Charles Dickens - Charles Dickens' Most Influential Works (Illustrated)

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Our Mutual Friend – explores the conflict between doing what society expects of a person and the idea of being true to oneself
The Pickwick Papers – To extend his researches into the quaint and curious phenomena of life, Samuel Pickwick suggests that he and three other «Pickwickians» should make journeys to places remote from London and report on their findings to the other members.
Oliver Twist is an orphan who starts his life in a workhouse and is then sold into apprenticeship with an undertaker. He escapes from there and travels to London, where he meets the Artful Dodger, a member of a gang of juvenile pickpockets led by the elderly criminal, Fagin…
A Christmas Carol tells the story of a bitter old miser named Ebenezer Scrooge and his transformation after visitations by the ghost of his former business partner and the Ghosts of Christmas Past, Present and Yet to Come.
David Copperfield is a fatherless boy who is sent to lodge with his housekeeper's family after his mother remarries, but when his mother dies he decides to run away…
Hard Times is set in the fictional city of Coketown and it is centered around utilitarian and industrial influences on Victorian society.
A Tale of Two Cities depicts the plight of the French peasantry demoralized by the French aristocracy in the years leading up to the revolution, and many unflattering social parallels with life in London during the same period.
Great Expectations depicts the personal growth and development of an orphan nicknamed Pip in Kent and London in the early to mid-19th century.
Bleak House – legal thriller based on true events.
Little Dorrit – criticize the institution of debtors' prisons, the shortcomings of both government and society.
COLLECTED LETTERS
THE LIFE OF CHARLES DICKENS by John Forster

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After I had pondered a little over this encouraging sentiment, I asked Mr. Jaggers if I could send for a coach? He said it was not worth while, I was so near my destination; Wemmick should walk round with me, if I pleased.

I then found that Wemmick was the clerk in the next room. Another clerk was rung down from up stairs to take his place while he was out, and I accompanied him into the street, after shaking hands with my guardian. We found a new set of people lingering outside, but Wemmick made a way among them by saying coolly yet decisively, “I tell you it’s no use; he won’t have a word to say to one of you;” and we soon got clear of them, and went on side by side.

Chapter XXI

Table of Contents

Casting my eyes on Mr. Wemmick as we went along, to see what he was like in the light of day, I found him to be a dry man, rather short in stature, with a square wooden face, whose expression seemed to have been imperfectly chipped out with a dull-edged chisel. There were some marks in it that might have been dimples, if the material had been softer and the instrument finer, but which, as it was, were only dints. The chisel had made three or four of these attempts at embellishment over his nose, but had given them up without an effort to smooth them off. I judged him to be a bachelor from the frayed condition of his linen, and he appeared to have sustained a good many bereavements; for he wore at least four mourning rings, besides a brooch representing a lady and a weeping willow at a tomb with an urn on it. I noticed, too, that several rings and seals hung at his watch-chain, as if he were quite laden with remembrances of departed friends. He had glittering eyes, — small, keen, and black, — and thin wide mottled lips. He had had them, to the best of my belief, from forty to fifty years.

“So you were never in London before?” said Mr. Wemmick to me.

“No,” said I.

“I was new here once,” said Mr. Wemmick. “Rum to think of now!”

“You are well acquainted with it now?”

“Why, yes,” said Mr. Wemmick. “I know the moves of it.”

“Is it a very wicked place?” I asked, more for the sake of saying something than for information.

“You may get cheated, robbed, and murdered in London. But there are plenty of people anywhere, who’ll do that for you.”

“If there is bad blood between you and them,” said I, to soften it off a little.

“O! I don’t know about bad blood,” returned Mr. Wemmick; “there’s not much bad blood about. They’ll do it, if there’s anything to be got by it.”

“That makes it worse.”

“You think so?” returned Mr. Wemmick. “Much about the same, I should say.”

He wore his hat on the back of his head, and looked straight before him: walking in a self-contained way as if there were nothing in the streets to claim his attention. His mouth was such a post-office of a mouth that he had a mechanical appearance of smiling. We had got to the top of Holborn Hill before I knew that it was merely a mechanical appearance, and that he was not smiling at all.

“Do you know where Mr. Matthew Pocket lives?” I asked Mr. Wemmick.

