Charles Dickens - Charles Dickens' Most Influential Works (Illustrated)

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Our Mutual Friend – explores the conflict between doing what society expects of a person and the idea of being true to oneself
The Pickwick Papers – To extend his researches into the quaint and curious phenomena of life, Samuel Pickwick suggests that he and three other «Pickwickians» should make journeys to places remote from London and report on their findings to the other members.
Oliver Twist is an orphan who starts his life in a workhouse and is then sold into apprenticeship with an undertaker. He escapes from there and travels to London, where he meets the Artful Dodger, a member of a gang of juvenile pickpockets led by the elderly criminal, Fagin…
A Christmas Carol tells the story of a bitter old miser named Ebenezer Scrooge and his transformation after visitations by the ghost of his former business partner and the Ghosts of Christmas Past, Present and Yet to Come.
David Copperfield is a fatherless boy who is sent to lodge with his housekeeper's family after his mother remarries, but when his mother dies he decides to run away…
Hard Times is set in the fictional city of Coketown and it is centered around utilitarian and industrial influences on Victorian society.
A Tale of Two Cities depicts the plight of the French peasantry demoralized by the French aristocracy in the years leading up to the revolution, and many unflattering social parallels with life in London during the same period.
Great Expectations depicts the personal growth and development of an orphan nicknamed Pip in Kent and London in the early to mid-19th century.
Bleak House – legal thriller based on true events.
Little Dorrit – criticize the institution of debtors' prisons, the shortcomings of both government and society.
COLLECTED LETTERS
THE LIFE OF CHARLES DICKENS by John Forster

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At length, as I was looking out at the iron gate of Bartholomew Close into Little Britain, I saw Mr. Jaggers coming across the road towards me. All the others who were waiting saw him at the same time, and there was quite a rush at him. Mr. Jaggers, putting a hand on my shoulder and walking me on at his side without saying anything to me, addressed himself to his followers.

First, he took the two secret men.

“Now, I have nothing to say to you,” said Mr. Jaggers, throwing his finger at them. “I want to know no more than I know. As to the result, it’s a toss-up. I told you from the first it was a toss-up. Have you paid Wemmick?”

“We made the money up this morning, sir,” said one of the men, submissively, while the other perused Mr. Jaggers’s face.

“I don’t ask you when you made it up, or where, or whether you made it up at all. Has Wemmick got it?”

“Yes, sir,” said both the men together.

“Very well; then you may go. Now, I won’t have it!” said Mr Jaggers, waving his hand at them to put them behind him. “If you say a word to me, I’ll throw up the case.”

“We thought, Mr. Jaggers — ” one of the men began, pulling off his hat.

“That’s what I told you not to do,” said Mr. Jaggers. “You thought! I think for you; that’s enough for you. If I want you, I know where to find you; I don’t want you to find me. Now I won’t have it. I won’t hear a word.”

The two men looked at one another as Mr. Jaggers waved them behind again, and humbly fell back and were heard no more.

“And now you!” said Mr. Jaggers, suddenly stopping, and turning on the two women with the shawls, from whom the three men had meekly separated, — ”Oh! Amelia, is it?”

“Yes, Mr. Jaggers.”

“And do you remember,” retorted Mr. Jaggers, “that but for me you wouldn’t be here and couldn’t be here?”

“O yes, sir!” exclaimed both women together. “Lord bless you, sir, well we knows that!”

“Then why,” said Mr. Jaggers, “do you come here?”

“My Bill, sir!” the crying woman pleaded.

“Now, I tell you what!” said Mr. Jaggers. “Once for all. If you don’t know that your Bill’s in good hands, I know it. And if you come here bothering about your Bill, I’ll make an example of both your Bill and you, and let him slip through my fingers. Have you paid Wemmick?”

“O yes, sir! Every farden.”

Very well Then you have done all you have got to do Say another word one - фото 14

“Very well. Then you have done all you have got to do. Say another word — one single word — and Wemmick shall give you your money back.”

This terrible threat caused the two women to fall off immediately. No one remained now but the excitable Jew, who had already raised the skirts of Mr. Jaggers’s coat to his lips several times.

“I don’t know this man!” said Mr. Jaggers, in the same devastating strain: “What does this fellow want?”

“Ma thear Mithter Jaggerth. Hown brother to Habraham Latharuth?”

“Who’s he?” said Mr. Jaggers. “Let go of my coat.”

