GEORGE SHAW - Collected Works

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This Collected Works contains:
An Unsocial Socialist
Androcles and the Lion
Annajanska, the Bolshevik Empress
Arms and the Man
Augustus Does His Bit: A True-to-Life Farce
Back to Methuselah: A Metabiological Pentateuch
Caesar and Cleopatra
Candida
Candida: Ein Mysterium in drei Akten
Captain Brassbound's Conversion
Cashel Byron's Profession
Fanny's First Play
Getting Married
Great Catherine (Whom Glory Still Adores)
Heartbreak House
How He Lied to Her Husband
John Bull's Other Island
Major Barbara
Man and Superman: A Comedy and a Philosophy
Maxims for Revolutionists
Misalliance
Mrs. Warren's Profession
O'Flaherty V.C.: A Recruiting Pamphlet
On the Prospects of Christianity / Bernard Shaw's Preface to Androcles and the Lion
Overruled
Preface to Major Barbara: First Aid to Critics
Press Cuttings
Pygmalion
Revolutionist's Handbook and Pocket Companion
The Admirable Bashville; Or, Constancy Unrewarded / Being the Novel of Cashel Byron's Profession Done into a Stage Play in Three Acts and in Blank Verse, with a Note on Modern Prize Fighting
The Dark Lady of the Sonnets
The Devil's Disciple
The Doctor's Dilemma
The Doctor's Dilemma: Preface on Doctors
The Impossibilities of Anarchism
The Inca of Perusalem: An Almost Historical Comedietta
The Irrational Knot / Being the Second Novel of His Nonage
The Man of Destiny
The Miraculous Revenge
The Perfect Wagnerite: A Commentary on the Niblung's Ring
The Philanderer
The Shewing-up of Blanco Posnet
Treatise on Parents and Children
You Never Can Tell
George Bernard Shaw was an Irish playwright, critic, polemicist and political activist. His influence on Western theatre, culture and politics extended from the 1880s to his death and beyond. He wrote more than sixty plays, including major works such as Man and Superman (1902) and Pygmalion (1912). With a range incorporating both contemporary satire and historical allegory, Shaw became the leading dramatist of his generation, and in 1925 was awarded the Nobel Prize in Literature.

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BURGE. Do you suggest that I have not the support and confidence of the party?

LUBIN. I dont suggest anything, my dear Burge. Mr Barnabas will tell you that we all think very highly of you. The country owes you a great deal. During the war, you did very creditably over the munitions; and if you were not quite so successful with the peace, nobody doubted that you meant well.

BURGE. Very kind of you, Lubin. Let me remark that you cannot lead a progressive party without getting a move on.

LUBIN. You mean you cannot. I did it for ten years without the least difficulty. And very comfortable, prosperous, pleasant years they were.

BURGE. Yes; but what did they end in?

LUBIN. In you, Burge. You don't complain of that, do you?

BURGE [ fiercely ] In plague, pestilence, and famine; battle, murder, and sudden death.

LUBIN [ with an appreciative chuckle ] The Nonconformist can quote the prayer-book for his own purposes, I see. How you enjoyed yourself over that business, Burge! Do you remember the Knock-Out Blow?

BURGE. It came off: don't forget that. Do you remember fighting to the last drop of your blood?

LUBIN [ unruffled, to Franklyn ] By the way, I remember your brother Conrad—a wonderful brain and a dear good fellow—explaining to me that I couldn't fight to the last drop of my blood, because I should be dead long before I came to it. Most interesting, and quite true. He was introduced to me at a meeting where the suffragettes kept disturbing me. They had to be carried out kicking and making a horrid disturbance.

CONRAD. No: it was later, at a meeting to support the Franchise Bill which gave them the vote.

LUBIN [ discovering Conrad's presence for the first time ] Youre right: it was. I knew it had something to do with women. My memory never deceives me. Thank you. Will you introduce me to this gentleman, Barnabas?

CONRAD [ not at all affably ] I am the Conrad in question. [ He sits down in dudgeon on the vacant Chippendale ].

LUBIN. Are you? [ Looking at him pleasantly ] Yes: of course you are. I never forget a face. But [ with an arch turn of his eyes to Savvy ] your pretty niece engaged all my powers of vision.

BURGE. I wish youd be serious, Lubin. God knows we have passed through times terrible enough to make any man serious.

LUBIN. I do not think I need to be reminded of that. In peace time I used to keep myself fresh for my work by banishing all worldly considerations from my mind on Sundays; but war has no respect for the Sabbath; and there have been Sundays within the last few years on which I have had to play as many as sixty-six games of bridge to keep my mind off the news from the front.

BURGE [ scandalized ] Sixty-six games of bridge on Sunday!!!

LUBIN. You probably sang sixty-six hymns. But as I cannot boast either your admirable voice or your spiritual fervor, I had to fall back on bridge.