“Yes,” said he, nodding in the direction. “At Hammersmith, west of London.”

“Is that far?”

“Well! Say five miles.”

“Do you know him?”

“Why, you’re a regular cross-examiner!” said Mr. Wemmick, looking at me with an approving air. “Yes, I know him. I know him!”

There was an air of toleration or depreciation about his utterance of these words that rather depressed me; and I was still looking sideways at his block of a face in search of any encouraging note to the text, when he said here we were at Barnard’s Inn. My depression was not alleviated by the announcement, for, I had supposed that establishment to be an hotel kept by Mr. Barnard, to which the Blue Boar in our town was a mere public-house. Whereas I now found Barnard to be a disembodied spirit, or a fiction, and his inn the dingiest collection of shabby buildings ever squeezed together in a rank corner as a club for Tomcats.

We entered this haven through a wicket-gate, and were disgorged by an introductory passage into a melancholy little square that looked to me like a flat burying-ground. I thought it had the most dismal trees in it, and the most dismal sparrows, and the most dismal cats, and the most dismal houses (in number half a dozen or so), that I had ever seen. I thought the windows of the sets of chambers into which those houses were divided were in every stage of dilapidated blind and curtain, crippled flowerpot, cracked glass, dusty decay, and miserable makeshift; while To Let, To Let, To Let, glared at me from empty rooms, as if no new wretches ever came there, and the vengeance of the soul of Barnard were being slowly appeased by the gradual suicide of the present occupants and their unholy interment under the gravel. A frowzy mourning of soot and smoke attired this forlorn creation of Barnard, and it had strewn ashes on its head, and was undergoing penance and humiliation as a mere dusthole. Thus far my sense of sight; while dry rot and wet rot and all the silent rots that rot in neglected roof and cellar, — rot of rat and mouse and bug and coaching-stables near at hand besides — addressed themselves faintly to my sense of smell, and moaned, “Try Barnard’s Mixture.”

So imperfect was this realisation of the first of my great expectations, that I looked in dismay at Mr. Wemmick. “Ah!” said he, mistaking me; “the retirement reminds you of the country. So it does me.”

He led me into a corner and conducted me up a flight of stairs, — which appeared to me to be slowly collapsing into sawdust, so that one of those days the upper lodgers would look out at their doors and find themselves without the means of coming down, — to a set of chambers on the top floor. MR. POCKET, JUN., was painted on the door, and there was a label on the letter-box, “Return shortly.”

“He hardly thought you’d come so soon,” Mr. Wemmick explained. “You don’t want me any more?”

“No, thank you,” said I.

“As I keep the cash,” Mr. Wemmick observed, “we shall most likely meet pretty often. Good day.”

“Good day.”

I put out my hand, and Mr. Wemmick at first looked at it as if he thought I wanted something. Then he looked at me, and said, correcting himself, —

“To be sure! Yes. You’re in the habit of shaking hands?”

I was rather confused, thinking it must be out of the London fashion, but said yes.

“I have got so out of it!” said Mr. Wemmick, — ”except at last. Very glad, I’m sure, to make your acquaintance. Good day!”

When we had shaken hands and he was gone, I opened the staircase window and had nearly beheaded myself, for, the lines had rotted away, and it came down like the guillotine. Happily it was so quick that I had not put my head out. After this escape, I was content to take a foggy view of the Inn through the window’s encrusting dirt, and to stand dolefully looking out, saying to myself that London was decidedly overrated.

Mr. Pocket, Junior’s, idea of Shortly was not mine, for I had nearly maddened myself with looking out for half an hour, and had written my name with my finger several times in the dirt of every pane in the window, before I heard footsteps on the stairs. Gradually there arose before me the hat, head, neckcloth, waistcoat, trousers, boots, of a member of society of about my own standing. He had a paper-bag under each arm and a pottle of strawberries in one hand, and was out of breath.

“Mr. Pip?” said he.

“Mr. Pocket?” said I.

“Dear me!” he exclaimed. “I am extremely sorry; but I knew there was a coach from your part of the country at midday, and I thought you would come by that one. The fact is, I have been out on your account, — not that that is any excuse, — for I thought, coming from the country, you might like a little fruit after dinner, and I went to Covent Garden Market to get it good.”

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