood of the shortlived falls on stony ground.

THE ELDERLY GENTLEMAN [ rising, very testy ] You are simply mad on the subject of longevity. I wish you would change it. It is rather personal and in bad taste. Human nature is human nature, longlived or shortlived, and always will be.

ZOO. Then you give up the idea of progress? You cry off the torch, and the brick, and the acorn, and all the rest of it?

THE ELDERLY GENTLEMAN. I do nothing of the sort. I stand for progress and for freedom broadening down from precedent to precedent.

ZOO. You are certainly a true Briton.

THE ELDERLY GENTLEMAN. I am proud of it. But in your mouth I feel that the compliment hides some insult; so I do not thank you for it.

ZOO. All I meant was that though Britons sometimes say quite clever things and deep things as well as silly and shallow things, they always forget them ten minutes after they have uttered them.

THE ELDERLY GENTLEMAN. Leave it at that, madam: leave it at that. [ He sits down again ]. Even a Pope is not expected to be continually pontificating. Our flashes of inspiration shew that our hearts are in the right place.

ZOO. Of course. You cannot keep your heart in any place but the right place.

THE ELDERLY GENTLEMAN. Tcha!

ZOO. But you can keep your hands in the wrong place. In your neighbor's pockets, for example. So, you see, it is your hands that really matter.

THE ELDERLY GENTLEMAN [ exhausted ] Well, a woman must have the last word. I will not dispute it with you.

ZOO. Good. Now let us go back to the really interesting subject of our discussion. You remember? The slavery of the shortlived to images and metaphors.

THE ELDERLY GENTLEMAN [ aghast ] Do you mean to say, madam, that after having talked my head off, and reduced me to despair and silence by your intolerable loquacity, you actually propose to begin all over again? I shall leave you at once.

ZOO. You must not. I am your nurse; and you must stay with me.

THE ELDERLY GENTLEMAN. I absolutely decline to do anything of the sort [ he rises and walks away with marked dignity ].

ZOO [ using her tuning-fork ] Zoo on Burrin Pier to Oracle Police at Ennistymon have you got me?... What?... I am picking you up now but you are flat to my pitch.... Just a shade sharper.... That's better: still a little more.... Got you: right. Isolate Burrin Pier quick.

THE ELDERLY GENTLEMAN [ is heard to yell ] Oh!

ZOO [ still intoning ] Thanks.... Oh nothing serious I am nursing a shortliver and the silly creature has run away he has discouraged himself very badly by gadding about and talking to secondaries and I must keep him strictly to heel.

The Elderly Gentleman returns, indignant.

ZOO. Here he is you can release the Pier thanks. Goodbye. [ She puts up her tuning-fork ].

THE ELDERLY GENTLEMAN. This is outrageous. When I tried to step off the pier on to the road, I received a shock, followed by an attack of pins and needles which ceased only when I stepped back on to the stones.

ZOO. Yes: there is an electric hedge there. It is a very old and very crude method of keeping animals from straying.

THE ELDERLY GENTLEMAN. We are perfectly familiar with it in Baghdad, madam; but I little thought I should live to have it ignominiously applied to myself. You have actually Kiplingized me.

ZOO. Kiplingized! What is that?

THE ELDERLY GENTLEMAN. About a thousand years ago there were two authors named Kipling. One was an eastern and a writer of merit: the other, being a western, was of course only an amusing barbarian. He is said to have invented the electric hedge. I consider that in using it on me you have taken a very great liberty.

ZOO. What is a liberty?

THE ELDERLY GENTLEMAN [ exasperated ] I shall not explain, madam. I believe you know as well as I do. [ He sits down on the bollard in dudgeon ].

ZOO. No: even you can tell me things I do not know. Havnt you noticed that all the time you have been here we have been asking you questions?

THE ELDERLY GENTLEMAN. Noticed it! It has almost driven me mad. Do you see my white hair? It was hardly grey when I landed: there were patches of its original auburn still distinctly discernible.

ZOO. That is one of the symptoms of discouragement. But have you noticed something much more important to yourself: that is, that you have never asked us any questions, although we know so much more than you do?

THE ELDERLY GENTLEMAN. I am not a child, madam. I believe I have had occasion to say that before. And I am an experienced traveller. I know that what the traveller observes must really exist, or he could not observe it. But what the natives tell him is invariably pure fiction.

ZOO. Not here, Daddy. With us life is too long for telling lies. They all get found out. Youd better ask me questions while you have the chance.

THE ELDERLY GENTLEMAN. If I have occasion to consult the oracle I shall address myself to a proper one: to a tertiary: not to a primary flapper playing at being an oracle. If you are a nurserymaid, attend to your duties; and do not presume to ape your elders.

ZOO. [ rising ominously and reddening ] You silly—

THE ELDERLY GENTLEMAN [ thundering ] Silence! Do you hear! Hold your tongue.

ZOO. Something very disagreeable is happening to me. I feel hot all over. I have a horrible impulse to injure you. What have you done to me?

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