FRANKLYN. If I may go back to the subject of your visit, it seems to me that you may both be completely superseded by the Labor Party.

BURGE. But I am in the truest sense myself a Labor leader. I—[ he stops, as Lubin has risen with a half-suppressed yawn, and is already talking calmly, but without a pretence of interest ].

LUBIN. The Labor Party! Oh no, Mr Barnabas. No, no, no, no, no. [ He moves in Savvy's direction ]. There will be no trouble about that. Of course we must give them a few seats: more, I quite admit, than we should have dreamt of leaving to them before the war; but—[ by this time he has reached the sofa where Savvy and Haslam are seated. He sits down between them; takes her hand; and drops the subject of Labor ]. Well, my dear young lady? What is the latest news? Whats going on? Have you seen Shoddy's new play? Tell me all about it, and all about the latest books, and all about everything.

SAVVY. You have not met Mr Haslam. Our Rector.

LUBIN [ who has quite overlooked Haslam ] Never heard of him. Is he any good?

FRANKLYN. I was introducing him. This is Mr Haslam.

HASLAM. How d'ye do?

LUBIN. I beg your pardon, Mr Haslam. Delighted to meet you. [ To Savvy ] Well, now, how many books have you written?

SAVVY [ rather overwhelmed but attracted ] None. I don't write.

LUBIN. You dont say so; Well, what do you do? Music? Skirt-dancing?

SAVVY. I dont do anything.

LUBIN. Thank God! You and I were born for one another. Who is your favorite poet, Sally?

SAVVY. Savvy.

LUBIN. Savvy! I never heard of him. Tell me all about him. Keep me up to date.

SAVVY. It's not a poet. I am Savvy, not Sally.

LUBIN. Savvy! Thats a funny name, and very pretty. Savvy. It sounds Chinese. What does it mean?

CONRAD. Short for Savage.

LUBIN [ patting her hand ] La belle Sauvage.

HASLAM [ rising and surrendering Savvy to Lubin by crossing to the fireplace ] I suppose the Church is out of it as far as progressive politics are concerned.

BURGE. Nonsense! That notion about the Church being unprogressive is one of those shibboleths that our party must drop. The Church is all right essentially. Get rid of the establishment; get rid of the bishops; get rid of the candlesticks; get rid of the 39 articles; and the Church of England is just as good as any other Church; and I don't care who hears me say so.

LUBIN. It doesn't matter a bit who hears you say so, my dear Burge. [ To Savvy ] Who did you say your favorite poet was?

SAVVY. I dont make pets of poets. Who's yours?

LUBIN. Horace.

SAVVY. Horace who?

LUBIN. Quintus Horatius Flaccus: the noblest Roman of them all, my dear.

SAVVY. Oh, if he is dead, that explains it. I have a theory that all the dead people we feel especially interested in must have been ourselves. You must be Horace's reincarnation.

LUBIN [ delighted ] That is the very most charming and penetrating and intelligent thing that has ever been said to me. Barnabas: will you exchange daughters with me? I can give you your choice of two.

FRANKLYN. Man proposes. Savvy disposes.

LUBIN. What does Savvy say?

BURGE. Lubin: I came here to talk politics.

LUBIN. Yes: you have only one subject, Burge. I came here to talk to Savvy. Take Burge into the next room, Barnabas; and let him rip.

BURGE [ half-angry, half-indulgent ] No; but really, Lubin, we are at a crisis—

LUBIN. My dear Burge, life is a disease; and the only difference between one man and another is the stage of the disease at which he lives. You are always at the crisis; I am always in the convalescent stage. I enjoy convalescence. It is the part that makes the illness worth while.

SAVVY [ half-rising ] Perhaps I'd better run away. I am distracting you.

LUBIN [ making her sit down again ] Not at all, my dear. You are only distracting Burge. Jolly good thing for him to be distracted by a pretty girl. Just what he needs.

BURGE. I sometimes envy you, Lubin. The great movement of mankind, the giant sweep of the ages, passes you by and leaves you standing.

LUBIN. It leaves me sitting, and quite comfortable, thank you. Go on sweeping. When you are tired of it, come back; and you will find England where it was, and me in my accustomed place, with Miss Savvy telling me all sorts of interesting things.

SAVVY [ who has been growing more and more restless ] Dont let him shut you up, Mr Burge. You know, Mr Lubin, I am frightfully interested in the Labor movement, and in Theosophy, and in reconstruction after the war, and all sorts of things. I daresay the flappers in your smart set are tremendously flattered when you sit beside them and are nice to them as you are being nice to me; but I am not smart; and I am no use as a flapper. I am dowdy and serious. I want you to be serious. If you refuse, I shall go and sit beside Mr Burge, and ask him to hold my hand.

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