GEORGE SHAW - Collected Works

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This Collected Works contains:
An Unsocial Socialist
Androcles and the Lion
Annajanska, the Bolshevik Empress
Arms and the Man
Augustus Does His Bit: A True-to-Life Farce
Back to Methuselah: A Metabiological Pentateuch
Caesar and Cleopatra
Candida
Candida: Ein Mysterium in drei Akten
Captain Brassbound's Conversion
Cashel Byron's Profession
Fanny's First Play
Getting Married
Great Catherine (Whom Glory Still Adores)
Heartbreak House
How He Lied to Her Husband
John Bull's Other Island
Major Barbara
Man and Superman: A Comedy and a Philosophy
Maxims for Revolutionists
Misalliance
Mrs. Warren's Profession
O'Flaherty V.C.: A Recruiting Pamphlet
On the Prospects of Christianity / Bernard Shaw's Preface to Androcles and the Lion
Overruled
Preface to Major Barbara: First Aid to Critics
Press Cuttings
Pygmalion
Revolutionist's Handbook and Pocket Companion
The Admirable Bashville; Or, Constancy Unrewarded / Being the Novel of Cashel Byron's Profession Done into a Stage Play in Three Acts and in Blank Verse, with a Note on Modern Prize Fighting
The Dark Lady of the Sonnets
The Devil's Disciple
The Doctor's Dilemma
The Doctor's Dilemma: Preface on Doctors
The Impossibilities of Anarchism
The Inca of Perusalem: An Almost Historical Comedietta
The Irrational Knot / Being the Second Novel of His Nonage
The Man of Destiny
The Miraculous Revenge
The Perfect Wagnerite: A Commentary on the Niblung's Ring
The Philanderer
The Shewing-up of Blanco Posnet
Treatise on Parents and Children
You Never Can Tell
George Bernard Shaw was an Irish playwright, critic, polemicist and political activist. His influence on Western theatre, culture and politics extended from the 1880s to his death and beyond. He wrote more than sixty plays, including major works such as Man and Superman (1902) and Pygmalion (1912). With a range incorporating both contemporary satire and historical allegory, Shaw became the leading dramatist of his generation, and in 1925 was awarded the Nobel Prize in Literature.

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THE ORACLE. Were you not rash to venture into these sacred islands with such a question on your lips? Warriors are not popular here, my friend.

NAPOLEON. If a soldier were restrained by such a consideration, madam, he would no longer be a soldier. Besides [ he produces a pistol ], I have not come unarmed.

THE ORACLE. What is that thing?

NAPOLEON. It is an instrument of my profession, madam. I raise this hammer; I point the barrel at you; I pull this trigger that is against my forefinger; and you fall dead.

THE ORACLE. Shew it to me [ she puts out her hand to take it from him ].

NAPOLEON [ retreating a step ] Pardon me, madam. I never trust my life in the hands of a person over whom I have no control.

THE ORACLE [ sternly ] Give it to me [ she raises her hand to her veil ].

NAPOLEON [ dropping the pistol and covering his eyes ] Quarter! Kamerad! Take it, madam [ he kicks it towards her ]: I surrender.

THE ORACLE. Give me that thing. Do you expect me to stoop for it?

NAPOLEON [ taking his hands from his eyes with an effort ] A poor victory, madam [ he picks up the pistol and hands it to her ]: there was no vector strategy needed to win it. [Making a pose of his humiliation] But enjoy your triumph: you have made me—ME! Cain Adamson Charles Napoleon! Emperor of Turania! cry for quarter.

THE ORACLE. The way out of your difficulty, Cain Adamson, is very simple.

NAPOLEON [ eagerly ] Good. What is it?

THE ORACLE. To die before the tide of glory turns. Allow me [ she shoots him ].

He falls with a shriek. She throws the pistol away and goes haughtily into the temple.

NAPOLEON [ scrambling to his feet ] Murderess! Monster! She-devil! Unnatural, inhuman wretch! You deserve to be hanged, guillotined, broken on the wheel, burnt alive. No sense of the sacredness of human life! No thought for my wife and children! Bitch! Sow! Wanton! [ He picks up the pistol ]. And missed me at five yards! Thats a woman all over.

He is going away whence he came when Zoo arrives and confronts him at the head of a party consisting of the British Envoy, the Elderly Gentleman, the Envoy's wife, and her daughter, aged about eighteen. The envoy, a typical politician, looks like an imperfectly reformed criminal disguised by a good tailor. The dress of the ladies is coeval with that of the Elderly Gentleman, and suitable for public official ceremonies in western capitals at the XVIII-XIX fin de siècle.