The suitor, kissing the hem of the garment again before relinquishing it, replied, “Habraham Latharuth, on thuthpithion of plate.”

“You’re too late,” said Mr. Jaggers. “I am over the way.”

“Holy father, Mithter Jaggerth!” cried my excitable acquaintance, turning white, “don’t thay you’re again Habraham Latharuth!”

“I am,” said Mr. Jaggers, “and there’s an end of it. Get out of the way.”

“Mithter Jaggerth! Half a moment! My hown cuthen’th gone to Mithter Wemmick at thith prethent minute, to hoffer him hany termth. Mithter Jaggerth! Half a quarter of a moment! If you’d have the condethenthun to be bought off from the t’other thide — at hany thuperior prithe! — money no object! — Mithter Jaggerth — Mithter — !”

My guardian threw his supplicant off with supreme indifference, and left him dancing on the pavement as if it were red hot. Without further interruption, we reached the front office, where we found the clerk and the man in velveteen with the fur cap.

“Here’s Mike,” said the clerk, getting down from his stool, and approaching Mr. Jaggers confidentially.

“Oh!” said Mr. Jaggers, turning to the man, who was pulling a lock of hair in the middle of his forehead, like the Bull in Cock Robin pulling at the bellrope; “your man comes on this afternoon. Well?”

“Well, Mas’r Jaggers,” returned Mike, in the voice of a sufferer from a constitutional cold; “arter a deal o’ trouble, I’ve found one, sir, as might do.”

“What is he prepared to swear?”

“Well, Mas’r Jaggers,” said Mike, wiping his nose on his fur cap this time; “in a general way, anythink.”

Mr. Jaggers suddenly became most irate. “Now, I warned you before,” said he, throwing his forefinger at the terrified client, “that if you ever presumed to talk in that way here, I’d make an example of you. You infernal scoundrel, how dare you tell ME that?”

The client looked scared, but bewildered too, as if he were unconscious what he had done.

“Spooney!” said the clerk, in a low voice, giving him a stir with his elbow. “Soft Head! Need you say it face to face?”

“Now, I ask you, you blundering booby,” said my guardian, very sternly, “once more and for the last time, what the man you have brought here is prepared to swear?”

Mike looked hard at my guardian, as if he were trying to learn a lesson from his face, and slowly replied, “Ayther to character, or to having been in his company and never left him all the night in question.”

“Now, be careful. In what station of life is this man?”

Mike looked at his cap, and looked at the floor, and looked at the ceiling, and looked at the clerk, and even looked at me, before beginning to reply in a nervous manner, “We’ve dressed him up like — ” when my guardian blustered out, —

“What? You WILL, will you?”

(“Spooney!” added the clerk again, with another stir.)

After some helpless casting about, Mike brightened and began again: —

“He is dressed like a ‘spectable pieman. A sort of a pastrycook.”

“Is he here?” asked my guardian.

“I left him,” said Mike, “a setting on some doorsteps round the corner.”

“Take him past that window, and let me see him.”

The window indicated was the office window. We all three went to it, behind the wire blind, and presently saw the client go by in an accidental manner, with a murderous-looking tall individual, in a short suit of white linen and a paper cap. This guileless confectioner was not by any means sober, and had a black eye in the green stage of recovery, which was painted over.

“Tell him to take his witness away directly,” said my guardian to the clerk, in extreme disgust, “and ask him what he means by bringing such a fellow as that.”

My guardian then took me into his own room, and while he lunched, standing, from a sandwich-box and a pocket-flask of sherry (he seemed to bully his very sandwich as he ate it), informed me what arrangements he had made for me. I was to go to “Barnard’s Inn,” to young Mr. Pocket’s rooms, where a bed had been sent in for my accommodation; I was to remain with young Mr. Pocket until Monday; on Monday I was to go with him to his father’s house on a visit, that I might try how I liked it. Also, I was told what my allowance was to be, — it was a very liberal one, — and had handed to me from one of my guardian’s drawers, the cards of certain tradesmen with whom I was to deal for all kinds of clothes, and such other things as I could in reason want. “You will find your credit good, Mr. Pip,” said my guardian, whose flask of sherry smelt like a whole caskful, as he hastily refreshed himself, “but I shall by this means be able to check your bills, and to pull you up if I find you outrunning the constable. Of course you’ll go wrong somehow, but that’s no fault of mine.”

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