They file in under the portico. Zoo immediately comes out imperiously to Napoleon's right, whilst the Envoy's wife hurries effusively to his left. The Envoy meanwhile passes along behind the columns to the door, followed by his daughter. The Elderly Gentleman stops just where he entered, to see why Zoo has swooped so abruptly on the Emperor of Turania.

ZOO [ to Napoleon, severely ] What are you doing here by yourself? You have no business to go about here alone. What was that noise just now? What is that in your hand?

Napoleon glares at her in speechless fury; pockets the pistol; and produces a whistle.

THE ENVOY'S WIFE. Arnt you coming with us to the oracle, sire?

NAPOLEON. To hell with the oracle, and with you too [ he turns to go ]!

THE ENVOY'S WIFE} [ together ] {Oh, sire!!

ZOO} {Where are you going?}

NAPOLEON. To fetch the police. [ He goes out past Zoo, almost jostling her, and blowing piercing blasts on his whistle ].

ZOO [ whipping out her tuning-fork and intoning ] Hallo Galway Central. [ The whistling continues ]. Stand by to isolate. [ To the Elderly Gentleman, who is staring after the whistling Emperor ] How far has he gone?

THE ELDERLY GENTLEMAN. To that curious statue of a fat old man.

ZOO [ quickly, intoning ] Isolate the Falstaff monument isolate hard. Paralyze—[ the whistling stops ]. Thank you. [ She puts up her tuning-fork ]. He shall not move a muscle until I come to fetch him.

THE ENVOY'S WIFE. Oh! he will be frightfully angry! Did you hear what he said to me?

ZOO. Much we care for his anger!

THE DAUGHTER [ coming forward between her mother and Zoo ]. Please, madam, whose statue is it? and where can I buy a picture postcard of it? It is so funny. I will take a snapshot when we are coming back; but they come out so badly sometimes.

ZOO. They will give you pictures and toys in the temple to take away with you. The story of the statue is too long. It would bore you [ she goes past them across the courtyard to get rid of them ].

THE WIFE [ gushing ] Oh no, I assure you.

THE DAUGHTER [ copying her mother ] We should be so interested.

ZOO. Nonsense! All I can tell you about it is that a thousand years ago, when the whole world was given over to you shortlived people, there was a war called the War to end War. In the war which followed it about ten years later, hardly any soldiers were killed; but seven of the capital cities of Europe were wiped out of existence. It seems to have been a great joke: for the statesmen who thought they had sent ten million common men to their deaths were themselves blown into fragments with their houses and families, while the ten million men lay snugly in the caves they had dug for themselves. Later on even the houses escaped; but their inhabitants were poisoned by gas that spared no living soul. Of course the soldiers starved and ran wild; and that was the end of pseudo-Christian civilization. The last civilized thing that happened was that the statesmen discovered that cowardice was a great patriotic virtue; and a public monument was erected to its first preacher, an ancient and very fat sage called Sir John Falstaff. Well [ pointing ], thats Falstaff.

THE ELDERLY GENTLEMAN [ coming from the portico to his granddaughter's right ] Great Heavens! And at the base of this monstrous poltroon's statue the War God of Turania is now gibbering impotently.

ZOO. Serve him right! War God indeed!

THE ENVOY [ coming between his wife and Zoo ] I don't know any history: a modern Prime Minister has something better to do than sit reading books; but—

THE ELDERLY GENTLEMAN [ interrupting him encouragingly ] You make history, Ambrose.

THE ENVOY. Well, perhaps I do; and perhaps history makes me. I hardly recognize myself in the newspapers sometimes, though I suppose leading articles are the materials of history, as you might say. But what I want to know is, how did war come back again? and how did they make those poisonous gases you speak of? We should be glad to know; for they might come in very handy if we have to fight Turania. Of course I am all for peace, and don't hold with the race of armaments in principle; still, we must keep ahead or be wiped out.

ZOO. You can make the gases for yourselves when your chemists find out how. Then you will do as you did before: poison each other until there are no chemists left, and no civilization. You will then begin all over again as half-starved ignorant savages, and fight with boomerangs and poisoned arrows until you work up to the poison gases and high explosives once more, with the same result. That is, unless we have sense enough to make an end of this ridiculous game by destroying you.

THE ENVOY [ aghast ] Destroying us!

THE ELDERLY GENTLEMAN. I told you, Ambrose. I warned you.

THE ENVOY. But—

ZOO [ impatiently ] I wonder what Zozim is doing. He ought to be here to receive you.

THE ELDERLY GENTLEMAN. Do you mean that rather insufferable young man whom you found boring me on the pier?

ZOO. Yes. He has to dress-up in a Druid's robe, and put on a wig and a long false beard, to impress you silly people. I have to put on a purple mantle. I have no patience with such mummery; but you expect it from us; so I suppose it must be kept up. Will you wait here until Zozim comes, please [ she turns to enter the temple ].

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